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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Be - Choir
Sheetmusicplus
Not classified
17,929
Piano & keyboards
Piano solo
14,641
Piano, Voice
6,097
Easy Piano
3,936
Big Note Piano
3,359
Organ
3,117
Piano, Vocal and Guitar
2,702
C Instruments
966
1 Piano, 4 hands
442
Piano Accompaniment
404
Piano Trio: piano, violin, cello
169
2 Pianos, 4 hands
134
Accordion
65
Keyboard
64
Piano (band part)
60
Piano Quartet: piano, 2 violins, cello
45
Organ, Trumpet (duet)
38
Organ, Piano (duet)
35
Piano Quartet: piano, violin, viola, cello
32
Piano Quintet: piano, 2 violins, viola, cello
24
Harpsichord
23
1 Piano, 6 hands
22
2 Pianos, 8 hands
7
Accordion ensemble
3
Piano ensembles
1
Accordion, String(s)
1
+ 20 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,158
Guitar
1,022
Melody line, (Lyrics) and Chords
580
Ukulele
427
Bass guitar
266
Lyrics and Chords
237
Piano, Guitar (duet)
170
Guitar (band part)
116
Dulcimer
115
2 Guitars (duet)
102
Banjo
80
Mandolin
67
4 Guitars (Quartet)
53
Guitar Ensemble
28
3 Guitars (trio)
20
2 Dulcimers (duet)
16
Baritone Ukulele
8
Ukulele Ensemble
7
Mandolin, Guitar (duet)
4
Dobro
4
Electric Bass (band part)
3
2 Ukuleles
3
2 Mandolins (duet)
2
Lap Steel Guitar
2
Guitar, Violin, Cello (trio)
2
Guitar, String Quartet
2
Mandolin, Piano (duet)
1
Guitar, Orchestra
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
1,276
Vocal duet, Piano
958
Choral Instrumental Pak
430
Vocal duet
400
Choral 3-part
201
Choral Unison
184
High voice
165
Soprano voice, Piano
139
Voice solo
109
Choral 2-part
103
Choral TTBB
101
Alto voice, Piano
100
Choral SSAA
72
Baritone voice, Piano
64
Choral
55
Tenor voice, Piano
50
Medium voice, Piano
47
Tenor voice
22
Low voice, Piano
18
Low voice
12
Soprano voice
8
Mezzo-Soprano voice, Piano
7
Choral SSATTB
6
Choral SSAATTBB
4
Voice, Guitar
4
High voice, Piano
2
Choral SSATB
2
Choral SATBB
1
Choral SAATB A Cappella
1
Choral SSAATB
1
+ 25 instrumentations
-
Retract
Woodwind
Flute and Piano
1,405
Saxophone Quartet: 4 saxophones
1,136
Clarinet and Piano
1,015
2 Saxophones (duet)
909
Flute, Oboe, Clarinet, Bassoon
855
Oboe, Piano (duet)
855
Alto Saxophone and Piano
844
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
841
Clarinet Quartet: 4 clarinets
835
Tenor Saxophone and Piano
709
Flute
692
Saxophone (band part)
683
Alto Saxophone
672
Tenor Saxophone
644
Clarinet
567
2 Clarinets (duet)
532
2 Flutes (duet)
526
Saxophone Quintet: 5 Saxophones
451
Soprano Saxophone and Piano
423
3 Saxophones (trio)
334
Flute Quartet: 4 flutes
293
Oboe (band part)
275
3 Clarinets (trio)
269
Flute, Clarinet (duet)
238
Baritone Saxophone, Piano
202
Clarinet (band part)
194
Saxophone ensemble
189
Flute Trio: 3 flutes
173
2 Oboes (duet)
162
Saxophone, Clarinet (duet)
151
Clarinet Quintet: 5 clarinets
151
Clarinet, Violin (duet)
149
Clarinet Ensemble
130
Oboe, Bassoon (duet)
126
2 Recorders (duet)
123
Flute (band part)
108
English horn, Piano
106
Flute and Guitar
105
Flute, Violin
101
Clarinet, Trumpet (duet)
100
Oboe, Clarinet (duet)
95
Flute, Oboe, Clarinet (trio)
93
Flute Quintet : 5 flutes
90
Flute, Clarinet and Bassoon.
