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75478
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49147
Piano, Vocal and Guitar
37843
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29449
Organ
10504
C Instruments
5457
Piano Accompaniment
4861
Big Note Piano
3461
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2714
Piano Trio: piano, violin, cello
1385
Accordion
1173
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829
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488
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394
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341
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307
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205
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169
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166
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104
Keyboard
98
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51
2 Pianos, 8 hands
38
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23
Accordion ensemble
22
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17
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13
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13
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12
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8
Accordion and Orchestra
6
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6
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5
Piano ensembles
5
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3
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2
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Guitar notes and tablatures
19546
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9833
Melody line, (Lyrics) and Chords
2680
Ukulele
2354
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2250
2 Guitars (duet)
1442
Guitar (band part)
1292
Lyrics and Chords
963
4 Guitars (Quartet)
689
Piano, Guitar (duet)
652
Mandolin
599
Dulcimer
350
3 Guitars (trio)
288
Banjo
269
Guitar Ensemble
174
Lap Steel Guitar
155
Baritone Ukulele
109
Electric Bass (band part)
89
Mandolin, Piano (duet)
54
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
2 Dulcimers (duet)
25
2 Ukuleles
19
Ukulele Ensemble
19
Guitar, Flute, Clarinet
14
Dobro
10
Guitar, Orchestra
7
Zither
7
2 Mandolins (duet)
6
Guitar, String Quartet
6
Plectrum Orchestra
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
2 Guitars and Orchestra
1
2 Guitars, Clarinet (trio)
1
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Choral SATB
32119
Choral 3-part
10901
Choral 2-part
9187
Choral TTBB
5731
Choral Unison
4586
Choral SSAA
3414
Vocal duet, Piano
3014
Choral
2293
Choral Instrumental Pak
1324
Vocal duet
1281
Voice solo
1054
Soprano voice, Piano
890
High voice
819
Alto voice, Piano
620
Tenor voice, Piano
542
Low voice, Piano
512
Baritone voice, Piano
389
Medium voice, Piano
259
Medium Voice
240
Tenor voice
117
Voice, Guitar
110
Choral SSATB
108
Choral SSAATTBB
102
Soprano voice
69
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Mezzo-Soprano voice, Piano
51
Low voice
43
Children choir
42
Choral SSATTB
41
Choral SSAB, Piano
29
Choral SSAB a cappella
29
Baritone voice
17
High voice, Piano
17
Choral SSAATB
11
Voix Masculines
10
Choral SATBB
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SATTBB A Cappella
4
Lyrics only
3
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3
Children choir, Piano
2
Choral SSAATB A Cappella
2
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14314
Flute and Piano
9803
Clarinet (band part)
8780
Saxophone Quartet: 4 saxophones
7515
Clarinet and Piano
7462
Flute
5982
Oboe, Piano (duet)
5917
Alto Saxophone and Piano
5690
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5678
2 Saxophones (duet)
5387
Flute, Oboe, Clarinet, Bassoon
4790
Clarinet Quartet: 4 clarinets
4743
Clarinet
4720
2 Flutes (duet)
4615
Oboe (band part)
4429
Alto Saxophone
4383
Tenor Saxophone and Piano
4262
2 Clarinets (duet)
3935
Tenor Saxophone
3702
Flute (band part)
3382
Flute Quartet: 4 flutes
2655
Soprano Saxophone and Piano
2570
Saxophone Quintet: 5 Saxophones
2231
3 Saxophones (trio)
2058
3 Clarinets (trio)
2024
Flute, Clarinet (duet)
1781
Flute and Guitar
1749
Clarinet Ensemble
1504
Flute Trio: 3 flutes
1415
Flute ensemble
1203
Oboe
1158
Baritone Saxophone, Piano
1110
2 Oboes (duet)
1084
Saxophone ensemble
1022
Clarinet Quintet: 5 clarinets
970
English horn, Piano
958
Recorder Quartet
819
Flute, Violin
804
Oboe, Bassoon (duet)
786
Clarinet, Violin (duet)
758
2 Recorders (duet)
740
Descant (Soprano) Recorder
667
Oboe, Clarinet (duet)
660
Saxophone, Clarinet (duet)
633
Flute, Clarinet and Bassoon.
