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Soprano Saxophone and Piano
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Bach: Wachet auf for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.88 €
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Soprano Saxophone and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.22 €
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Soprano Saxophone and Piano
#
Camille Saint-Saëns
#
Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.22 €
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Soprano Saxophone and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
The Easy Winners, for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1106202 Composed by Sc…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1106202 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709317. Published by David McKeown (A0.1106202). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Soprano Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Soprano Saxophone and Piano
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Scott Joplin
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The Easy Winners, for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587782 Composed by Sco…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587782 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967655. Published by David McKeown (A0.587782). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Soprano Saxophone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
4.22 €
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Soprano Saxophone and Piano
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Scott Joplin
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Maple Leaf Rag, by Scott Joplin, for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Ale…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
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Soprano Saxophone and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456721 Composed by Fr…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456721 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035790. Published by Iury Cardoso (A0.1456721). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
4.58 €
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Soprano Saxophone and Piano
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Frederic Chopin
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456724 Composed by Fr…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456724 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035792. Published by Iury Cardoso (A0.1456724). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
4.58 €
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Soprano Saxophone and Piano
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Frederic Chopin
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
Warrior
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.796609 By Demi Lovato.…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.796609 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and part. 11 pages. DR GARY D BELSHAW #3024507. Published by DR GARY D BELSHAW (A0.796609). 4 minutes. 11 pages, not including sample part page. Demi Lovato's 2015 hit song is arranged here for Soprano saxophone and piano. This would be a great addition to a recital, or for performing for community events. (Next time someone asks if you'll play a song or two for the Chamber of Commerce banquet, smile big and say, Absolutely! But, don't play this for a wedding, right?) Ms. Lovato sings some complicated rhythms, so you may have to spend time practicing slowly with a metronome; it will pay off big-time. Your teacher or director will be glad for the energy and conviction you'll have to have to play this well.
$4.99
4.58 €
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Soprano Saxophone and Piano
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Demi Lovato
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it will pay off big-time
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Warrior
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DR GARY D BELSHAW
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.22 €
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Soprano Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
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