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THE RAVE
Not classified
1,484
Piano & keyboards
Piano solo
873
Piano, Voice
545
Piano, Vocal and Guitar
231
Easy Piano
171
Organ
163
C Instruments
68
Accordion
58
Piano Trio: piano, violin, cello
18
1 Piano, 4 hands
15
Big Note Piano
14
Piano Accompaniment
12
Piano Quartet: piano, violin, viola, cello
9
2 Pianos, 4 hands
8
Organ, Piano (duet)
6
Piano (band part)
3
Organ, Trumpet (duet)
2
Piano Quintet: piano, 2 violins, viola, cello
1
Harpsichord
1
Piano Quartet: piano, 2 violins, cello
1
+ 14 instrumentations
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Retract
Guitars
Guitar notes and tablatures
124
Guitar
87
Melody line, (Lyrics) and Chords
47
Bass guitar
28
Ukulele
20
Lyrics and Chords
14
4 Guitars (Quartet)
6
Guitar, Flute, Clarinet
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Piano, Guitar (duet)
4
Dulcimer
4
2 Guitars (duet)
4
Mandolin
3
Guitar (band part)
2
Electric Bass (band part)
1
Banjo
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
385
Choral 3-part
97
Choral TTBB
64
Choral 2-part
52
Voice solo
48
Choral Unison
31
Choral SSAA
23
Soprano voice, Piano
18
Choral Instrumental Pak
12
Medium voice, Piano
12
High voice
8
Baritone voice, Piano
7
Vocal duet, Piano
7
Choral
6
Low voice, Piano
6
Vocal duet
5
Tenor voice, Piano
5
Mezzo-Soprano voice, Piano
4
Alto voice, Piano
4
Tenor voice
3
Voice, Guitar
2
Soli, Mixted choir and accompaniment
1
Choral SSAB, Piano
1
Choral SATBB
1
+ 19 instrumentations
-
Retract
Woodwind
Flute and Piano
8,504
Flute
6,885
2 Flutes (duet)
3,735
2 Flutes, Piano
151
Saxophone Quartet: 4 saxophones
135
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
103
Clarinet Quartet: 4 clarinets
81
Alto Saxophone and Piano
80
Clarinet and Piano
63
2 Saxophones (duet)
59
Flute, Oboe, Clarinet, Bassoon
59
Oboe, Piano (duet)
51
Tenor Saxophone and Piano
44
Flute Quartet: 4 flutes
44
Soprano Saxophone and Piano
41
Clarinet Quintet: 5 clarinets
40
2 Clarinets (duet)
39
Saxophone (band part)
35
Flute, Organ (duet)
31
Clarinet
31
Saxophone Quintet: 5 Saxophones
31
Saxophone ensemble
29
Alto Saxophone
27
Flute Quintet : 5 flutes
26
3 Clarinets (trio)
26
Clarinet Ensemble
25
3 Saxophones (trio)
22
Clarinet (band part)
21
Oboe (band part)
21
Flute ensemble
17
Flute Trio: 3 flutes
17
Clarinet, Violin (duet)
14
Flute (band part)
13
Flute, Clarinet (duet)
13
Tenor Saxophone
12
Flute, Clarinet, Piano (trio)
12
Saxophone, Clarinet (duet)
12
Flute and Guitar
11
Oboe, Bassoon (duet)
10
Baritone Saxophone, Piano
10
2 Oboes (duet)
9
Flute, Basso continuo
9
Flute, Oboe, Clarinet (trio)
8
Flute, Violin and Violoncello
8
Saxophone
8
Clarinet, Trumpet (duet)
7
English horn, Piano
7
Bass Clarinet, Piano
7
Flute, Violoncello
7
Oboe, Cello
7
Flute, Oboe, Piano (trio)
6
Clarinet, Cello (duet)
6
2 Flutes and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Wind ensemble
5
Flute, Saxophone (duet)
5
Flute, Oboe, Bassoon
5
Flute, Orchestra
5
Oboe, Clarinet (duet)
5
Flute, Violin
5
Flute, Clarinet and Bassoon.
