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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The
Not classified
111,723
Piano & keyboards
Piano solo
111,534
Piano, Voice
59,726
Piano, Vocal and Guitar
48,754
Easy Piano
33,006
Organ
8,555
C Instruments
7,749
Big Note Piano
5,871
Piano Accompaniment
4,756
1 Piano, 4 hands
3,550
Accordion
2,443
Piano Trio: piano, violin, cello
1,094
Piano (band part)
1,053
2 Pianos, 4 hands
664
Piano Quartet: piano, violin, viola, cello
301
Piano Quartet: piano, 2 violins, cello
279
Organ, Piano (duet)
230
Piano Quintet: piano, 2 violins, viola, cello
227
Melody line, Piano
186
Organ, Trumpet (duet)
185
Harpsichord
136
Keyboard
129
1 Piano, 6 hands
103
Accordion, Voice
79
Solo instrument and Organ
64
2 Pianos, 8 hands
43
2 Accordions
30
Accordion ensemble
21
Organ, Voice
13
All Instruments
9
Fake Book
8
Accordion, Piano
5
2 Organs (duet)
4
Accordion and Orchestra
3
Accordion, String(s)
3
Concertina
2
3 Pianos
2
Piano ensembles
2
Organ and Orchestra
1
Piano Quintet: piano, violin, viola, cello, double bass
1
Piano Trio: mixed chamber instrumentation
1
+ 35 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29,683
Melody line, (Lyrics) and Chords
27,610
Guitar
10,626
Lyrics and Chords
8,634
Ukulele
7,480
Bass guitar
6,091
Guitar (band part)
1,113
2 Guitars (duet)
787
Mandolin
752
Piano, Guitar (duet)
577
Banjo
564
Dulcimer
522
4 Guitars (Quartet)
299
Guitar Ensemble
229
Baritone Ukulele
181
Electric Bass (band part)
146
3 Guitars (trio)
123
Ukulele Ensemble
114
Band Scores
91
Lap Steel Guitar
51
2 Dulcimers (duet)
39
Guitar, Violin, Cello (trio)
24
Dobro
21
Mandolin, Guitar (duet)
20
2 Ukuleles
17
Mandolin, Piano (duet)
14
Guitar, Flute, Clarinet
9
Guitar Tab, Voice, Bass, Drum
8
Zither
8
Lute
7
2 Mandolins (duet)
6
3 Dulcimers (trio)
4
Guitar, Orchestra
4
Guitar, String Quartet
4
Bouzouki
2
2 Guitars and Orchestra
1
Plectrum Orchestra
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
40,187
Choral 3-part
14,434
Choral 2-part
10,285
Choral Instrumental Pak
9,048
Choral TTBB
7,492
Choral Unison
5,146
Choral SSAA
3,994
Vocal duet, Piano
2,861
Choral
2,602
Voice solo
2,582
Vocal duet
1,165
Soprano voice, Piano
904
High voice
812
Alto voice, Piano
619
Tenor voice, Piano
582
Baritone voice, Piano
375
Low voice, Piano
266
Medium voice, Piano
221
Tenor voice
117
Choral SSATB
116
Choral SSAATTBB
115
Voice, Guitar
89
Mezzo-Soprano voice, Piano
63
Soprano voice
54
Choral SSATTB
49
Choral SSAB a cappella
44
Soli, Mixted choir and accompaniment
41
Low voice
39
Choral SSAB, Piano
33
Choral SSATBB
23
High voice, Piano
18
Baritone voice
18
Choral SSAATB
16
Choral, Organ
12
Choral SATBB
10
Medium Voice
9
Voix Masculines
8
Choral SAATB A Cappella
7
Soprano voice, Orchestra
6
Choral SATTBB A Cappella
4
Choral SATTB
4
Vocal (with Chords Symbols)
3
Lyrics only
2
Choral SATTBB, keyboard
1
Vocal duet, Organ
1
Choral SSAATB A Cappella
1
Children choir
1
+ 42 instrumentations
-
Retract
Woodwind
Saxophone (band part)
10,734
Flute
10,209
Flute and Piano
