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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
for Piano
Not classified
38,842
Piano & keyboards
Piano solo
182,165
Piano, Vocal and Guitar
121,202
Piano, Voice
79,089
Easy Piano
39,580
Big Note Piano
7,131
1 Piano, 4 hands
5,266
Piano Accompaniment
5,178
Organ
1,923
Piano Trio: piano, violin, cello
1,424
2 Pianos, 4 hands
929
C Instruments
648
Piano (band part)
547
Piano Quartet: piano, violin, viola, cello
394
Piano Quartet: piano, 2 violins, cello
307
Organ, Piano (duet)
225
Piano Quintet: piano, 2 violins, viola, cello
205
1 Piano, 6 hands
117
Keyboard
78
Accordion
69
Harpsichord
62
2 Pianos, 8 hands
39
Accordion, Piano
12
Fake Book
8
Melody line, Piano
7
Organ, Trumpet (duet)
7
Piano Quintet: piano, violin, viola, cello, double bass
6
Piano ensembles
5
Accordion, Voice
4
3 Pianos
2
Accordion ensemble
1
Accordion and Orchestra
1
Accordion, String(s)
1
+ 27 instrumentations
-
Retract
Guitars
Piano, Guitar (duet)
723
Melody line, (Lyrics) and Chords
631
Guitar notes and tablatures
464
Guitar
379
Ukulele
95
Guitar (band part)
95
2 Guitars (duet)
91
Bass guitar
62
Mandolin, Piano (duet)
57
Lyrics and Chords
41
4 Guitars (Quartet)
18
Guitar, Violin, Cello (trio)
5
Banjo
4
3 Guitars (trio)
4
Mandolin
3
Dulcimer
3
2 Mandolins (duet)
2
Guitar Ensemble
2
Lap Steel Guitar
2
2 Ukuleles
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
13,457
Choral 3-part
6,986
Choral 2-part
6,770
Voice solo
3,274
Vocal duet, Piano
3,230
Choral Unison
2,404
Choral TTBB
1,320
Choral
1,276
Soprano voice, Piano
1,019
High voice
942
Vocal duet
834
Alto voice, Piano
658
Tenor voice, Piano
612
Choral SSAA
522
Low voice, Piano
461
Baritone voice, Piano
428
Medium voice, Piano
259
Mezzo-Soprano voice, Piano
112
Tenor voice
92
Choral Instrumental Pak
70
Soprano voice
47
Choral SSAB, Piano
39
Children choir
31
Soli, Mixted choir and accompaniment
25
Low voice
20
High voice, Piano
17
Choral SSATB
16
Choral SSATTB
10
Choral SSAB a cappella
8
Voice, Guitar
5
Choral SSAATTBB
5
Choral SSATBB
4
Voix Masculines
2
Children choir, Piano
2
Choral SAATB A Cappella
1
Choral SSAATB
1
+ 31 instrumentations
-
Retract
Woodwind
Flute and Piano
10,351
Clarinet and Piano
7,919
Oboe, Piano (duet)
5,968
Alto Saxophone and Piano
5,851
Tenor Saxophone and Piano
4,325
Soprano Saxophone and Piano
2,571
Flute
1,673
Clarinet
1,478
Baritone Saxophone, Piano
1,112
Saxophone Quartet: 4 saxophones
1,018
2 Saxophones (duet)
1,017
Flute, Oboe, Clarinet, Bassoon
1,014
English horn, Piano
959
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
915
2 Flutes (duet)
774
Alto Saxophone
629
Tenor Saxophone
581
Flute, Violin, Piano
512
2 Clarinets (duet)
507
Bass Clarinet, Piano
461
Saxophone Quintet: 5 Saxophones
428
Flute, Clarinet (duet)
373
Saxophone (band part)
361
Flute, Clarinet, Piano (trio)
312
Clarinet Quartet: 4 clarinets
288
Flute, Cello, Piano (trio)
237
3 Saxophones (trio)
221
2 Saxophones, Piano
212
Recorder
204
2 Oboes (duet)
204
2 Flutes, Piano
195
Saxophone
190
2 Clarinets, Piano
180
Clarinet Ensemble
173
Oboe (band part)
159
Descent (Soprano) Recorder, Piano
153
Saxophone and Piano
146
Flute Quartet: 4 flutes
141
Descant (Soprano) Recorder
139
Treble (Alto) Recorder, Piano
138
3 Clarinets (trio)
136
Recorder, Piano
111
Oboe
111
Flute, Bassoon, and Piano
111
Treble (Alto) Recorder
109
Flute Trio: 3 flutes
108
Clarinet, Cello, Piano (trio)
108
Flute and Guitar
108
Flute, Oboe, Piano (trio)
91
Flute, Violin
90
Clarinet, Violin (duet)
90
2 Recorders (duet)
90
Flute ensemble
86
Pennywhistle
82
Recorder Quartet
72
Flute, Viola and Piano
67
Oboe, Clarinet (duet)
66
Flute, Oboe, Clarinet (trio)
64
Clarinet, Guitar (duet)
57
Piccolo, Piano
56
Oboe, Clarinet, Bassoon (trio)
55
Saxophone ensemble
54
Flute, Clarinet and Bassoon.
