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92
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87
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78
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64
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44
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38
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29
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6
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2
3 Harps
2
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2
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2
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2
String Quintet: 2 violins, 2 violas, cello
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1
String quartet: 4 violins
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1
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1
String Quintet: 2 violins, viola, 2 cellos
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You've selected:
Ave MarÃa
Soprano voice, Piano
Sheetmusic to print
52 sheet music found
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51
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289541 Composed by C…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880277. Published by Benzaiten Editions (A0.1289541). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A flat major [Ab] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
#
Soprano voice, Piano
#
Charles Francois Gounod and Johann Sebastian Bach
#
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
#
Benzaiten Editions
#
SheetMusicPlus
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289515 Composed by C…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880252. Published by Benzaiten Editions (A0.1289515). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
#
Soprano voice, Piano
#
Charles Francois Gounod and Johann Sebastian Bach
#
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
#
Benzaiten Editions
#
SheetMusicPlus
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289499 Composed by C…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880247. Published by Benzaiten Editions (A0.1289499). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
#
Soprano voice, Piano
#
Charles Francois Gounod and Johann Sebastian Bach
#
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
#
Benzaiten Editions
#
SheetMusicPlus
Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289517 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880254. Published by Benzaiten Editions (A0.1289517). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C sharp major [C#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
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Soprano voice, Piano
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Charles Francois Gounod and Johann Sebastian Bach
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Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
Bach / Gounod Ave Maria in F sharp major [F#] ? soprano sheet music with piano accompaniment
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289536 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880272. Published by Benzaiten Editions (A0.1289536). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in F sharp major [F#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
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Soprano voice, Piano
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Charles Francois Gounod and Johann Sebastian Bach
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Bach / Gounod Ave Maria in F sharp major [F#] ? soprano sheet music with piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289516 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880253. Published by Benzaiten Editions (A0.1289516). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
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Soprano voice, Piano
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Charles Francois Gounod and Johann Sebastian Bach
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Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords
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Benzaiten Editions
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SheetMusicPlus
Bach / Gounod Ave Maria in Bb major [Bb] • soprano sheet music with piano accompaniment and chords
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289500 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880248. Published by Benzaiten Editions (A0.1289500). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire.  Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
1.82 €
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Soprano voice, Piano
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Charles Francois Gounod and Johann Sebastian Bach
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Bach / Gounod Ave Maria in Bb major [Bb] • soprano sheet music with piano accompaniment and chords
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Benzaiten Editions
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SheetMusicPlus
DO NOT STAND ON MY GRAVE. Version for soprano and piano
Soprano voice, Piano
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabri…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
4.11 €
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Soprano voice, Piano
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
The Last Rose of Summer - Soprano with piano in A
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492609 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.56 €
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Soprano voice, Piano
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Thomas Moore
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The Last Rose of Summer - Soprano with piano in A
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in A
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492596 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.56 €
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Soprano voice, Piano
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Thomas Moore
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The Last Rose of Summer - Soprano with piano and chords in A
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Alex Rodrigues
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SheetMusicPlus
Ave Maria Schubert - Soprano with chords in A
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1234391 Composed by F…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1234391 Composed by Franz Schubert. Arranged by Alex Nunes Rodrigues. Classical. 3 pages. Alex Rodrigues #829925. Published by Alex Rodrigues (A0.1234391).
$1.99
1.82 €
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Soprano voice, Piano
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Franz Schubert
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Ave Maria Schubert - Soprano with chords in A
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Alex Rodrigues
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Soprano voice, Piano
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.75 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.01 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Soprano voice, Piano
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Ruggiero Leoncavallo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.18 €
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Soprano voice, Piano
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Richard Wagner
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Sue (Downloadable)
Soprano voice, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
10.51 €
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Soprano voice, Piano
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Henry Mollicone
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Sue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Take My Life, and Let It Be - soprano solo, organ
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by To…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
4.56 €
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Soprano voice, Piano
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be - soprano solo, organ
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Con Spirito Music
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SheetMusicPlus
Pictures at an exHERbition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.14 €
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Soprano voice, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Ad…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
4.56 €
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Soprano voice, Piano
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Chansons de Verlaine
Soprano voice, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.28 €
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Soprano voice, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
The Ballad of Little Boy Blue, Eugene Field, poet
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.989229 Composed by Ma…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Mary Ann Joyce-Walter (A0.989229). A familiar 19th century Irish ballad by the Irish poet, Eugene Field. The poem and the music are touching and sad: there are toys in the attic covered with dust, and the little toy soldier is red with rust, and his musket molds in his hands. There was a time when the toys were new and Little Boy Blue kissed them and put them there. He told them not to leave until he came to get them, but - an angel song awakened Little Boy Blue, and the years past. The faithful toys stayed in the place where he put them, but they wondered sorrowfully what happened to their Little Boy Blue..
$4.99
4.56 €
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Soprano voice, Piano
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Mary Ann Joyce
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The Ballad of Little Boy Blue, Eugene Field, poet
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Mary Ann Joyce-Walter
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SheetMusicPlus
Ebben? Ne andrò lontana - La Wally (Eb Major)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884861 Composed by Al…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884861 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonathan Prentice #5970399. Published by Jonathan Prentice (A0.884861). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in Eb Major, a semitone lower than the original).
$1.99
1.82 €
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Soprano voice, Piano
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Alfredo Catalani
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Ebben? Ne andrò lontana - La Wally
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Jonathan Prentice
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SheetMusicPlus
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