5
Recorder Quartet
5
2 Recorders (duet)
4
Descant (Soprano) Recorder
4
Clarinet and Viola
4
Oboe
4
Clarinet, trumpet and piano
4
2 Saxophones, Piano
4
Flute, Viola (duet)
4
Saxophone and Harp
4
Recorder
4
Clarinet, Bassoon (duet)
4
Treble (Alto) Recorder, Piano
4
Clarinet, Harp (duet)
4
Flute, Bassoon, and Piano
4
Flute, Trumpet (duet)
3
2 Flutes and Harp
3
Oboe, Flute
3
Treble (Alto) Recorder
3
Harmonica
3
Flute, Cello, Piano (trio)
3
Tenor Recorder
3
Piccolo, Piano
3
Descent (Soprano) Recorder, Piano
3
Bass Clarinet
2
Recorder, Piano
2
Flute, Viola and Piano
2
2 Clarinets, Piano
2
Clarinet, Cello, Piano (trio)
2
Oboe, Bassoon and Piano
2
3 Recorders (trio)
2
Ocarina
2
Oboe, Harp
2
Flute, Violin, Piano
2
Flute, trombone and piano
2
Flute, Violin, Violoncello and Piano
2
2 Recorders, Piano
1
2 Flutes, Basso continuo
1
Clarinet, Tuba
1
Clarinet, Guitar (duet)
1
Oboe, Trumpet (duet)
1
Flute, harp and violin
1
Oboe and viola (duet)
1
Saxophone and Organ
1
Saxophone and Guitar
1
Oboe, Clarinet and Piano (Trio)
1
English Horn
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Tuba (duet)
1
Oboe, Guitar (duet)
1
Bagpipe
1
3 Oboes
1
Eb Instruments
1
Piccolo
1
Flute, Trombone (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
+ 111 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
101
Brass quartet : 2 trumpets, trombone, tuba
62
Trumpet, Piano
59
Trombone and Piano
47
Trumpet ensemble
35
Trumpet
31
Trombone ensemble
27
Trombone (band part)
25
2 Trombones (duet)
24
French Horn and Piano
24
French horn
19
2 Trumpets (duet)
18
Trombone
18
Brass Quartet: 4 trombones
17
Trumpet (band part)
16
Brass Quartet: 2 trumpets, horn, trombone
15
Trumpet, Trombone (duet)
14
Brass Quartet
13
Tuba and Piano
12
3 Trumpets (trio)
12
Brass Quartet: 4 horns
11
Euphonium, Piano (duet)
11
French horn (band part)
11
Brass Quartet: 4 trumpets
9
Trumpet, Saxophone (duet)
9
Tuba
8
2 French horns (duet)
8
English horn, Piano
7
Tuba (band part)
7
Bass Trombone and Piano
5
Euphonium
4
Trumpet, Cello (duet)
4
French Horn and Harp
4
Trumpet, Bassoon (duet)
3
Trumpet, violin (duet)
3
2 Tubas (duet)
3
Horn, Trumpet, Trombone (trio)
2
Trumpet, Cello, Piano
2
Trumpet, Harp
2
Horn Ensemble
2
Bass Clef Instruments
2
Trumpet, Trombone, Piano
2
Bb Instruments
2
Brass Trio
2
2 Euphoniums and 2 Tubas
2
F Instruments
1
Trombone, Tuba (duet)
1
English Horn
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Cello (duet)
1
2 Euphoniums (duet)
1
Trombone, Violin (duet)
1
3 Trombones (trio)
1
2 French horns, Piano
1
Trumpet, Horn (duert)
1
+ 50 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
189
Violin and Piano
113
Cello, Piano
68
Viola, Piano
65
Violin
62
Harp
55
Cello
29
Violin, Cello (duet)
28
2 Violins (duet)
27
Viola
26
2 Cellos (duet)
25
String Trio: violin, viola, cello
24
2 Harps (duet)
23
2 Violas (duet)
20
Violin, Viola (duet)
17
Violin (band part)
13
String Trio: 2 violins, cello
13
4 Cellos
13
Double bass, Piano (duet)
11
String Quartet : 4 violas
11
String Trio: 3 violins
10
Double Bass
10
Viola (band part)
9
String Quintet: 2 violins, 2 violas, cello
8
Doublebass (band part)
7
Violin, Bassoon (duet)
6
Cello (band part)
5
String quartet: 4 violins
5
Viola, Cello (duet)
5
Harp, Flute (duet)
5
String Trio: 3 cellos
4
Harp, Violin (duet)
3
String Quintet: 2 violins, viola, cello, bass
3
Harp, String quartet
3
Harp, Cello (duet)
3
Violin, Basso continuo
3
Viola and Harp
3
Cello, Guitar (duet)
2
Violin, Clarinet, Piano (trio)
2
Violin, Guitar (duet)
2
Piano Trio: Violin, Viola, Piano
2
Violin ensemble
2
Cello, String Bass (duet)
1
2 Violins, Piano
1
Viola and Bassoon
1
Viola ensemble
1
2 Violins and Basso
1
2 Double basses (duet)
1
Violin, Tuba (duet)
1
Viola, Guitar (duet)
1
String Trio: 3 violas
1
Harp, Voice
1
+ 47 instrumentations
-
Retract
Orchestra & Percussion
Concert band
910
String Orchestra
133
Orchestra
97
Chamber Orchestra
38
Brass ensemble
38
Handbells
36
Jazz Ensemble
24
Percussion (band part)
14
Percussion Ensemble
12
Drums
12
Marching band
6
Jazz combo
6
Timpani (band part)