53
Saxophone, Clarinet (duet)
53
Flute, Violin, Violoncello and Piano
53
Tenor Recorder
48
Oboe, Flute
46
Flute, Trumpet (duet)
45
Flute (band part)
45
Clarinet (band part)
44
Soprano Saxophone
42
Harmonica, Piano
42
Oboe, Bassoon (duet)
41
Clarinet Quintet: 5 clarinets
41
Piccolo
36
Clarinet, Bassoon, Piano (trio)
36
5 Recorders
34
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Flute, Oboe (duet)
32
Clarinet, Bassoon (duet)
32
Flute, Violoncello
30
Oboe, Violin (duet)
30
Eb Instruments
28
Recorder Ensemble
26
Baritone Saxophone
25
Flute, Oboe, Bassoon
24
Clarinet, trumpet and piano
23
Flute, Viola (duet)
23
Clarinet and Viola
22
Clarinet, Trumpet (duet)
22
3 Recorders (trio)
22
Flute, Trombone (duet)
21
Oboe, Guitar (duet)
21
Oboe, Cello and Piano
20
English Horn
20
2 Oboes, Piano
17
Oboe, Bassoon and Piano
17
Flute, Saxophone (duet)
16
Clarinet, Cello (duet)
14
2 Recorders, Piano
14
Oboe, Violin, Piano
13
Harmonica
12
Oboe, Clarinet and Piano (Trio)
12
Saxophone, Violin (duet)
11
Flute Quintet : 5 flutes
11
Flute, Clarinet, Horn and Bassoon (Quartet)
11
Oboe, Trumpet (duet)
10
Oboe, Cello
10
Flute, Organ (duet)
8
Saxophone and Organ
8
Clarinet, Trombone (duet)
7
Ocarina
5
2 Clarinets, Bassoon
5
Wind ensemble
5
English Horn, Guitar (duet)
5
Flute, harp and violin
5
Clarinet, Harp (duet)
4
2 English horns and Pianoforte
4
Flute, Violin and Violoncello
4
3 Oboes
4
Flute, Orchestra
3
Flute and String Quartet
3
Bass Clarinet
2
Oboe, Clarinet, Bassoon and Piano
2
Flute, Cello, Guitar
2
2 Flutes and Guitar
2
Clarinet, Tuba
2
Oboe, Harp
2
Treble (Alto) Recorder, Basso continuo
2
Pan Flute
2
Clarinet, Organ
2
Descant (Soprano) Recorder, Basso continuo
1
2 Flutes and Harp
1
Flute, Harp and Cello
1
Flute, Viola and harp
1
Clarinet, Double bass (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Saxophone and Guitar
1
3 Recorders, Piano
1
Oboe, Organ
1
Oboe ensemble
1
Oboe and Orchestra
1
Flute, Clarinet, Violin (trio)
1
Clarinet, Saxophone, Piano
1
Flute, Guitar, Piano
1
Bagpipe
1
2 Flutes, 2 Clarinets (Quartet)
1
Clarinet, Orchestra
1
Recorder, Guitar (duet)
1
+ 145 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
5,451
Trombone and Piano
4,573
French Horn and Piano
3,289
Trumpet
1,676
Tuba and Piano
1,534
English horn, Piano
959
Euphonium, Piano (duet)
898
Brass Quintet: 2 trumpets, horn, trombone, tuba
623
Trombone
541
2 Trumpets (duet)
430
2 Trombones (duet)
418
Brass Quartet: 2 trumpets, horn, trombone
412
Brass quartet : 2 trumpets, trombone, tuba
267
2 French horns (duet)
243
Trumpet (band part)
219
Trumpet, Trombone (duet)
213
Trombone (band part)
212
French horn
206
Brass Quartet
202
Trumpet, Horn (duert)
194
Tuba
169
2 Trumpets, Keyboard (piano or organ)
120
Tuba and Organ
89
Euphonium
87
Bass Trombone and Piano
79
Brass Quartet: 2 trumpets, 2 trombones
55
French horn (band part)
44
Brass Quartet: 4 trombones
40
Trumpet, Cello, Piano
39
Trumpet, Saxophone (duet)
36
Trumpet, Trombone, Piano
36
Tuba (band part)
34
Bb Instruments
32
Bass Clef Instruments
32
Brass Quartet: 4 horns
32
2 Tubas (duet)
28
Brass Trio
28
Trombone, cello (duet)
26
F Instruments
24
3 Trumpets (trio)
22
3 Trombones (trio)
21
English Horn
20
Trumpet, violin (duet)
17
2 Trombones, Piano
15
Brass Quartet: 4 trumpets
14
Bass Trombone
12
2 French horns, Piano
11
Cornet and Piano
11
Trombone ensemble
11
4 Tubas
10
Euphonium, Tuba (duet)
8
Horn, Tuba (duet)
7
Trombone, Horn (duet)
7
Trumpet ensemble
6
2 Euphoniums (duet)
6
Trombone, Tuba (duet)
6
Horn Ensemble
6
Horn, Cello and Piano
6
English Horn, Guitar (duet)
5
Trumpet, Tuba (duet)
4
2 English horns and Pianoforte
4
Horn, Cello (duet)
3
3 French horns (trio)
3
Trombone, Violin (duet)
3
2 Euphoniums and 2 Tubas
3
3 Tubas (trio)
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Euphonium or Saxhorn and Piano
2
Trumpet, Orchestra
2
Trombone, Organ
2
Horn and Organ
2
Trumpet, Euphonium (duet)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Tuba ensemble
1
French Horn and Harp
1
Trumpet, Cello (duet)
1
Trombone and Orchestra
1
Trumpet, Bassoon (duet)
1
+ 73 instrumentations
-
Retract
Strings
Violin and Piano
13,420
Cello, Piano
8,530
Viola, Piano
6,308
Violin
2,585
String Quartet: 2 violins, viola, cello
2,081
Double bass, Piano (duet)
1,274
Cello
1,137
Viola
785
Piano Trio: Violin, Viola, Piano
709
String Quintet: 2 violins, viola, cello, bass
619
2 Violins (duet)
509
2 Cellos (duet)
449
2 Violas (duet)
297
Harp
295
String Trio: violin, viola, cello
266
Violin, Cello (duet)
265
Violin, Viola (duet)
178
Double Bass