550
Soprano Saxophone
548
Recorder
548
Flute, Oboe, Clarinet (trio)
546
Flute, Violin, Piano
493
Clarinet, Guitar (duet)
480
Treble (Alto) Recorder
457
Bass Clarinet, Piano
455
Clarinet, Bassoon (duet)
455
Flute, Violoncello
434
Flute, Oboe, Bassoon
429
3 Recorders (trio)
423
Flute, Oboe (duet)
390
Flute Quintet : 5 flutes
390
Harmonica
371
Oboe, Clarinet, Bassoon (trio)
361
Oboe, Flute
334
Piccolo
334
Clarinet, Trumpet (duet)
324
Ocarina
314
Flute, Clarinet, Piano (trio)
312
English Horn
311
Flute, Viola (duet)
300
Flute, Trumpet (duet)
299
Clarinet, Cello (duet)
286
Clarinet and Viola
267
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Flute, Violin and Violoncello
229
Recorder Ensemble
221
Baritone Saxophone
215
2 Saxophones, Piano
209
Oboe, Cello
207
Saxophone
202
2 Flutes, Piano
188
Oboe, Violin (duet)
177
2 Clarinets, Piano
176
3 Oboes
164
Descent (Soprano) Recorder, Piano
153
Flute, Trombone (duet)
147
Saxophone and Piano
145
Treble (Alto) Recorder, Piano
138
Bass Clarinet
123
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Flute, Bassoon, and Piano
111
Pennywhistle
111
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Flute, Oboe, Piano (trio)
91
Tenor Recorder
89
Clarinet, Trombone (duet)
87
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Wind ensemble
74
Oboe and viola (duet)
73
4 Oboes
73
Flute, Organ (duet)
69
Recorder, Piano
68
Flute, Viola and Piano
67
Recorder, Guitar (duet)
61
Saxophone and Organ
61
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Oboe, Harp
46
Flute, Tuba (duet)
45
Eb Instruments
45
Saxophone and Harp
44
Treble (Alto) Recorder, Basso continuo
43
Saxophone, Bassoon (duet)
43
Harmonica, Piano
42
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
36
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Flute and Strings Trio
32
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
Clarinet Quintet: Clarinet, String Quartet
28
2 English horns and Pianoforte
28
Flute, Cello, Guitar
26
Flute, Violin, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Oboe, Cello and Piano
20
Flute, Orchestra
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
2 Oboes, Piano
17
Flute and String Quartet
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
2 Flutes and Guitar
13
Oboe, Violin, Piano
12
Clarinet, Orchestra
12
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
English horn, Harp (duet)
9
Saxophone, Tuba (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe, Organ
7
Flute, Basso continuo
7
Descant (Soprano) Recorder, Basso continuo
6
Clarinet, String quartet and Piano
6
Pan Flute
6
Flute, Viola and Cello
6
2 Oboes and English horn
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes and Harp
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
Melodica
2
Oboe and Orchestra
2
Flute, viola, cello and guitar
1
2 Flutes, Basso continuo
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Guitar, Piano
1
2 clarinets, 2 bassoons
1
Clarinet, Saxophone, Piano
1
3 Recorders, Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone (band part)
10726
Brass Quintet: 2 trumpets, horn, trombone, tuba
7302
Trumpet (band part)
6924
Trumpet
5253
Trumpet, Piano
5094
Trombone and Piano
4462
French horn (band part)
3801
Trombone
3794
Tuba (band part)
3469
French horn
3228
French Horn and Piano
3202
Brass quartet : 2 trumpets, trombone, tuba
3148
2 Trumpets (duet)
2069
Tuba
1950
2 Trombones (duet)
1708
Brass Quartet: 2 trumpets, horn, trombone
1545
Tuba and Piano
1484
Brass Quartet
1278
Trumpet, Trombone (duet)
1221
Brass Quartet: 4 trombones
1025
English horn, Piano
958
2 French horns (duet)
955
Euphonium, Piano (duet)
898
Brass Quartet: 4 horns
748
Euphonium
712
Trumpet, Saxophone (duet)
598
4 Tubas
557
Trumpet, Horn (duert)
484
Brass Trio
482
Trombone ensemble
416
Cornet
358
3 Trombones (trio)
350
English Horn
311
2 Tubas (duet)
305
3 Trumpets (trio)
254
Trumpet ensemble
229
2 Euphoniums and 2 Tubas
225
Horn Ensemble
209
Brass Quartet: 4 trumpets
207
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
126
2 Trumpets, Keyboard (piano or organ)
124
Trumpet, violin (duet)
110
Trumpet, Tuba (duet)
109
Bass Trombone
103
English Horn, Guitar (duet)
100
Trumpet, Bassoon (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
87
Trombone, Tuba (duet)
81
Trombone, Horn (duet)
80
Bass Trombone and Piano
79
Trombone, Violin (duet)
76
2 Euphoniums (duet)
76
3 French horns (trio)
74
Trumpet, Cello (duet)
72
Bass Clef Instruments
69
Tuba ensemble
66
Horn, Tuba (duet)
59
Trombone, Organ
57
French Horn and Harp
52
Bb Instruments
48
Trumpet, Cello, Piano
39
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
3 Tubas (trio)
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Euphonium (band part)
14
Trumpet, Orchestra
12
2 French horns, Piano
11
3 Euphoniums
11
Cornet and Piano
11
English horn, Harp (duet)
9
Brass Quintet: 2 trumpets, horn, 2 trombones
9
Flügelhorn
7
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet and Orchestra
2
Euphonium or Saxhorn and Piano
2
F Instruments
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
19018
Violin and Piano
12183
Violin
8809
Cello, Piano
7611
Harp
6190
Viola, Piano
6116
Cello
5774
Viola
4916
Violin (band part)
4903