6
Percussion
2
Drum (band part)
2
Xylophone, Piano
2
Vibraphone and Marimba
1
Marimba
1
Woodwind Quintet
1
Cajon
1
Orchestra, Violin
1
Vibraphone
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
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THE RAVE
Soprano Saxophone and Piano
Sheetmusic to print
41 sheet music found
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1
26
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
The Wedding Album, for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo So
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Stand...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. ÂÂ
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Christ the Lord is Risen Today (Soprano Sax and Piano)
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Soprano Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.523807 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Eas...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.523807 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 16 pages. John A. Dempsey #3916913. Published by John A. Dempsey (A0.523807). Ours the cross, the grave, the skies, Alleluia.  Arranged as a lively duet for soprano sax and piano, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  12 pages of music (that includes a separate two-page soprano sax part).  Concert Key (Piano): F major.  Soprano Sax Key: G major.  Soprano Sax Level: Intermediate.  Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia ÂÂ
$6.99
Scotland The Brave
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Soprano Saxophone and Piano
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EASY
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Celtic/Irish
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Folkloric/Traditional
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Marie-Ève Mainguy
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Marie-Ève Mainguy
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Scotland The Brave
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Marie-Eve Mainguy
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1189874 By Marie-Ève Mainguy. By Traditional. Arranged by Marie-Ève Mainguy. Celtic,Ch...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1189874 By Marie-Ève Mainguy. By Traditional. Arranged by Marie-Ève Mainguy. Celtic,Children,Folk,Historic,Irish,Patriotic. Score and part. 7 pages. Marie-Eve Mainguy #789472. Published by Marie-Eve Mainguy (A0.1189874). Scotland The Brave is a Scottish Patriotic Song. Here is an arrangement for soprano sax and piano accompaniment created by Marie-Ève Mainguy in 2023.Full score and individual parts are included.Contact info: marieeve.mainguy@gmail.com.
$1.99
Graves Into Gardens
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Soprano Saxophone and Piano
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INTERMEDIATE
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Contemporary
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Elevation Worship
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Corbin Clark
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Graves Into Gardens
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Corbin Clark
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.937338 By Elevation Worship. By Brandon Lake, Chris Brown, Christopher Joel Brown, Steven Fu...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.937338 By Elevation Worship. By Brandon Lake, Chris Brown, Christopher Joel Brown, Steven Furtick, and Tiffany Hammer. Arranged by Corbin Clark. Contemporary. Score and part. 7 pages. Corbin Clark #6347513. Published by Corbin Clark (A0.937338). An accessible, yet beautiful setting of the powerful Elevation Worship song Graves Into Gardens that focuses on the transformative power of God. Includes optional piano accompaniment and rehearsal marks to easily identify sections of the song to quickly reference in case another chorus or bridge is needed in the moment. .
$4.99
Ali Ben Sou Alle: Souvenirs d'ÃŽle Maurice for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissem
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul We...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
Pavane Pour Une Infante Défunte (Maurice Ravel) for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Maurice Ravel
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Harry Walker
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Pavane Pour Une Infante Défun
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SCORE EDITIONS
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1454421 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Class...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1454421 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033525. Published by SCORE EDITIONS (A0.1454421). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs dâ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
Touch The Sky
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Julie Fowlis
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Fabio Britto
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Touch The Sky
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Fabio Britto
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1152507 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Fabio Britto. ...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1152507 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Fabio Britto. Celtic,Children,Country,Film/TV,Folk,Irish. Score and part. 10 pages. Fabio Britto #752732. Published by Fabio Britto (A0.1152507). Arrangement of the song Touch The Sky (from Brave) for Soprano Saxophone Solo and Piano Accompaniment with Chords.
$8.99
Vocalise in the form of Habanera (soprano sax)
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Soprano Saxophone and Piano
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INTERMEDIATE
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Contemporary
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M
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A
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Vocalise in the form of Habane
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A.Buriakov
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.898853 Composed by M.Ravel. Arranged by A.Buriakov. 20th Century. Score and part. 4 pages. A...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.898853 Composed by M.Ravel. Arranged by A.Buriakov. 20th Century. Score and part. 4 pages. A.Buriakov #5803193. Published by A.Buriakov (A0.898853). Arrangement of Vocalise in the form of Habanera for soprano saxophone and piano.
$1.99
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle :Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 p...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Trumpet Voluntary, (Prince of Denmark's March), for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367450. Published by David McKeown (A0.587595). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Soprano Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
The Crave
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Soprano Saxophone and Piano
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INTERMEDIATE
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Jazz
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Jelly Roll Morton
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The Crave
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 3 - Digital Download Concert Rag. Composed by Jelly Roll Morton. Arranged by Jirka Kadlec. Soprano Saxophone &...
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Soprano Saxophone & Piano - Grade 3 - Digital Download Concert Rag. Composed by Jelly Roll Morton. Arranged by Jirka Kadlec. Soprano Saxophone & Piano. Score and parts. 8 pages. Duration 3'09. Editions Marc Reift - Digital #30459. Published by Editions Marc Reift - Digital
$6.95
He Arose (Soprano Sax and Piano)
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Soprano Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Robert Lowry, Ignaz Jan Padere
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.523827 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christia...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.523827 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 13 pages. John A. Dempsey #4109597. Published by John A. Dempsey (A0.523827). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this duet for soprano sax and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  This hymn arrangement, complete with mood and tempo changes, reflects moments of quiet beauty, prayerful reflection, sudden joy and ultimate jubilation.  Paderewski composed the serene instrumental music, a nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music.  Concert Key (Piano): C major.  Soprano Sax Key: D major.  Soprano Sax Level: Intermediate.  Piano Level: Mid- to Late Intermediate .
$6.99
14 Greatest Happy Music
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Soprano Saxophone and Piano
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Jirka Kadlec
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14 Greatest Happy Music
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 3-4 - Digital Download SKU: R0.39024 Broadway Rag / Frog Legs Rag / Heliotrope Bouquet / My Fate Is In Your Hands / ...
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Soprano Saxophone & Piano - Grade 3-4 - Digital Download SKU: R0.39024 Broadway Rag / Frog Legs Rag / Heliotrope Bouquet / My Fate Is In Your Hands / Peacherine Rag / Pegasus Rag / Pleasant Moments / Rag Sentimental / Rose Leaf Rag / Sunburst Rag / The Crave / Magnetic Rag / Gladiolus Rag / The Sycamore. Arranged by Jirka Kadlec. Soprano Saxophone & Piano. Score and parts. 82 pages. Duration 41'00. Editions Marc Reift - Digital #39024. Published by Editions Marc Reift - Digital (R0.39024).
$27.95
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