9,221
Clarinet
8,842
Saxophone Quartet: 4 saxophones
7,341
Alto Saxophone
6,755
Clarinet and Piano
6,387
Saxophone
6,018
Tenor Saxophone
5,880
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,142
Oboe, Piano (duet)
5,109
Flute, Oboe, Clarinet, Bassoon
4,971
Alto Saxophone and Piano
4,931
Clarinet (band part)
4,782
2 Saxophones (duet)
4,685
Clarinet Quartet: 4 clarinets
4,017
2 Flutes (duet)
3,845
Tenor Saxophone and Piano
3,605
2 Clarinets (duet)
3,257
Oboe (band part)
3,150
Flute (band part)
2,533
Soprano Saxophone and Piano
2,274
Saxophone Quintet: 5 Saxophones
2,133
Flute Quartet: 4 flutes
2,056
3 Saxophones (trio)
1,724
3 Clarinets (trio)
1,622
Flute, Clarinet (duet)
1,438
Clarinet Ensemble
1,242
Oboe
1,224
Flute Trio: 3 flutes
1,082
Baritone Saxophone, Piano
1,043
Flute ensemble
972
Recorder
941
Clarinet Quintet: 5 clarinets
939
Flute and Guitar
910
2 Oboes (duet)
880
Saxophone ensemble
856
Oboe, Bassoon (duet)
725
2 Recorders (duet)
708
Clarinet, Violin (duet)
695
Soprano Saxophone
693
English horn, Piano
680
Descant (Soprano) Recorder
654
Flute, Violin
612
Harmonica
587
Oboe, Clarinet (duet)
582
Eb Instruments
563
Saxophone, Clarinet (duet)
550
Ocarina
540
Flute, Oboe, Clarinet (trio)
469
Flute, Violin, Piano
466
Flute, Clarinet and Bassoon.
431
Treble (Alto) Recorder
431
Flute, Violoncello
399
Bass Clarinet, Piano
383
Clarinet, Bassoon (duet)
382
Recorder Quartet
373
Flute, Oboe (duet)
342
Flute Quintet : 5 flutes
339
Flute, Oboe, Bassoon
329
Clarinet, Guitar (duet)
315
Clarinet, Trumpet (duet)
306
Oboe, Flute
306
Flute, Viola (duet)
301
Clarinet and Viola
295
Oboe, Clarinet, Bassoon (trio)
283
Clarinet, Cello (duet)
259
Baritone Saxophone
251
Flute, Saxophone (duet)
229
Clarinet, Harp (duet)
225
Flute, Clarinet, Piano (trio)
222
Flute, Trumpet (duet)
222
Flute, Violin and Violoncello
220
English Horn
217
Flute, Cello, Piano (trio)
205
Oboe, Cello
187
2 Flutes, Piano
157
Bass Clarinet
145
Treble (Alto) Recorder, Piano
139
Piccolo
139
2 Saxophones, Piano
135
Descent (Soprano) Recorder, Piano
133
Recorder Ensemble
132
3 Recorders (trio)
130
2 Clarinets, Piano
128
3 Oboes
126
Flute, Trombone (duet)
114
Oboe, Violin (duet)
110
Flute, Oboe, Violin
106
Pennywhistle
105
Flute, Bassoon, and Piano
104
Flute, Clarinet, Violin (trio)
102
Tenor Recorder
98
Saxophone and Guitar
97
Oboe, Guitar (duet)
96
Saxophone and Piano
94
Clarinet, Cello, Piano (trio)
94
5 Recorders
90
Flute, Oboe, Piano (trio)
81
Recorder, Piano
76
Oboe and viola (duet)
75
Flute, harp and violin
74
2 Clarinets, Bassoon
73
English Horn, Guitar (duet)
73
Flute, Harp and Cello
67
Piccolo, Piano
66
Flute, Viola and Piano
64
Clarinet, Trombone (duet)
63
Bagpipe
61
4 Oboes
51
Saxophone and Organ
51
Flute, Clarinet, Horn and Bassoon (Quartet)
49
Flute, Violin, Violoncello and Piano
44
Saxophone, Violin (duet)
41
Clarinet, Bassoon, Piano (trio)
40
Flute, Tuba (duet)
40
Saxophone and Harp
36
Oboe, Harp
35
Flute, Organ (duet)
35
Oboe, Trumpet (duet)
31
Flute, trombone and piano
30
Oboe, Trombone (duet)
30
Clarinet, Tuba