Violin, Cello (duet)
4120
2 Violins (duet)
3527
String Trio: violin, viola, cello
3393
Doublebass (band part)
2970
2 Cellos (duet)
2456
Violin, Viola (duet)
2106
Cello (band part)
1856
2 Violas (duet)
1627
String Quintet: 2 violins, viola, cello, bass
1559
Double Bass
1500
Viola (band part)
1347
Double bass, Piano (duet)
1253
String Trio: 2 violins, cello
1147
Viola, Cello (duet)
936
String Trio: 3 violins
793
4 Cellos
777
Violin, Guitar (duet)
719
Piano Trio: Violin, Viola, Piano
707
Harp, Flute (duet)
681
Cello, Guitar (duet)
568
String Trio: 3 cellos
481
2 Harps (duet)
459
String quartet: 4 violins
370
String trio
365
Harp, Violin (duet)
360
Viola, Guitar (duet)
339
String Trio: 2 violins, viola
268
2 Double basses (duet)
263
String Trio: 3 violas
258
Cello, String Bass (duet)
238
String Quartet : 4 violas
231
Violin, Bassoon (duet)
194
Viola and Bassoon
116
2 Violins, Piano
115
Harp, Cello (duet)
111
String Quintet: 2 violins, 2 violas, cello
92
Viola and Harp
68
4 Double Basses
66
Violin, Organ
63
Harp, Voice
61
Cello Ensemble
61
Violin, Clarinet, Piano (trio)
58
Flute, Doublebass (duet)
53
Cello, Organ
51
String Quintet: 2 violins, viola, 2 cellos
46
Violin ensemble
41
Harp, Violin, Violoncello
39
2 Cellos, Piano
36
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
Autoharp
18
3 double basses
17
Violin, Cello, Clarinet
15
Cello and Marimba
15
Viola, Organ
14
Harp, Trombone (duet)
14
Harp (band part)
12
Viola and orchestra
11
2 Violas, Piano
11
Violin, Basso continuo
10
4 Harps
10
Violin, Trumpet and Piano
10
Harp and Organ
7
Harp, Orchestra
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
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PERCUSSION & ORCHESTRA
Concert band
26993
String Orchestra
9047
Orchestra
6724
Jazz Ensemble
5765
Percussion (band part)
4592
Brass ensemble
4299
Handbells
4215
Chamber Orchestra
2599
Marching band
2506
Percussion
1773
Jazz combo
1663
Drums
1657
Timpani (band part)
1574
Percussion Ensemble
1034
Drum (band part)
920
Marimba
346
Timpani
286
Vibraphone
239
Xylophone
233
Woodwind Quintet
141
Xylophone, Piano
115
Snare drums
111
Piano and Orchestra
81
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
55
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
44
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
27
School Ensemble
23
Flexible Instrumentation
19
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
3 Marimbas
8
2 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
Voice and Orchestra
3
3 Percussions
3
2 Snare Drums (duet)
3
Symphonic Band
2
Bodhran
2
Xylophone (band part)
2
Marimba or Xylophone and Piano
2
Conga
2
Snare drums, Piano
1
2 Percussions
1
Voice Mezzo-Soprano, Orchestra
1
Marimba, Saxophone (duet)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
227
Music Theory
14
Stationery
5
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Bass Clarinet, Piano
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Bass Clarinet, Piano
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Bass Clarinet, Piano
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.07 €
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Bass Clarinet, Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.07 €
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Bass Clarinet, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Bass Clarinet, Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.21 €
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Bass Clarinet, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.07 €
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Bass Clarinet, Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Bass Clarinet, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.86 €
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Bass Clarinet, Piano
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The Andrews Sisters
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.33 €
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Bass Clarinet, Piano
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Franz Schubert
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.6 €
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Bass Clarinet, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.587870 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred,Spiritual. Score and part. 26 pages. David McKeown #5037721. Published by David McKeown (A0.587870). 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Bass Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Bass Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Bass Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.94 €
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Bass Clarinet, Piano
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Various
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16 Favourite Easter Hymns for Solo Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Immortal, Invisible for Bass Clarinet
