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Long Long Time
intermediate
Clarinet Ensemble
Sheetmusic to print
11 sheet music found
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1
The Longest Time
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Clarinet Ensemble
#
INTERMEDIATE
#
Rock
#
Billy Joel
#
Danielle Napoleon
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The Longest Time
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Danielle Napoleon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1027998 By Billy Joel. By Billy Joel. Arranged by Danielle Napoleon. Pop,Rock. 20 pages. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1027998 By Billy Joel. By Billy Joel. Arranged by Danielle Napoleon. Pop,Rock. 20 pages. Danielle Napoleon #6072715. Published by Danielle Napoleon (A0.1027998). The hit single, The Longest Time, in under 2 minutes for your clarinet choir. (1:55) Add this fun, light-hearted piece to your next concert.Optional Bb part for Alto clarinet included. The Contra Bass part can be played on a 2nd bass clarinet if a contra is not available. Tambourine part included, feel free to improvise! .
$12.99
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christma...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Go Tell It On The Mountain
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Clarinet Ensemble
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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The Canadian Brass
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Lisa Ochoco
#
Go Tell It On The Mountain
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.560200 By The Canadian Brass. By Alexander M. Courage...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.560200 By The Canadian Brass. By Alexander M. Courage, DP, and Luther Jr. Henderson. Arranged by Lisa Ochoco. Christian,Christmas,Contemporary. 18 pages. Lisa L Ochoco #6661795. Published by Lisa L Ochoco (A0.560200). Go Tell It On the Mountain is an African-American spiritual song that celebrates the birth of Jesus. While sometimes sung with adjusted lyrics so it can be sung all year long, the original lyrics make it a Christmas song - or to be sung on Christmas Day and after.
$15.00
Song For A New Beginning
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Clarinet Ensemble
#
INTERMEDIATE
#
New Age
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Contemporary
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Secret Garden
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Lisa Ochoco
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Song For A New Beginning
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559856 By Secret Garden. By Rolf Loevland. Arranged b...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559856 By Secret Garden. By Rolf Loevland. Arranged by Lisa Ochoco. Contemporary,New Age. 18 pages. Lisa L Ochoco #5305519. Published by Lisa L Ochoco (A0.559856). Composer, Rolf Lovland, is from Norway. His most well-known composition is You Raise Me Up, which has been - and still is - a very popular song. When he wrote Song For A New Beginning, he pictured someone leaving home, in search of a new life. The song conveys the longing, yearning, and the sense of hope that this person is feeling at that time.
$15.00
Monkeys Spinning Monkeys
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Clarinet Ensemble
#
INTERMEDIATE
#
Kevin MacLeod
#
Lisa Ochoco
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Monkeys Spinning Monkeys
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1167904 By Kevin MacLeod. By Kevin MacLeod. Arranged ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1167904 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 29 pages. Lisa L Ochoco #768261. Published by Lisa L Ochoco (A0.1167904). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Clarinet Qu
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Clarinet Ensemble
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INTERMEDIATE
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,St...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474529. Published by Regis Bookshar (A0.813707). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gusta.
$12.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sneaky Snitch
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Clarinet Ensemble
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INTERMEDIATE
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Kevin MacLeod
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Lisa Ochoco
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Sneaky Snitch
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1180465 By Kevin MacLeod. By Kev...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1180465 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 18 pages. Lisa L Ochoco #780367. Published by Lisa L Ochoco (A0.1180465). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times. It makes cute and funny videos, well, cuter and funnier.  Kevin Macleod wrote this delightfully sneaky tune, and it's just fantastic stuff when partnered with videos that don't need any dialog. How well would it do without a video? I don't know, but if you have some brave souls in your group, you could put on a funny skit to go along with this piece. This piece is just meant to be entertaining and something that your audience could get a good laugh at.  Scored for clarinet choir - 3 Bb, alto, bass, and Bb contrabass.  There are optional Eb contra alto and double string bass parts that double the bass and contrabass part.Duration: 2.5 minutes.
$15.00
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