81
Bass Clarinet, Piano
80
Oboe
73
Flute, Viola (duet)
71
Flute, Violin and Violoncello
69
Clarinet and Viola
68
Flute, Saxophone (duet)
68
Oboe, Clarinet, Bassoon (trio)
67
Oboe, Flute
63
Flute, Oboe, Bassoon
61
Recorder Quartet
59
Soprano Saxophone
57
Flute, Trumpet (duet)
56
Clarinet, Bassoon (duet)
55
Flute, Violin, Piano
55
Flute, Violoncello
55
Recorder
52
Descant (Soprano) Recorder
52
Flute, Harp and Cello
41
Treble (Alto) Recorder
40
Clarinet, Guitar (duet)
40
Baritone Saxophone
39
English Horn
35
Flute, Oboe (duet)
28
Clarinet, Cello (duet)
28
2 Clarinets, Bassoon
25
3 Recorders (trio)
24
5 Recorders
24
Oboe, Cello
23
2 Clarinets, Piano
22
Ocarina
21
Tenor Recorder
21
Clarinet, Harp (duet)
20
Harmonica
20
Recorder Ensemble
19
Flute ensemble
19
3 Oboes
17
Flute, Clarinet, Piano (trio)
17
Descent (Soprano) Recorder, Piano
16
Oboe and viola (duet)
15
Saxophone and Organ
15
Saxophone
15
4 Oboes
14
Oboe, Guitar (duet)
14
Flute, Tuba (duet)
14
Oboe, Violin (duet)
13
Flute, harp and violin
13
Flute, Trombone (duet)
13
Piccolo, Piano
12
Treble (Alto) Recorder, Piano
12
Flute, Cello, Piano (trio)
12
Clarinet, Trombone (duet)
11
2 Flutes, Piano
11
Clarinet, Tuba
11
English Horn, Guitar (duet)
10
Flute, Organ (duet)
9
Eb Instruments
9
Saxophone and Guitar
9
Clarinet, Organ
8
Oboe, Trombone (duet)
8
Flute, Violin, Violoncello and Piano
8
Flute, Oboe, Piano (trio)
7
Flute, Clarinet, Violin (trio)
7
2 English horns and Pianoforte
7
Flute, Viola and Piano
6
Wind ensemble
6
Clarinet Quintet: Clarinet, String Quartet
6
Clarinet, Cello, Piano (trio)
6
2 Saxophones, Piano
5
Oboe ensemble
5
Flute, French horn (duet)
5
Saxophone and Piano
5
Recorder, Piano
5
2 Oboes, Piano
4
Bagpipe
4
Flute and Strings Trio
3
Bass Clarinet
3
2 Oboes and Basson
3
Saxophone, Violin (duet)
3
Flute, Basso continuo
3
2 Harmonicas
2
Oboe, Harp
2
Saxophone and Harp
2
Oboe, Clarinet and Piano (Trio)
2
Piccolo
2
Flute, Bassoon, and Piano
2
Oboe, Bassoon and Piano
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Melodica
1
Descant (Soprano) Recorder, Basso continuo
1
2 Flutes and Harp
1
Flute, trombone and piano
1
Pennywhistle
1
Clarinet, Orchestra
1
Flute and String Quartet
1
Recorder, Harp
1
Harmonica, Piano
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Cello, Guitar
1
Flute, Viola and harp
1
Clarinette, Viola and Piano (trio)
1
Recorder, Guitar (duet)
1
+ 142 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
950
Trumpet, Piano
834
Trombone and Piano
793
Trumpet
675
Brass quartet : 2 trumpets, trombone, tuba
564
French Horn and Piano
548
Trombone
432
Trumpet (band part)
406
Trombone (band part)
403
French horn
292
2 Trumpets (duet)
282
2 Trombones (duet)
272
Tuba and Piano
250
Brass Quartet: 2 trumpets, horn, trombone
235
Tuba
202
Brass Quartet
199
Brass Quartet: 4 trombones
165
Trumpet, Trombone (duet)
153
Euphonium, Piano (duet)
133
Trumpet, Saxophone (duet)
130
2 French horns (duet)
125
French horn (band part)
119
English horn, Piano
106
Tuba (band part)
95
Trombone ensemble
90
Brass Quartet: 4 horns
80
Trumpet ensemble
76
2 Tubas (duet)
67
Trumpet, Horn (duert)
67
2 Euphoniums and 2 Tubas
60
Euphonium
59
Brass Trio
38
English Horn
35
Horn Ensemble
33
4 Tubas
32
3 Trombones (trio)
29
Brass Quartet: 4 trumpets
28
Trumpet, Tuba (duet)
24
Bass Clef Instruments
23
Euphonium, Tuba (duet)
23
2 Euphoniums (duet)
19
Trombone, Tuba (duet)
19
Tuba and Organ
18
3 Trumpets (trio)
17
Trombone, Organ
15
Trombone, Violin (duet)
12
Trombone, Horn (duet)
12
3 French horns (trio)
11
English Horn, Guitar (duet)
10
Bass Trombone
10
Brass Quartet: 2 trumpets, 2 trombones
9
3 Tubas (trio)
8
Trumpet, violin (duet)
8
Bass Trombone and Piano
8
2 English horns and Pianoforte
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
2 Trumpets, Keyboard (piano or organ)
6
Horn, Tuba (duet)
6
Bb Instruments
6
Horn and Organ
5
Horn, Cello (duet)
5
Trumpet and Guitar
