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Soprano Saxophone and Piano
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Luther: Out of the Depths for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.83 €
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Soprano Saxophone and Piano
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Martin Luther
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Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.15 €
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Soprano Saxophone and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.15 €
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Soprano Saxophone and Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Fel…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
30.15 €
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Soprano Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.83 €
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Soprano Saxophone and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.15 €
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Soprano Saxophone and Piano
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Bach-Gounod
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.15 €
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Soprano Saxophone and Piano
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Camille Saint-Saëns
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Turkish March by Mozart - Soprano Saxophone and Piano with Chord Notations
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1350945 Composed by Wo…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1350945 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #935777. Published by Glauco Fernandes (A0.1350945). Explore Mozart's vibrant composition Turkish March with our exclusive easy-intermediate level arrangement. Created for musicians with skills ranging from beginners with some practice to intermediate levels, this arrangement offers an accessible and engaging interpretation, making the piece suitable for a wide range of musicians.Ideal for those looking to expand their repertoire with an iconic classical piece, this arrangement of the Turkish March is perfect for intermediate-level students, teachers looking to challenge their students, and anyone seeking a more in-depth interpretation of Mozart's work. This arrangement provides an enriching musical experience while maintaining an approachable style.The sheet music includes detailed markings and instructions, ensuring an expressive and engaging interpretation of Mozart's classic composition. Acquire your score today and elevate your performances with the timeless charm of the Turkish March.This arrangement is also suitable for more experienced musicians seeking a challenging piece, and it can be presented at various events such as weddings, birthdays, corporate events, and more.For more high-quality sheet music, consider searching for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com. Explore additional arrangements and broaden your musical repertoire.And don't forget to check out my YouTube channel to explore more enchanting arrangements: [EnchantedSheetMusic](http://www.youtube.com/@EnchantedSheetMusic).
$4.99
4.57 €
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Soprano Saxophone and Piano
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Wolfgang Amadeus Mozart
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Turkish March by Mozart - Soprano Saxophone and Piano with Chord Notations
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Glauco Fernandes
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SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.15 €
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Soprano Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.15 €
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Soprano Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1141807 Composed by Fr…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1141807 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #742194. Published by Henrique Franke Mangoni (A0.1141807). Silent Night (Stille Nacht) by Franz Xaver Gruber. Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
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Franz Xaver Gruber
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1141129 Composed by Fr…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1141129 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #741385. Published by Henrique Franke Mangoni (A0.1141129). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
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Franz Xaver Gruber
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1140305 Composed by Fr…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1140305 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #740561. Published by Henrique Franke Mangoni (A0.1140305). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy/Beginner arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Perfect for students, beginners, children, preschoolers, music teachers, singing teachers and piano teachers. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night easy soprano sax sheet music, stille nacht easy soprano sax sheet music, silent night easy piano sheet music, stille nacht easy piano sheet music, silent night easy piano chords, stille nacht easy piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols easy soprano sax sheet music, christmas carols on the soprano sax for beginners, easy soprano sax christmas songs, christmas easy soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
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Franz Xaver Gruber
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1141808 Composed by Fr…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1141808 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #742195. Published by Henrique Franke Mangoni (A0.1141808). Silent Night (Stille Nacht) by Franz Xaver Gruber. Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Clean sheet music edition. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
#
Franz Xaver Gruber
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Silent Night
#
Henrique Franke Mangoni
#
SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1140306 Composed by Fr…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1140306 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #740562. Published by Henrique Franke Mangoni (A0.1140306). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy/Beginner arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Perfect for students, beginners, children, preschoolers, music teachers, singing teachers and piano teachers. Clean sheet music edition. Subscribe to my YouTube channel to know more about my work! silent night easy soprano sax sheet music, stille nacht easy soprano sax sheet music, silent night easy piano sheet music, stille nacht easy piano sheet music, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols easy soprano sax sheet music, christmas carols on the soprano sax for beginners, easy soprano sax christmas songs, christmas easy soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
#
Franz Xaver Gruber
#
Silent Night
#
Henrique Franke Mangoni
#
SheetMusicPlus
Silent Night (Stille Nacht)
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1141132 Composed by Fr…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1141132 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #741388. Published by Henrique Franke Mangoni (A0.1141132). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Clean sheet music edition. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
2.74 €
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Soprano Saxophone and Piano
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Franz Xaver Gruber
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
The Sorcerer's Apprentice theme
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1323773 Composed by Pa…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1323773 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3 pages. Rodrigo Faleiros #911958. Published by Rodrigo Faleiros (A0.1323773). Embark on a musical journey with our unique soprano sax solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement contains a piano accompaniment and not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this soprano sax solo arrangement thoughtfully transposed to enhance readability. Evocative Piano Accompaniment: The piano part enhances the harmonic resonance of this great composition. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this soprano sax solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$3.99
3.65 €
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Soprano Saxophone and Piano
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Paul Dukas
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
The Sorcerer's Apprentice theme
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1323823 Composed by Pa…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1323823 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3 pages. Rodrigo Faleiros #912002. Published by Rodrigo Faleiros (A0.1323823). Embark on a musical journey with our unique soprano sax solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement contains a piano accompaniment and not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this soprano sax solo arrangement thoughtfully transposed to enhance readability. Evocative Piano Accompaniment: The piano part enhances the harmonic resonance of this great composition. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this soprano sax solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$3.99
3.65 €
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Soprano Saxophone and Piano
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Paul Dukas
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Ale…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Soprano Saxophone and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549403 Composed by Car…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549403 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3493321. Published by jmsgu3 (A0.549403). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.66 €
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Soprano Saxophone and Piano
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Carl Bohm
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Bohm: Calm as the Night for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
10.93 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Night In Tunisia
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.23 €
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Soprano Saxophone and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044839. Published by David McKeown (A0.587926). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Soprano Saxophone and Piano
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G F Handel
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
18.25 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Musik Fabrik Music Publishing
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SheetMusicPlus
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