174
2 Violins, Piano
152
String Trio: 2 violins, cello
96
Violin (band part)
80
Doublebass (band part)
75
Viola (band part)
71
Viola, Cello (duet)
62
Violin, Clarinet, Piano (trio)
59
Violin, Guitar (duet)
56
String Trio: 3 violins
54
2 Cellos, Piano
50
4 Cellos
41
Cello, Guitar (duet)
39
Cello (band part)
34
String Trio: 3 cellos
32
String Trio: 2 violins, viola
32
Viola, Guitar (duet)
31
Harp, Flute (duet)
31
String quartet: 4 violins
30
Harp and Piano
29
String Trio: 3 violas
29
Cello, String Bass (duet)
26
2 Double basses (duet)
25
String Quartet : 4 violas
24
String Quintet: 2 violins, 2 violas, cello
23
Harp, Violin (duet)
20
2 Violas, Piano
17
Viola and Bassoon
16
String Quintet: 2 violins, viola, 2 cellos
16
4 Double Basses
16
2 Harps (duet)
12
Violin, Trumpet and Piano
10
Violin, Bassoon (duet)
9
Harp, Cello (duet)
7
Cello, Organ
7
Harp, Voice
7
Viola and Harp
7
Cello, Orchestra
6
Flute, Doublebass (duet)
5
Cello Ensemble
4
Harp and mandolin
4
Violoncello, Basso continuo
4
Viola and orchestra
4
Violin, Organ
3
Violin, Tuba (duet)
2
3 double basses
2
Viola, Organ
2
Violin, Basso continuo
2
Harp, Violin, Violoncello
2
Violin, Cello, Clarinet
1
+ 62 instrumentations
-
Retract
Orchestra & Percussion
Jazz Ensemble
1,850
Orchestra
1,645
Concert band
1,478
String Orchestra
1,204
Jazz combo
941
Handbells
784
Chamber Orchestra
639
Brass ensemble
423
Xylophone, Piano
115
Drums
107
Piano and Orchestra
89
Percussion Ensemble
63
Marching band
51
Drum (band part)
50
Marimba
40
Vibraphone
40
Vibraphone, Piano
27
Percussion (band part)
25
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
23
Xylophone
12
School Ensemble
10
Percussion
10
Marimba, Piano (duet)
9
2 Xylophones
7
Big band
5
Orchestra, Violin
5
Mariachi
4
Flexible Instrumentation
3
Vibraphone and Marimba
2
Brass Quintet: other combinaisons
2
Marimba or Xylophone and Piano
2
Marimba and Organ
1
2 Marimbas
1
2 Percussions
1
Timpani (band part)
1
Voice and Orchestra
1
Woodwind Quintet
1
Snare drums
1
+ 33 instrumentations
-
Retract
Others
Musical course - Solfege
50
Music Theory
4
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Soprano Saxophone and Piano
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2551
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
#
Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,R...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instruc...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Handel: Largo from Xerxes for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacr...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easte...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easte...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O Holy Night for Soprano Sax & Piano
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Soprano Saxophone and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Roadside Inn-Schumann-Soprano Saxophone and piano
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Soprano Saxophone and Piano
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EASY
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Soprano
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Scor...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213721. Published by Phil Beaman (A0.845147). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 p...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Pleasant Landscape-Schumann-Soprano Sax-Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-So
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509457. Published by Phil Beaman (A0.844539). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Après un rêve, Op.7 - Soprano Sax and Piano (Full Score and Parts)
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Soprano Saxophone and Piano
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INTERMEDIATE
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Gabriel Faure
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César Madeira
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Après un rêve, Op.7 - Sopran
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. Score and part. 10 pages. Sheet Music To Play Editions #1052351. Published by Sheet Music To Play Editions (A0.1474764). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Für Elise, for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Soprano Saxoph