4
Trumpet, Cello (duet)
4
Trumpet, Trombone, Piano
3
2 French horns, Piano
3
Clarinet, Horn (duet)
3
Trombone and Orchestra
2
Trumpet, Harp
2
French Horn and Harp
2
2 Trombones, Piano
2
3 Euphoniums
2
Trumpet, Bassoon (duet)
1
Euphonium (band part)
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
F Instruments
1
Cornet and Orchestra
1
+ 72 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,200
Violin and Piano
1,683
Violin
1,342
Cello, Piano
1,044
Viola, Piano
926
Harp
828
Violin, Cello (duet)
727
Cello
645
String Trio: violin, viola, cello
635
2 Violins (duet)
470
Viola
384
2 Cellos (duet)
334
Violin, Viola (duet)
309
2 Violas (duet)
264
Violin (band part)
251
String Trio: 2 violins, cello
218
String Quintet: 2 violins, viola, cello, bass
203
2 Harps (duet)
199
Double bass, Piano (duet)
196
Viola (band part)
167
Double Bass
163
Doublebass (band part)
159
Harp, Flute (duet)
141
Harp, Violin (duet)
133
Piano Trio: Violin, Viola, Piano
90
Viola, Cello (duet)
87
String Trio: 3 violins
84
Violin, Guitar (duet)
78
4 Cellos
63
String Trio: 3 cellos
58
Cello (band part)
55
String Trio: 3 violas
52
String quartet: 4 violins
50
Cello, Guitar (duet)
42
Harp and Piano
41
2 Double basses (duet)
41
Violin ensemble
29
Cello, String Bass (duet)
29
String Trio: 2 violins, viola
28
Viola ensemble
27
Harp, Voice
27
Violin, Bassoon (duet)
24
String Quartet : 4 violas
23
String Quintet: 2 violins, 2 violas, cello
21
Cello, Organ
17
Viola and Harp
13
Violin, Tuba (duet)
12
2 Violins, Piano
12
Viola, Guitar (duet)
12
Harp, Cello (duet)
11
Violin, Organ
11
Cello Ensemble
8
4 Double Basses
7
Flute, Doublebass (duet)
6
Violoncello, Basso continuo
5
String Quintet: 2 violins, viola, 2 cellos
5
Harp, Violin, Violoncello
5
Viola, Organ
5
Viola and Bassoon
4
3 Harps
4
String trio
4
2 Violas, Piano
3
4 Harps
3
2 Cellos, Piano
3
Autoharp
2
Violin, Clarinet, Piano (trio)
2
5 Harps
2
Violin, Basso continuo
2
Harp and Organ
1
Harp (band part)
1
Cello, Orchestra
1
Harp and mandolin
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Concert band
5,480
String Orchestra
1,554
Jazz Ensemble
1,250
Orchestra
1,205
Brass ensemble
838
Handbells
816
Marching band
762
Chamber Orchestra
470
Drums
330
Jazz combo
312
Percussion Ensemble
275
Percussion (band part)
122
Drum (band part)
87
Marimba
79
Vibraphone
44
Xylophone, Piano
24
Percussion
13
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
13
Timpani (band part)
10
Xylophone
7
2 Xylophones
6
School Ensemble
6
Piano and Orchestra
5
Woodwind Quartet: any 4 woodwinds
4
Woodwind Quintet
3
Orchestra, Violin
3
3 Marimbas
3
Timpani
3
Brass Quintet: other combinaisons
3
Vibraphone and Marimba
2
2 Marimbas
2
Marimba, Piano (duet)
1
Voice and Orchestra
1
Flexible Instrumentation
1
Vibraphone (band part)
1
Xylophone or Marimba or Vibraphone
1
Marimba and Organ
1
Xylophone (band part)
1
Conga
1
+ 34 instrumentations
-
Retract
Others
Musical course - Solfege
10
Music Theory
2
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Be - Choir
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Soprano voice, Piano
Sheetmusic to print
139 sheet music found
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1
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126
Take My Life, and Let It Be - soprano solo, organ
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Soprano voice, Piano
#
INTERMEDIATE
#
Sacred music
#
Todd Marchand
#
it shall be thy royal throne
#
Take My Life, and Let It Be -
#
Con Spirito Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Pu...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
To be Called Children of God (organ/soprano)
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Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Melody Mills
#
Jon Burr
#
To be Called Children of God
#
Melody Mills
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages....
