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A View For The Ages
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2,404
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+ 11 instrumentations
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You've selected:
A View For The Ages
Soprano voice, Piano
Sheetmusic to print
14 sheet music found
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1
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Wexford Carol for sopran and piano
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Soprano voice, Piano
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EASY
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Christmas
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Folkloric/Traditional
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Irish Traditional
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Ivana Tuskan
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The Wexford Carol for sopran a
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Irish Traditional. Arranged by Ivana Tuskan. Christmas,Sacred. 8 pages. ...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Irish Traditional. Arranged by Ivana Tuskan. Christmas,Sacred. 8 pages. Ivana Tuskan #3885655. Published by Ivana Tuskan (A0.793872). This is an arrangement of beautiful modal Irish Carol from County Wexford for sopran solo and piano. It contains 4 verses (1st and 2nd F major key, 3rd G major key and 4th A major key). Vocal range: from C4 to G5. The sound sample is an electronic preview. The pdf file contains score, 8 pages Performance Time approx. 3:50 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$6.00
A Faithful Shepherd Is My Lord
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Soprano voice, Piano
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EASY
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Johann Georg Nägeli
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Phyllis Hopper
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A Faithful Shepherd Is My Lord
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HopSez Productions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christia...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christian,Religious,Sacred,Traditional. 3 pages. HopSez Productions #1082870. Published by HopSez Productions (A0.1507467). A fresh arrangement of this 17th century German hymn paraphrasing Psalm 23, lyrics in English. I have also released an SATB arrangement of this piece, one with piano accompaniment, and another designed for a capella choir. Time: 2:30.I'd love to hear from you! Feel free to direct feedback, suggestions and requests to phroglis@tutanota.com ... and after you're familiar with the arrangement, it would be very helpful to other musicians if you'd leave a review on this site. Thanks!
$4.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
O Lonely Watcher of the Skies
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Matthew C
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O Lonely Watcher of the Skies
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Matthew Schildt
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Matthew C. Schildt. 20th Century,Contemporary. 21 pages. Matthew Schildt...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Matthew C. Schildt. 20th Century,Contemporary. 21 pages. Matthew Schildt #3876903. Published by Matthew Schildt (A0.993407). O Lonely Watcher of the Skies, for soprano and piano, is a 5-song cycle on poems from James Joyce's Chamber Music. Each song has a distinct character, ranging from ethereal and haunting to lilting and carefree. The piece was written in 2008, is approximately 13 minutes in duration, and is registered with ASCAP. More of my music can be viewed and heard at www.matthewschildtmusic.com
$10.00
What Child is This, for soprano solo and piano, D minor
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Soprano voice, Piano
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EASY
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Christmas
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Sacred music
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Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #3885627. Published by Ivana Tuskan (A0.793868). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in D minor, and third in A minor. Vocal range: A3 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$5.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
When a Mezzo (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
What Child is This, for soprano and piano, G minor/ A minor
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Soprano voice, Piano
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EASY
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Christmas
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English Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855. Published by Ivana Tuskan (A0.793897). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in G minor, and third in A minor. Vocal range: D4 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20
$5.00
Sue (Downloadable)
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Soprano voice, Piano
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Henry Mollicone
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Sue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - D...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
Silent Night - Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE
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Christmas
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Geoffrey Loff
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Silent Night - Soprano and Pia
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Geoffrey Loff
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
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