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instru...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 ...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. S...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658361. Published by David McKeown (A0.594423). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and pa...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037739. Published by David McKeown (A0.587894). 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Soprano Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
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Soprano Saxophone and Piano
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EASY
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456721 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classica...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456721 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035790. Published by Iury Cardoso (A0.1456721). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
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Soprano Saxophone and Piano
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EASY
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456724 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classica...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1456724 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035792. Published by Iury Cardoso (A0.1456724). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
SAVIOR, LIKE A SHEPHERD LEAD US (Hymn Arrangement for Piano and Sop. Saxophone)
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Soprano Saxophone and Piano
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ADVANCED
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Sacred music
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William B
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Rumi Oh
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SAVIOR, LIKE A SHEPHERD LEAD U
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Rumi Oh Worship Music
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.902299 Composed by William B. Bradbury. Arranged by Rumi Oh. Christian,Concert,Gospel,Jazz,Praise ...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.902299 Composed by William B. Bradbury. Arranged by Rumi Oh. Christian,Concert,Gospel,Jazz,Praise and Worship. 13 pages. Rumi Oh Worship Music #5724161. Published by Rumi Oh Worship Music (A0.902299). Arranged for piano and soprano saxophone with jazz chords. The chords are provided on the music sheets. It would be great to perform for an offertory or a special music at a church worship service. Length: 13 pages (7 pages for the score, 2 pages for the sop. Saxophone, and additionally included 4 pages for the Piano Solo Version. Duration: 2 min 25 sec. This music is part of an album Carry My Heart and the sound recording is published by Rumi Oh Worship Music (BMI). In the album, piano was performed with drum and soprano saxophone. More information for the album, check this link out; https://rumi-oh-worship-music.hearnow.com/
$4.99
I AM THINE, O LORD (Hymn Arrangement for Piano and Sop. Saxophone)
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Soprano Saxophone and Piano
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ADVANCED
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Sacred music
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William H
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Rumi Oh
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I AM THINE, O LORD
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Rumi Oh Worship Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.902295 Composed by William H. Doane. Arranged by Rumi Oh...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.902295 Composed by William H. Doane. Arranged by Rumi Oh. Christian,Concert,Gospel,Jazz,Praise & Worship. Score and parts. 9 pages. Rumi Oh Worship Music #5724149. Published by Rumi Oh Worship Music (A0.902295). Arranged for piano and soprano saxophone with jazz chords. The chords are provided on the music sheets. It would be great to perform for an offertory or a special music at a church worship service.Length: 9 pages (7 pages for the score and 2 pages for the sop. saxophone). Duration: 2 min 55 sec.This music is part of an album Carry My Heart and the sound recording is published by Rumi Oh Worship Music (BMI). In the album, piano was performed with drum and soprano saxophone. More information for the album, check this link out;https://rumi-oh-worship-music.hearnow.com/
$4.99
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