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Air in A Minor
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Air in A Minor
Clarinet Ensemble
Sheetmusic to print
4 sheet music found
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,St...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
"Jacaranda" Original Tango for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Tango
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Grant Horsley
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"Jacaranda" Original Tango for
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,F...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812067. Published by Grant Horsley (A0.1215195). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet and is in the key of B flat minor (concert) with the middle section in B flat major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There are also 2 different flute choir versions available.
$14.50
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
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Clarinet Ensemble
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BEGINNER
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edga...
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Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.
$21.00
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