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19
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11
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String trio
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Harp, Voice
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Autoharp
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186
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163
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Marching band
105
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77
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65
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58
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58
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42
Piano and Orchestra
35
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34
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24
Orchestra, Violin
19
2 Xylophones
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
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10
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6
Flexible Instrumentation
6
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3
Snare drums
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Vibraphone (band part)
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3 Marimbas
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Voice and Orchestra
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School Ensemble
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1
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1
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Musical course - Solfege
40
Music Theory
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Soprano voice, Piano
Sheetmusic to print
78 sheet music found
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76
The Birds
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.65 €
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Soprano voice, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
Soprano voice, Piano
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: …
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
18.31 €
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Soprano voice, Piano
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Victor Labenske
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Tasty Other: A Dramatic Song Cycle for Soprano and Piano
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Labenske Music Services
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SheetMusicPlus
God Is The Way
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.912717 Composed by Do…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.912717 Composed by Donald D. Tiffany. Christian,Gospel,Sacred. 4 pages. Donald Dean Tiffany #28925. Published by Donald Dean Tiffany (A0.912717). Soprano Solo in an easy range. The song defines Love in many different ways, i.e. more then thinking, telling, defines truth, i.e. more than thinking, or telling. God is Truth, God is Love. God is all three. The song defines Jesus as The Savior and finally decrcibes the way to the Savior. Uniquely established in a flowing melody and harmonized with four note chords in the left hand.
$3.00
2.75 €
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Soprano voice, Piano
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Donald D
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God Is The Way
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Donald Dean Tiffany
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SheetMusicPlus
The King Is Born
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.912715 Composed by Do…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.912715 Composed by Donald D. iffany. Arranged by Donald D. Tiffany. Christian,Gospel,Sacred. 8 pages. Donald Dean Tiffany #29453. Published by Donald Dean Tiffany (A0.912715). Somthing special happened. The Christmas Story told in a Soprano solo. Dreamy, smooth, and thoughtful the birth of Jesus is told with piano accompanyment that actually makes a duet with the music.
$5.00
4.58 €
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Soprano voice, Piano
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Donald D
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The King Is Born
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Donald Dean Tiffany
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SheetMusicPlus
Breaking
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by A…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gilson (A0.1024940). The main feeling of this poem is hope, just hope to make the world a better place, to help someone in need. A young girl, so naive and innocent, who believes that she can live a good life by making the lives of others better. But as the song cycle continues we see that for some women, their dreams will never become a reality. We see hints of this in this piece, as in the second section, the piece dips into a minor key. Suggesting that the woman girl has started to give up on her dreams. But the girl keeps singing, saying that she’ll help a fainting robin. She has not given up yet, and will not let her dreams fade.
$4.99
4.57 €
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Soprano voice, Piano
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Abigail Gilson
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Breaking
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Abigail Gilson
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SheetMusicPlus
THE BELLS. For voice and piano. High voice.
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.893949 Composed by Ga…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
9.15 €
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Soprano voice, Piano
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano. High voice.
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.78 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.03 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Soprano voice, Piano
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Soprano voice, Piano
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Ruggiero Leoncavallo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Descant: Lead On, O King Eternal (LANCASHIRE)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.935122 Composed by Am…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.935122 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4607621. Published by ECG Press, USA (A0.935122). Descant on the beloved hymn tune LANCASHIRE, or Lead On, O King Eternal.Purchase of one copy authorizes you to print additional copies for your choir.
$1.99
1.82 €
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Soprano voice, Piano
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Amos Goldie
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Descant: Lead On, O King Eternal
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ECG Press, USA
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SheetMusicPlus
Then Will I Truly Know - MS Solo with Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997118 Composed by Bi…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages. Bill Fortenberry #6683091. Published by Bill Fortenberry (A0.997118). In his letter to the Corinthians, Paul expressed his longing for a time when he would see God face to face and know the Lord as much as the Lord knows us. Then Will I Truly Know by Bill Fortenberry and Jordan Grigg captures that longing in an enchanting melody that unites all of us in a desire for our heavenly home.Choir version, orchestral score, and backing track are also available.
$2.99
2.74 €
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Soprano voice, Piano
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Bill Fortenberry, Jordan Grigg
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Then Will I Truly Know - MS Solo with Piano
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Bill Fortenberry
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SheetMusicPlus
There Is a Balm in Gilead
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by T…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. Dillon's Music Group #944955. Published by Dillon's Music Group (A0.1360461). Bremda Dillon has a background in both academia and the music industry. She is best known for her expertise in group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
1.82 €
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Soprano voice, Piano
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Traditional Spiritual
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There Is a Balm in Gilead
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Dillon's Music Group
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SheetMusicPlus
[Costinescu] Nine Portraits from the Wild
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Cost…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Costinescu. Contemporary. 21 pages. American Composers Alliance Inc. #4575911. Published by American Composers Alliance Inc. (A0.952256). Nine songs for soprano and piano on texts by the composer. Include: 1. Cricket, 2. Bullfrog, 3. Snail-Likeness, 4. Cheetah-Champ, 5. Fishing-Fish, 6. Butterfly, 7. Sneaky-Snake, 8. Elephant-King, 9. Mockingbird.
$15.95
14.61 €
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Soprano voice, Piano
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Gheorge Costinescu
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[Costinescu] Nine Portraits from the Wild
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American Composers Alliance Inc.
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SheetMusicPlus
On the Edge of Tomorrow
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
3.65 €
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Soprano voice, Piano
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Ken Medema
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On the Edge of Tomorrow
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Ken Medema Music
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SheetMusicPlus
Schwips-lied (The Tipsy Polka)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Jo…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
11.9 €
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Soprano voice, Piano
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Johann Strauss Jr
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Beneath the Cross of Jesus
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by F…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Dillon's Music Group #944932. Published by Dillon's Music Group (A0.1360437). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
1.82 €
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Soprano voice, Piano
#
Frederick Charles Maker
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Beneath the Cross of Jesus
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Dillon's Music Group
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SheetMusicPlus
The Truth From Above - SATB
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.935125 Composed by Amos Goldie,…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.935125 Composed by Amos Goldie, Anonymous. Contemporary. 7 pages. ECG Press, USA #4609401. Published by ECG Press, USA (A0.935125). Creative but accessible arrangement of the traditional 19th Century English Advent Carol.Purchase of one copy allows making copies for your choir.
$1.99
1.82 €
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Soprano voice, Piano
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Amos Goldie, Anonymous
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The Truth From Above - SATB
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ECG Press, USA
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.2 €
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Soprano voice, Piano
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Richard Wagner
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pictures at an exHERbition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.16 €
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Soprano voice, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
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