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686959. Published by Melody Mills (A0.993102). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
To be Called Children of God (piano/soprano)
#
Soprano voice, Piano
#
INTERMEDIATE
#
Melody Mills
#
Jon Burr
#
To be Called Children of God
#
Melody Mills
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages....
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3686969. Published by Melody Mills (A0.993103). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
Let it Be Him
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Soprano voice, Piano
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INTERMEDIATE
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Jenny McKinney
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Rebecca Brinkerhoff
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Let it Be Him
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222325. Published by Jennifer McKinney (A0.958061). (for Zach) Taken from the Empty Arms Companion Songbook, this song is from the perspective of a mother who has lost her battle with mortality, and desires for her child to survive. Written about a friend who died during childbirth, this song will touch your heart as a parent. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
It will be spring soon
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Soprano voice, Piano
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Classical
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Helen Grime
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It will be spring soon
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Hal Leonard - Digital
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SheetMusicPlus
Piano,Soprano voice,Vocal - Digital Download SKU: HX.1518174 Composed by Helen Grime. This edition: scorch. Classical. Score. 43 pages. Hal Leonard - Dig...
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Piano,Soprano voice,Vocal - Digital Download SKU: HX.1518174 Composed by Helen Grime. This edition: scorch. Classical. Score. 43 pages. Hal Leonard - Digital #CH88175-01. Published by Hal Leonard - Digital (HX.1518174).
$24.99
Art Song: We Will Be Together Again, Someday
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Justin Rosin
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Art Song: We Will Be Together
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Justin Rosin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by Justin Rosin (A0.1009905). An Art Song I Worte for solo voice and piano in memory of a dear friend's relative.
$3.99
Will The Circle Be Unbroken?
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Soprano voice, Piano
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EASY
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Sacred music
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Charles H
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Gert Th
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Will The Circle Be Unbroken?
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Gert Th. Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.682405 Composed by Charles H. Gabriel. Arranged by Gert Th. Walter. Christian,Country,Prais...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.682405 Composed by Charles H. Gabriel. Arranged by Gert Th. Walter. Christian,Country,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5777491. Published by Gert Th. Walter (A0.682405). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
Be Thou My Vision
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Soprano voice, Piano
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EASY
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Sacred music
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Traditional
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Gert Th
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Be Thou My Vision
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Gert Th. Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.680857 Composed by Traditional. Arranged by Gert Th. Walter. Christian,Folk,Praise & Worshi...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.680857 Composed by Traditional. Arranged by Gert Th. Walter. Christian,Folk,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #4786687. Published by Gert Th. Walter (A0.680857). Very easy arrangement, but not only for pupil and beginners.
$1.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Oppekepe all over the world Op.178
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Soprano voice, Piano
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Kohei KONDO
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Oppekepe all over the world Op
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Kohei KONDO
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Publ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube：https://youtu.be/tbkyTmVTBKg?t=1139　 Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
Civility
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Who shall ascend
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Tim Attride
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Who shall ascend
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Tim Attride
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim Attride (A0.1382302). Based on the well known words from Psalm 24, this short 14-bar Soprano solo (optionally for two voices in dialogue) would be suitable for either an Introit or Benediction when the Psalm is set for the day, or during Communion. With a range from middle C up to couple of top F, this should be within the capability of most Sopranos.N.B. the cost is for a single copy, however, please feel free to make up to two more for performance purposes. P1. is for reference only - to save paper, print just P2. which contains the full work.
$5.99
Please Spend Christmas With Me - Soprano Solo
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Soprano voice, Piano
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BEGINNER
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Sacred music
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Charles E
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Please Spend Christmas With Me
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Charles E. & Maria A. Davis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
Schwips-lied (The Tipsy Polka)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,O...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
This Woman's Heart
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Soprano voice, Piano
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INTERMEDIATE
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Jenny McKinney
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Rebecca Brinkerhoff
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This Woman's Heart
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
Halevi Songs (piano/vocal score only)
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Soprano voice, Piano
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ADVANCED
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashk...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
La Vie En Rose
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Soprano voice, Piano
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EASY
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Edith Piaf
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Julia Yeon-Joo Oh
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La Vie En Rose
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Julia Oh Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1305546 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Julia Yeon-Joo Oh. Mu...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1305546 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Julia Yeon-Joo Oh. Multicultural,Pop,Wedding,World. 1 pages. Julia Oh Music #894997. Published by Julia Oh Music (A0.1305546). Arranged in E Major. You can sing or play this arrangement along to the Daniela Andrade version (https://youtu.be/Az7_7c72alY?si=lbuUDTuZer-6TNoC) or its karaoke version (https://youtu.be/SpcC8cH4VNc?si=h1DzJqseGR2OSayh).
$5.99
Adieu, mon petite table - Manon (G Minor)
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Soprano voice, Piano
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INTERMEDIATE
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Mano
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
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