Bass Clarinet, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968472 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968472 Composed by Traditional Welsh Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6566935. Published by Lawrence H Underwood (A0.968472). Arranged by veteran performer and music educator, Lawrence Underwood, as the tenth installment in his 2021 Hymn Song Collection series, this brand-new setting of Immortal, Invisible infuses this beloved melody with dynamism. Passing the melody back and forth between the solo and piano parts and moving through a series of meters and accompaniment styles, this arrangement is a treat for both performers and listeners alike! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a hit!
$5.99
5.47 €
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Bass Clarinet, Piano
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Traditional Welsh Melody
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Immortal, Invisible for Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Bass Clarinet, Piano
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Scott Joplin
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Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Easy Winners, for Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1106196 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709310. Published by David McKeown (A0.1106196). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Bass Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Bass Clarinet, Piano
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Scott Joplin
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The Easy Winners, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Bass Clarinet, Piano
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Scott Joplin
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The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Bass Clarinet and Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090775 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Bass Clarinet, Piano
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Scott Joplin
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The Elite Syncopations for Solo Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.07 €
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Bass Clarinet, Piano
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Bach-Gounod
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.07 €
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Bass Clarinet, Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
'Point Forms'
Bass Clarinet, Piano
Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after…
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Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after Kandinsky). Composed by Kenneth Hesketh. This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19145. Published by Schott Music - Digital
'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).
$25.99
23.72 €
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Bass Clarinet, Piano
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'Point Forms'
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Schott Music - Digital
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SheetMusicPlus
Rock of Ages for Bass Clarinet
Bass Clarinet, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968454 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968454 Composed by Thomas Hastings. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6566865. Published by Lawrence H Underwood (A0.968454). Arranged by veteran performer and music educator, Lawrence Underwood, as the ninth installment in his 2021 Hymn Song Collection series, this brand-new setting of Rock of Ages begins as with a classical treatment of the tune in 3 before reimagining the piece in 4, moving into a minor setting of the melody, through a waltz-feel, and into 9/8 time. . .all before returning home to the classical setting for this beloved melody. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
5.47 €
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Bass Clarinet, Piano
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Thomas Hastings
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Rock of Ages for Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
This Is My Father's World for Bass Clarinet
Bass Clarinet, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968436 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.968436 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and individual part. 11 pages. Lawrence H Underwood #6566651. Published by Lawrence H Underwood (A0.968436). Arranged by veteran performer and music educator, Lawrence Underwood, as the eighth installment in his 2021 Hymn Song Collection series, this brand-new setting of the traditional English melody This Is My Father's World begins as a wistful ballad, moving into a lilting waltz feel, before its rousing march finale. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
5.47 €
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Bass Clarinet, Piano
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Traditional English Melody
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This Is My Father's World for Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
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