29
Flute and Strings Trio
27
Clarinet Quartet: Clarinet, Violin, Viola, Cello
27
Clarinette, Viola and Piano (trio)
25
Clarinet Quintet: Clarinet, String Quartet
22
Flute, Cello, Guitar
22
Wind ensemble
21
Oboe, Bassoon and Piano
19
Treble (Alto) Recorder, Basso continuo
19
Oboe, Cello and Piano
19
2 English horns and Pianoforte
18
Recorder, Guitar (duet)
18
Saxophone, Bassoon (duet)
18
Clarinet, trumpet and piano
18
Oboe, Clarinet and Piano (Trio)
15
Clarinet, Organ
14
Clarinet, Orchestra
14
Clarinet, Double bass (duet)
14
Oboe, Violin, Piano
13
Flute, Viola and harp
12
Harmonica, Piano
11
Flute, French horn (duet)
11
Saxophone and cello
11
Oboe ensemble
11
Flute, Violin, Guitar
10
2 Oboes, Piano
10
2 Recorders, Piano
10
Flute, Basso continuo
9
Oboe, Violin, Viola and Violoncello (Quartet)
9
Flute, Viola and Cello
8
Flute and String Quartet
7
2 Flutes and Guitar
6
2 Harmonicas
6
Pan Flute
6
English horn, Harp (duet)
5
Flute, Orchestra
5
Recorder, Harp
5
Melodica
4
2 Flutes, 2 Clarinets (Quartet)
4
Descant (Soprano) Recorder, Basso continuo
3
2 Oboes and Basson
3
Clarinet, Saxophone, Piano
3
2 Flutes and Harp
3
2 Oboes and English horn
3
2 Recorders, Guitar
2
Saxophone, Tuba (duet)
2
Flute, Guitar, Piano
1
Oboe and Orchestra
1
2 Flutes, Basso continuo
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, viola, cello and guitar
1
Oboe, Organ
1
3 Recorders, Piano
1
+ 170 instrumentations
-
Retract
Woodbrass
Trumpet
8,852
Trombone
7,143
Trumpet (band part)
6,898
Brass Quintet: 2 trumpets, horn, trombone, tuba
6,873
Trombone (band part)
6,754
Trumpet, Piano
4,718
French horn
4,404
Trombone and Piano
4,218
Brass quartet : 2 trumpets, trombone, tuba
3,503
French Horn and Piano
3,039
French horn (band part)
2,396
Tuba
1,769
2 Trumpets (duet)
1,744
Tuba (band part)
1,700
2 Trombones (duet)
1,607
Brass Quartet: 2 trumpets, horn, trombone
1,468
Brass Quartet
1,422
Tuba and Piano
1,326
Trumpet, Trombone (duet)
913
Brass Quartet: 4 trombones
809
2 French horns (duet)
798
Euphonium
705
English horn, Piano
680
Bass Clef Instruments
680
Euphonium, Piano (duet)
659
Brass Quartet: 4 horns
645
Bb Instruments
551
Trumpet, Saxophone (duet)
454
Trumpet, Horn (duert)
441
2 Euphoniums and 2 Tubas
387
Trombone ensemble
369
3 Trombones (trio)
295
Brass Trio
287
2 Tubas (duet)
270
English Horn
217
Trumpet ensemble
201
4 Tubas
198
Horn Ensemble
174
3 Trumpets (trio)
174
Brass Quartet: 4 trumpets
155
Tuba or Euphonium or Saxhorn
126
Tuba and Organ
122
Trumpet, Tuba (duet)
110
Trombone, Tuba (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
92
Euphonium, Tuba (duet)
85
F Instruments
80
Cornet
75
Bass Trombone and Piano
75
English Horn, Guitar (duet)
73
Horn, Cello (duet)
71
Trumpet, violin (duet)
67
Trombone, Horn (duet)
65
Bass Trombone
62
2 Trumpets, Keyboard (piano or organ)
62
Trumpet, Cello (duet)
61
Trumpet, Bassoon (duet)
57
Horn, Tuba (duet)
54
Trombone, Violin (duet)
51
3 French horns (trio)
47
French Horn and Harp
46
Trombone, Organ
44
2 Euphoniums (duet)
42
Trombone, cello (duet)
