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You've selected:
Saint-Sa�ns
Soprano Saxophone and Piano
Sheetmusic to print
11 sheet music found
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1
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
EASY
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: Danse Macabre for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
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Halloween
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Camille Saint-Saens
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James M
#
Saint-Saëns: Danse Macabre fo
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549978 Composed by Camille Saint-Saens. Arranged by Jame...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549978 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and parts. 58 pages. Jmsgu3 #4356069. Published by jmsgu3 (A0.549978). Full-length version. Score: 29 pages, 471 measures. Duration: ca. 7:27 Piano part: 19 pages. Solo part: 9 pages.
$24.95
Saint-Saëns: Danse Macabre for Soprano Sax & Piano Short Version
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Halloween
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: Danse Macabre fo
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549979 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Roma...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549979 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and part. 23 pages. Jmsgu3 #4356207. Published by jmsgu3 (A0.549979). Abbreviated arrangement. Duration: 3:20, Score: 11 pages, 195 measures. Solo part: 4 pages. Piano part: 8 pages.
$21.95
Saint-Saëns: The Swan (for Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint- Saens
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Saint-Saëns: The Swan
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SCORE EDITIONS
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SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Romantic Period, Repertoire, Recital. Individual Part, Score. 8 pages. Publishe...
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Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Romantic Period, Repertoire, Recital. Individual Part, Score. 8 pages. Published by SCORE EDITIONS
$5.99
The Swan - Camille Saint-Saëns - Soprano Sax w/ Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Camille Saint-Saens
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Ygor Nunes
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The Swan - Camille Saint-Saën
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Ygor Nunes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1419663 Composed by Camille Saint-Saens. Arranged by Ygor Nunes. Classical,Film/TV,Romantic ...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1419663 Composed by Camille Saint-Saens. Arranged by Ygor Nunes. Classical,Film/TV,Romantic Period,Wedding. Score and part. 5 pages. Ygor Nunes #1001084. Published by Ygor Nunes (A0.1419663). Here is an easy and beautiful arrangement for soprano sax solo with piano accompaniment.
$6.99
Le Cygne
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Camille Saint-Saens
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James Pybus
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Le Cygne
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James Pybus
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Class...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Classical,Contest,Festival. Score and part. 7 pages. James Pybus #1038991. Published by James Pybus (A0.1459980). Le cygne, or The Swan, is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for a solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo. This arrangement for Soprano Saxophone and Piano of this well-known piece is an excellent choice for recitals, festivals and many other performance venues. The duration is 2:26. Contact me at james.pybus56@gmail.com.
$7.99
Deux Pièces: Lamento et Scherzetto for Bb soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et Scher
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468858. Published by Musik Fabrik Music Publishing (A0.862378). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb soprano saxophone, violoncello and pian
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: Deux Pi
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534730 Composed by Clémence de Grandval. ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362081. Published by Musik Fabrik Music Publishing (A0.534730). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
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