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Coloratura
Soprano voice, Piano
Sheetmusic to print
23 sheet music found
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1
Two Life-Spring Songs for Coloratura Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Richard St
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Two Life-Spring Songs for Colo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clai...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #4791651. Published by Richard St. Clair (A0.939818). This set of two lyrical songs on poems by the late Aureet Bar-Yam (to whose memory the songs are dedicated) are completely tonal, in F major, and in simple 3/4 meter, though the voice line and piano part are rather intricate requiring much preparation for performance. The poems were given to the composer with permission to set them to music. These two songs would make a fine addition to a chamber concert of vocal music. The combined duration is about 5 minutes.
$16.50
Der Holle Rache
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Soprano voice, Piano
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Classical
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Wolfgang Amadeus Mozart
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Wilhelm Lutz
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Co
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Der Holle Rache
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Schott Music - Digital She
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SheetMusicPlus
(Queen of the Night's aria from the opera "The Magic Flute"). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. For colo...
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(Queen of the Night's aria from the opera "The Magic Flute"). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. For coloratura soprano and piano. Copyright Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital She
$4.99
Mein Herr Marquis
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Soprano voice, Piano
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Classical
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Johann Strauss Jr
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Co
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Mein Herr Marquis
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Schott Music - Digital Sheet Music
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SheetMusicPlus
(Arietta from the operetta "Die Feldermaus"). Composed by Johann Strauss Jr. (1825-1899). Edited by Wilhelm Lutz. For coloratura soprano and piano. Co...
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(Arietta from the operetta "Die Feldermaus"). Composed by Johann Strauss Jr. (1825-1899). Edited by Wilhelm Lutz. For coloratura soprano and piano. Copyright 1959 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital Sheet Music
$4.99
Fruhlingsstimmen, Op. 410
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Soprano voice, Piano
#
Classical
#
Johann Strauss Jr
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Fruhlingsstimmen, Op. 410
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Schott Music
#
SheetMusicPlus
Waltz. Composed by Johann Strauss Jr. (1825-1899). Copyright 1934 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3989). - - - Schott...
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Waltz. Composed by Johann Strauss Jr. (1825-1899). Copyright 1934 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3989). - - - Schott Music
$5.99
Klange der Heimat
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Soprano voice, Piano
#
Classical
#
Johann Strauss Jr
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Wilhelm Lutz
#
Co
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Klange der Heimat
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Schott Music - Digital Sheet Music
#
SheetMusicPlus
(Csardas from the operetta "Die Fledermaus"). Composed by Johann Strauss Jr. (1825-1899). Arranged by Wilhelm Lutz. For coloratura soprano and piano. ...
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(Csardas from the operetta "Die Fledermaus"). Composed by Johann Strauss Jr. (1825-1899). Arranged by Wilhelm Lutz. For coloratura soprano and piano. Copyright 1959 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital Sheet Music
$4.99
Durch Zartlichkeit und Schmeicheln
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Soprano voice, Piano
#
Classical
#
Wolfgang Amadeus Mozart
#
Wilhelm Lutz
#
Co
#
Durch Zartlichkeit und Schmeic
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Schott Music
#
SheetMusicPlus
(Blondchen's aria from the opera "Die Entfuhrung aus dem Serail"). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. For...
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(Blondchen's aria from the opera "Die Entfuhrung aus dem Serail"). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. For coloratura soprano and piano. Copyright Schott Music GmbH & Co. KG, Mainz. KV 384. Published by Schott Music
$4.99
O zittre nicht!
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Soprano voice, Piano
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Classical
#
Wolfgang Amadeus Mozart
#
Wilhelm Lutz
#
O zittre nicht!
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SheetMusicPlus
From the opera The Magic Flute . Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. Copyright 1950 Schott Music GmbH & Co. KG - ...
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From the opera The Magic Flute . Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Wilhelm Lutz. Copyright 1950 Schott Music GmbH & Co. KG - - - Schott Music
$4.99
Spiel ich die Unschuld vom Lande
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Soprano voice, Piano
#
Classical
#
Johann Strauss Jr
#
Wilhelm Lutz
#
Co
#
Spiel ich die Unschuld vom Lan
#
Schott Music - Digital Sheet Music
#
SheetMusicPlus
(Arietta from the operetta "Die Feldermaus"). Composed by Johann Strauss Jr. (1825-1899). Arranged by Wilhelm Lutz. For coloratura soprano and piano. ...
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(Arietta from the operetta "Die Feldermaus"). Composed by Johann Strauss Jr. (1825-1899). Arranged by Wilhelm Lutz. For coloratura soprano and piano. Copyright 1959 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital Sheet Music
$4.99
Nun eilt herbei, Witz, heitre Laune
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Soprano voice, Piano
#
Otto Nicolai
#
Wilhelm Lutz
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Nun eilt herbei, Witz, heitre
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Schott Music
#
SheetMusicPlus
Frau Fluth's aria from the opera The Merry Wives of Windsor . Composed by Otto Nicolai (1810-1849). Arranged by Wilhelm Lutz. Copyright Schott Music Gmb...