39
Trumpet, Trombone, Piano
33
Trumpet, Cello, Piano
32
Trumpet, Harp
32
French horn and Basson (duet)
29
Clarinet, Horn (duet)
22
3 Tubas (trio)
22
Euphonium (band part)
21
2 Trombones, Piano
19
2 English horns and Pianoforte
18
Horn and Organ
16
Tuba ensemble
16
Trumpet and Guitar
15
Horn, Trumpet, Trombone (trio)
13
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
10
3 Euphoniums
10
2 French horns, Piano
10
Trombone, Viola (duet)
9
Trumpet, Orchestra
8
Cornet and Piano
8
Horn and Orchestra
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Trombone and Orchestra
7
4 Euphoniums
6
English horn, Harp (duet)
5
Instruments en Sol
4
Trumpet, Euphonium (duet)
2
Cornet and Orchestra
2
Horn, Cello and Piano
2
Flügelhorn
2
+ 88 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
18,820
Violin and Piano
11,427
Violin
11,171
Cello
7,866
Cello, Piano
7,303
Viola
6,098
Harp
6,052
Viola, Piano
5,627
Violin, Cello (duet)
3,775
2 Violins (duet)
3,420
Violin (band part)
3,415
String Trio: violin, viola, cello
3,094
2 Cellos (duet)
2,298
Doublebass (band part)
2,014
Violin, Viola (duet)
1,874
Viola (band part)
1,706
String Quintet: 2 violins, viola, cello, bass
1,470
Double Bass
1,437
2 Violas (duet)
1,378
Double bass, Piano (duet)
1,261
String Trio: 2 violins, cello
1,176
Cello (band part)
1,067
Viola, Cello (duet)
829
String Trio: 3 violins
615
4 Cellos
569
2 Harps (duet)
563
Piano Trio: Violin, Viola, Piano
559
Harp, Flute (duet)
527
Violin, Guitar (duet)
443
String Trio: 3 cellos
352
Harp, Violin (duet)
318
String quartet: 4 violins
296
Cello, Guitar (duet)
282
String trio
248
2 Double basses (duet)
244
String Trio: 3 violas
226
String Trio: 2 violins, viola
222
Cello, String Bass (duet)
204
Violin, Bassoon (duet)
197
Viola, Guitar (duet)
189
String Quartet : 4 violas
183
2 Violins, Piano
121
Viola and Bassoon
101
String Quintet: 2 violins, 2 violas, cello
91
Harp, Cello (duet)
80
Violin, Clarinet, Piano (trio)
71
Harp and Piano
61
Harp, Voice
58
Viola and Harp
55
Flute, Doublebass (duet)
51
String Quintet: 2 violins, viola, 2 cellos
50
2 Cellos, Piano
48
Cello, Organ
46
4 Double Basses
44
Harp, Violin, Violoncello
42
Violin, Organ
40
Cello Ensemble
39
Violin ensemble
36
Cello, Orchestra
35
Violin, Tuba (duet)
31
Viola ensemble
31
Harp (band part)
31
Harp and mandolin
23
3 double basses
19
2 Violas, Piano
19
3 Harps
19
Violin, Basso continuo
18
Harp, Trombone (duet)
14
Violin, Cello, Clarinet
13
Autoharp
11
Violoncello, Basso continuo
10
Viola, Organ
9
Violin, Trumpet and Piano
8
Harp and Organ
6
Violin, Double bass (duet)
5
Harp, String quartet
4
4 Harps
4
Viola and orchestra
2
5 Harps
2
Harp, Orchestra
2
2 Violins and Basso
2
+ 76 instrumentations
-
Retract
Orchestra & Percussion
Concert band
38,860
Orchestra
10,176
String Orchestra
9,259
Jazz Ensemble
7,480
Marching band
6,724
Drums
4,747
Handbells
4,382
Brass ensemble
3,903
Percussion (band part)
3,172
Chamber Orchestra
2,300
Jazz combo
1,630
Drum (band part)
1,067
Percussion
901
Percussion Ensemble
813
Timpani (band part)
698
Marimba
300
Xylophone
284
Vibraphone
227
Timpani
191
Xylophone, Piano
122
Woodwind Quintet
111
Snare drums
85
Piano and Orchestra
70
2 Xylophones
54
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
49
Orchestra, Violin
48
Flexible Instrumentation
30
Big band
29
Brass Quintet: other combinaisons
26
Woodwind Quartet: any 4 woodwinds
24
Vibraphone (band part)
21
School Ensemble
16
Vibraphone and Marimba
13
Xylophone (band part)
10
3 Marimbas
8
Xylophone or Marimba or Vibraphone
7
Woodwind Trio: any 3 woodwinds
5
Bongos
4
Voice and Orchestra
3
2 Marimbas
3
Marimba, Piano (duet)
3
Bodhran
3
3 Percussions
3
Marimba or Xylophone and Piano
2
Conga
2
Marimba and Organ
2
Cajon
2
Marimba, Saxophone (duet)
1
2 Snare Drums (duet)
1
Voice Mezzo-Soprano, Orchestra
1
+ 45 instrumentations
-
Retract
Others
Musical course - Solfege
272
Music Theory
53
Instruments
ACCORDION
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BLANK SHEET…
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CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
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MUSICAL COU…
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ORCHESTRA -…
ORCHESTRA P…
ORGAN
OTHER INSTR…
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PANPIPES
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PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
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OTHER INSTRUM…
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The
Soprano Saxophone and Piano
Sheetmusic to print
2,274 sheet music found
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2251
Amazing Grace / The Entertainer (Ragtime Soprano Sax and Piano)
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Soprano Saxophone and Piano
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John Newton, Scott Joplin
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John A
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Amazing Grace / The Entertaine
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John A. Dempsey
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SheetMusicPlus
Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian, Spiritual, Sacred, Jazz, Ragtime. Individual Part, Score, Solo Part. 12 pages. Pu...
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Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian, Spiritual, Sacred, Jazz, Ragtime. Individual Part, Score, Solo Part. 12 pages. Published by John A. Dempsey (S0.216793). - Individual Part,Score,Solo Part - Christian,Spiritual,Sacred,Jazz,Ragtime - John A. Dempsey
$6.99
The Water is Wide (Soprano Sax and Piano)
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Soprano Saxophone and Piano
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Celtic/Irish
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Folkloric/Traditional
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Spiritual, World, Folk, Celtic, Wedding. Individual Part, Score, Solo Part. 10 pages. Publis...
