Download Digital Sheet Music of Old Time Power for Soprano Saxophone and Piano

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PIANO & KEYBOARDS

Piano solo 58 Easy Piano 13 Piano, Voice 8 Piano, Vocal and Guitar 5 Organ 4

C Instruments 4 1 Piano, 4 hands 1 2 Pianos, 4 hands 1 2 Pianos, 8 hands 1 Piano Accompaniment 1 Organ, Piano (duet) 1

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GUITARS

Mandolin 2 Ukulele 2 Guitar 2

VOICE

Choral SATB 22 Choral 3-part 9 Choral TTBB 6 Choral 2-part 4 Choral Unison 3

Low voice, Piano 3 Choral SSAA 2 Alto voice, Piano 2 Vocal duet, Piano 2 Choral 1

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WOODWIND

2 Saxophones (duet) 9 Clarinet and Piano 8 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6 Flute and Piano 6 Soprano Saxophone and Piano 5

Alto Saxophone and Piano 5 Oboe, Piano (duet) 5 Saxophone Quintet: 5 Saxophones 5 2 Flutes (duet) 4 Clarinet, Trumpet (duet) 4 English horn, Piano 4 Saxophone Quartet: 4 saxophones 4 3 Saxophones (trio) 4 Tenor Saxophone and Piano 4 Saxophone, Clarinet (duet) 3 Flute 3 2 Clarinets (duet) 3 Clarinet, Violin (duet) 3 2 Oboes (duet) 2 Clarinet and Viola 2 Flute, Clarinet (duet) 2 Flute Quintet : 5 flutes 2 Recorder Quartet 2 Flute, Viola (duet) 2 Clarinet Quartet: 4 clarinets 2 Baritone Saxophone, Piano 2 Clarinet 2 Flute, Oboe, Clarinet, Bassoon 2 Alto Saxophone 1 Flute ensemble 1 3 Clarinets (trio) 1 Bass Clarinet, Piano 1 Flute and Guitar 1 Flute Trio: 3 flutes 1 Tenor Saxophone 1 Descent (Soprano) Recorder, Piano 1 Oboe (band part) 1 Flute, Saxophone (duet) 1 Flute, Oboe, Clarinet (trio) 1 Oboe ensemble 1 Treble (Alto) Recorder, Piano 1 Bass Clarinet 1 Clarinet Quintet: 5 clarinets 1 Oboe, Flute 1 Clarinet, Harp (duet) 1

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WOODBRASS

English horn, Piano 4 Trumpet, Saxophone (duet) 4 Trumpet, Piano 4 Brass Quintet: 2 trumpets, horn, trombone, tuba 3 Trombone and Piano 3

Trumpet, Trombone (duet) 2 Tuba 2 Euphonium, Piano (duet) 2 Trumpet 2 French Horn and Piano 2 Tuba and Piano 2 Brass Quartet 2 Trombone 1 Bass Trombone and Piano 1 French horn 1

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STRINGS

Violin and Piano 10 Violin, Cello (duet) 7 Cello, Piano 6 Viola, Piano 5 String Quartet: 2 violins, viola, cello 5

String Trio: 2 violins, cello 4 Violin 2 Cello 2 2 Violins (duet) 2 2 Cellos (duet) 2 Violin, Viola (duet) 2 Harp 1 Double Bass 1 String Trio: violin, viola, cello 1 Double bass, Piano (duet) 1 Viola (band part) 1 Cello, Guitar (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 33 Marching band 26 Orchestra 6 String Orchestra 5 Handbells 5

Jazz Ensemble 3 Chamber Orchestra 3 Brass ensemble 3 Percussion Ensemble 1

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OTHERS

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Old Time Power

Soprano Saxophone and Piano

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5 sheet music found

18 Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592602 Composed by Var…(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 49 pages. David McKeown #6404413. Published by David McKeown (A0.592602). 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or twoâ€™s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as followsÂ· O Mary Donâ€™t You Weep, Â· O When the Saints, Â· Old Time Religion, Â· Onward Christian Soldiers, Â· Rock of Ages, Â· Shall We Gather at the River, Â· Stand Up, Stand Up for Jesus, Â· Standing in the Need of Prayer, Â· Swing Low Sweet Chariot, Â· Steal Away, Â· There is a Fountain Filled with Blood, Â· There is Power in the Blood, Â· This Little Light of Mine, Â· Wade in the Water, Â· Were You There? Â· What a Friend We Have in Jesus, Â· When the Roll Is Called Up Yonder, Â· When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$8.49 7.83 € #Soprano Saxophone and Piano #Various # #18 Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano #David McKeown #SheetMusicPlus

Saint-Saens: The Swan for Soprano Sax & Piano Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns Background Charles-Camille Saint-SaÃ«ns (1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the AnimalsÂ (1886) to the list. Childhood It is important to realize that Saint-SaÃ«ns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-SaÃ«ns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought. Â A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-SaÃ«ns taught for a short time in Paris, where his students included namely Gabriel FaurÃ©. To clarify, Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.38 € #Soprano Saxophone and Piano #Camille Saint-SaÃ«ns #Saint-Saens: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

Saint-Saëns: The Swan for Soprano Sax & Piano Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.38 € #Soprano Saxophone and Piano #Camille Saint-Saens #Saint-Saëns: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

My Heart Will Go On (Love Theme From 'titanic') Soprano Saxophone and Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1505077 By Celine Dion…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1505077 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1080485. Published by SCORE EDITIONS (A0.1505077). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.

$5.99 5.52 € #Soprano Saxophone and Piano #Celine Dion #My Heart Will Go On #SCORE EDITIONS #SheetMusicPlus