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Frau Fluth's aria from the opera The Merry Wives of Windsor . Composed by Otto Nicolai (1810-1849). Arranged by Wilhelm Lutz. Copyright Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q15329). - - - Schott Music
$4.99
Blue Danube, Op. 314
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Soprano voice, Piano
#
Classical
#
Johann Strauss Jr
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Blue Danube, Op. 314
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Schott Music
#
SheetMusicPlus
Waltz. Composed by Johann Strauss Jr. (1825-1899). Copyright 1934 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3988). - - - Schott...
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Waltz. Composed by Johann Strauss Jr. (1825-1899). Copyright 1934 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3988). - - - Schott Music
$5.99
Caro nome che il mio cor
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Soprano voice, Piano
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Giuseppe Fortunino Francesco V
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Caro nome che il mio cor
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Schott Music
#
SheetMusicPlus
Scene and Gilda's aria from the opera Rigoletto . Composed by Giuseppe Fortunino Francesco Verdi. Copyright Schott Music GmbH & Co. KG, Mainz. Published...
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Scene and Gilda's aria from the opera Rigoletto . Composed by Giuseppe Fortunino Francesco Verdi. Copyright Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q15385). - - - Schott Music
$4.99
O zittre nicht, mein lieber Sohn - Die Zauberflöte (Bb Major)
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Soprano voice, Piano
#
ADVANCED
#
Classical
#
Classical
#
Wolfgang Amadeus Mozart
#
Jonathan Prentice
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O zittre nicht, mein lieber So
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5853533. Published by Jonathan Prentice (A0.884797). The Queen of the Night's less famous but equally spectacular aria, O Tremble Not, My Dear Son from Mozart's, Magic Flute, with a beautiful Largo before the coloratura section (Here in the original Bb Major).
$1.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
The Secret History of Water, set 2 (Music by Judith Cloud)
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Soprano voice, Piano
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ADVANCED
#
Contemporary
#
Judith Cloud
#
The Secret History of Water, s
#
Judith Cloud
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published b...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
I Cry
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Soprano voice, Piano
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ADVANCED
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Melanie B
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I Cry
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 6 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 6 pages. Melanie B Guerin #5019117. Published by Melanie B Guerin (A0.854329). Part patter song, part coloratura showpiece, this is the uptempo comedic song that every soprano has been wishing for! The song celebrates feeling all the feelings, even if that means being a weepy mess.I cry when I am nervous,I cry when I am stressed,This aqueous display isReally just the way myFeelings manifest.G#3-C#6.
$4.75
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ah! Je veux vivre - Roméo et Juliette (F Major)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Charles Francois Gounod
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Jonathan Prentice
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Ah! Je veux vivre - Roméo et
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic P...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic Period. 11 pages. Jonathan Prentice #5776925. Published by Jonathan Prentice (A0.884731). Gounod's famous aria combines some thrilling coloratura and beautiful melodies making it a favourite concert piece. From act 1 of the opera, the young Juliette is both excited and nervous about her upcoming arranged marriage.
$1.99
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Soprano voice, Piano
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ADVANCED
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Oper...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Frühlingsstimmen-Walzer
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Soprano voice, Piano
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Classical
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Johann Strauss Jr
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Frühlingsstimmen-Walzer
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Edition Cranz
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SheetMusicPlus
Coloratura soprano and Piano - Digital Download Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition C...
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Coloratura soprano and Piano - Digital Download Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition Cranz #Q1194. Published by Edition Cranz
$7.99
Mysteries of the Macabre
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Soprano voice, Piano
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ADVANCED
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Classical
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Coloratura soprano and piano - difficult - Digital Download SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloada...
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Coloratura soprano and piano - difficult - Digital Download SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloadable. Duration 8 minutes. Schott Music - Digital #Q576857. Published by Schott Music - Digital
$21.99
My Soul Doth Magnify the Lord (Magnificat) (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Sacred music
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Randall Thompson
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My Soul Doth Magnify the Lord
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Composed by Randall Thompson (1899-1984). Mother\'s Day. 6 pages. MorningStar Music Publishers - Digital Sheet Music #0124-E. Published by Mornin...
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Composed by Randall Thompson (1899-1984). Mother\'s Day. 6 pages. MorningStar Music Publishers - Digital Sheet Music #0124-E. Published by MorningStar Music Publishers - Digital Sheet Music
Luke 1:46-55.
My Soul Doth Magnify the Lord (Magnificat)\" is from the end of Scene 3 (The Visitation) of Randall Thompson\'s The Nativity According to St. Luke. Coloratura passages capture Mary\'s excitement in Thompson\'s interpretation of \"The Magnificat.
$7.75
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