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Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Spiritual, World, Folk, Celtic, Wedding. Individual Part, Score, Solo Part. 10 pages. Published by John A. Dempsey (S0.216509). - Individual Part,Score,Solo Part - Spiritual,World,Folk,Celtic,Wedding - John A. Dempsey
$6.99
Stranger On The Shore for Soprano Saxophone Solo (opt. B-flat Clarinet) with Piano Accompaniment
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Soprano Saxophone and Piano
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Acker Bilk
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Debra E
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Stranger On The Shore for Sopr
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Standard Time
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SheetMusicPlus
By Acker Bilk. Arranged by Debra E. Stempien, Gregory H. Turner. Score, Set of Parts, Solo Part. 6 pages. Published by Standard Time (H0.230295-787743). - Score...
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By Acker Bilk. Arranged by Debra E. Stempien, Gregory H. Turner. Score, Set of Parts, Solo Part. 6 pages. Published by Standard Time (H0.230295-787743). - Score,Set of Parts,Solo Part - - Standard Time
$7.99
Carol of the Bells / God Rest Ye Merry Gentlemen - Soprano sax
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Soprano Saxophone and Piano
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BEGINNER
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Christmas
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Mykola D
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Matt Riley
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Carol of the Bells / God Rest
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www.mattrileymusic.com
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SheetMusicPlus
Composed by Mykola D. Leontovich. Arranged by Matt Riley. For Piano, soprano sax. 21st Century, Christian, Contemporary Christian, Sacred, Christmas. Easy/Begin...
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Composed by Mykola D. Leontovich. Arranged by Matt Riley. For Piano, soprano sax. 21st Century, Christian, Contemporary Christian, Sacred, Christmas. Easy/Beginner. Score, Set of Parts, Solo Part. Published by www.mattrileymusic.com
A fun easy/beginner level Soprano sax and piano arrangement of these two Christmas classics. This duet is perfect for a recital or fun at home.
$4.49
Down to the River to Pray (Soprano Sax and Piano)
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Soprano Saxophone and Piano
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Gospel/Spiritual
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Sacred music
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Traditional Gospel Tune
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John A
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Down to the River to Pray
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John A. Dempsey
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SheetMusicPlus
Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Christian, Gospel, Praise & Worship, Jazz, Blues. Individual Part, Score, Solo Part. 11 pages....
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Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Christian, Gospel, Praise & Worship, Jazz, Blues. Individual Part, Score, Solo Part. 11 pages. Published by John A. Dempsey (S0.222935). - Individual Part,Score,Solo Part - Christian,Gospel,Praise & Worship,Jazz,Blues - John A. Dempsey
$6.99
The Flapper's Ball (1920's-style):Soprano Saxophone & Piano
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Soprano Saxophone and Piano
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Jazz
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Keith Gemmell
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The Flapper's Ball
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Keith Gemmell
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SheetMusicPlus
Composed by Keith Gemmell. Jazz, Dixieland, Swing, Repertoire, General Instructional. Score, Set of Parts. 14 pages. Published by Keith Gemmell (S0.66985). - Sc...
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Composed by Keith Gemmell. Jazz, Dixieland, Swing, Repertoire, General Instructional. Score, Set of Parts. 14 pages. Published by Keith Gemmell (S0.66985). - Score,Set of Parts - Jazz,Dixieland,Swing,Repertoire,General Instructional - Keith Gemmell
$5.99
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Luther: Out of the Depths for Soprano Sax & Piano
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Soprano Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539211. Published by jmsgu3 (A0.549801). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Tcahikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Roma...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 13 pages. Jmsgu3 #3520287. Published by jmsgu3 (A0.549685). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instruc...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,R...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
The Boy And The Heron
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Soprano Saxophone and Piano
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INTERMEDIATE
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Joe Hisaishi
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the renowned Joe Hisaishi, thi
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1418205 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Sco...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1418205 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 pages. Glauco Fernandes #999759. Published by Glauco Fernandes (A0.1418205). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$6.99
The Boy And The Heron
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Soprano Saxophone and Piano
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INTERMEDIATE
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Joe Hisaishi
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the renowned Joe Hisaishi, thi
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1418204 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Sco...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1418204 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 pages. Glauco Fernandes #999758. Published by Glauco Fernandes (A0.1418204). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$6.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easte...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
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DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
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