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PIANO & KEYBOARDS

Piano solo 41 Piano, Vocal and Guitar 26 Piano, Voice 26 Easy Piano 11 C Instruments 6

1 Piano, 4 hands 1 Piano Quartet: piano, 2 violins, cello 1 2 Pianos, 4 hands 1 Piano (band part) 1 Piano Quintet: piano, 2 violins, viola, cello 1 Piano Trio: piano, violin, cello 1

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GUITARS

Ukulele 16 Guitar 8 2 Guitars (duet) 3 Guitar (band part) 2 Guitar notes and tablatures 2

3 Guitars (trio) 1 Melody line, (Lyrics) and Chords 1 Mandolin 1 Bass guitar 1

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VOICE

Choral SATB 19 Alto voice, Piano 4 Choral 3-part 4 Choral SSAA 4 Choral 2-part 3

Choral TTBB 2 Soprano voice, Piano 2 Tenor voice, Piano 1 Vocal duet 1 Baritone voice, Piano 1

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WOODWIND

Saxophone ensemble 23 2 Flutes (duet) 17 Saxophone Quintet: 5 Saxophones 14 Saxophone Quartet: 4 saxophones 14 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10 Oboe (band part) 9 Clarinet 8 Flute and Piano 6 Clarinet Ensemble 6 3 Saxophones (trio) 6 Flute, Oboe, Clarinet, Bassoon 5 Flute ensemble 5 Saxophone (band part) 5 2 Saxophones (duet) 4 Oboe, Piano (duet) 3 Flute Quintet : 5 flutes 3 Soprano Saxophone and Piano 3

Clarinet and Piano 3 Alto Saxophone and Piano 2 Clarinet Quintet: 5 clarinets 2 Clarinet Quartet: 4 clarinets 2 3 Clarinets (trio) 2 Flute, Oboe, Clarinet (trio) 1 Tenor Saxophone and Piano 1 Baritone Saxophone, Piano 1 Bass Clarinet 1 Descent (Soprano) Recorder, Piano 1 2 Clarinets (duet) 1 Flute Trio: 3 flutes 1 Recorder Quartet 1 2 Oboes (duet) 1 Oboe ensemble 1 Flute, Clarinet, Piano (trio) 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 14 Brass Quartet 10 Trumpet ensemble 4 Euphonium, Piano (duet) 4 Trumpet (band part) 4

Trombone ensemble 4 Trombone and Piano 4 Trombone (band part) 3 Trumpet, Piano 3 Horn Ensemble 3 Brass quartet : 2 trumpets, trombone, tuba 3 French Horn and Piano 2 Brass Quartet: 4 horns 1 Brass Quartet: 2 trumpets, horn, trombone 1 2 French horns (duet) 1 Tuba ensemble 1 Tuba and Piano 1 2 Trombones (duet) 1 2 Trumpets (duet) 1 2 Tubas (duet) 1 Bass Clef Instruments 1

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STRINGS

String Quartet: 2 violins, viola, cello 13 2 Violins (duet) 8 Violin, Cello (duet) 7 Violin and Piano 6 Viola, Piano 5

2 Cellos (duet) 4 String Trio: 2 violins, cello 3 String Trio: violin, viola, cello 3 Violin, Viola (duet) 3 Violin 3 Cello, Piano 3 Harp 2 2 Violas (duet) 2 Violin (band part) 2 Cello 1 Double bass, Piano (duet) 1 Doublebass (band part) 1 2 Double basses (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 13 Jazz Ensemble 9 Jazz combo 8 Chamber Orchestra 7 Orchestra 6

Brass ensemble 5 Piano and Orchestra 1 Drum (band part) 1 Drums 1 String Orchestra 1

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Soprano Saxophone and Piano

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3 sheet music found

Wichita Lineman Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1077924 By Glen Campbe…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1077924 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682116. Published by jmsgu3 (A0.1077924). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.

$149.95 138.24 € #Soprano Saxophone and Piano #Glen Campbell #Wichita Lineman #jmsgu3 #SheetMusicPlus

Saint-Saens: The Swan for Soprano Sax & Piano Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns Background Charles-Camille Saint-SaÃ«ns (1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the AnimalsÂ (1886) to the list. Childhood It is important to realize that Saint-SaÃ«ns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-SaÃ«ns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought. Â A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-SaÃ«ns taught for a short time in Paris, where his students included namely Gabriel FaurÃ©. To clarify, Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.38 € #Soprano Saxophone and Piano #Camille Saint-SaÃ«ns #Saint-Saens: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

Saint-Saëns: The Swan for Soprano Sax & Piano Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.38 € #Soprano Saxophone and Piano #Camille Saint-Saens #Saint-Saëns: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus