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Ian Clar
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12,898
Piano & keyboards
Piano solo
1,692
Piano, Vocal and Guitar
888
Piano, Voice
575
Easy Piano
575
Piano Accompaniment
496
C Instruments
125
Piano Trio: piano, violin, cello
88
Piano (band part)
46
Organ
45
Big Note Piano
27
1 Piano, 4 hands
23
2 Pianos, 4 hands
14
Piano Quartet: piano, violin, viola, cello
11
2 Pianos, 8 hands
5
Piano Quartet: piano, 2 violins, cello
4
Organ, Piano (duet)
3
1 Piano, 6 hands
3
Accordion and Orchestra
2
Organ, Trumpet (duet)
2
Accordion
2
Piano Quintet: piano, 2 violins, viola, cello
1
Fake Book
1
+ 17 instrumentations
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Retract
Guitars
Melody line, (Lyrics) and Chords
54
Guitar
43
Guitar notes and tablatures
21
Guitar (band part)
12
Lyrics and Chords
9
Ukulele
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Bass guitar
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Guitar, Flute, Clarinet
3
Mandolin
3
Dulcimer
2
2 Guitars (duet)
2
4 Guitars (Quartet)
1
Mandolin, Piano (duet)
1
+ 9 instrumentations
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571
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503
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181
Choral 2-part
110
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63
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49
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44
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31
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25
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20
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15
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15
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8
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7
Children choir
6
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4
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3
Low voice, Piano
3
Soli, Mixted choir and accompaniment
1
Choral SSATB
1
Choral
1
+ 17 instrumentations
-
Retract
Woodwind
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10,289
Clarinet
10,113
Flute, Oboe, Clarinet, Bassoon
2,650
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2,598
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1,661
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1,548
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921
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728
Clarinet Ensemble
726
Clarinet (band part)
722
3 Clarinets (trio)
713
2 Saxophones (duet)
502
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427
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379
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372
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364
Oboe, Clarinet (duet)
358
Saxophone, Clarinet (duet)
337
Flute and Piano
303
Alto Saxophone and Piano
270
Flute, Clarinet and Bassoon.
215
Tenor Saxophone and Piano
214
Clarinet, Bassoon (duet)
211
2 Clarinets, Piano
206
Flute, Oboe, Clarinet (trio)
202
Clarinet, Trumpet (duet)
196
2 Flutes (duet)
195
Oboe, Clarinet, Bassoon (trio)
167
Soprano Saxophone and Piano
165
Clarinet and Viola
147
Clarinet, Guitar (duet)
139
Clarinet, Cello, Piano (trio)
132
Clarinet, Cello (duet)
113
2 Oboes (duet)
107
Oboe, Bassoon (duet)
104
Flute, Violin
97
Flute, Saxophone (duet)
82
Clarinet, Bassoon, Piano (trio)
76
Flute, Trumpet (duet)
75
Flute, Viola (duet)
69
Saxophone (band part)
64
Oboe, Flute
63
Saxophone Quartet: 4 saxophones
58
Flute
50
3 Saxophones (trio)
46
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44
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35
Baritone Saxophone, Piano
34
Clarinet, Trombone (duet)
33
Flute Trio: 3 flutes
31
Clarinet, Harp (duet)
30
Saxophone Quintet: 5 Saxophones
27
Bass Clarinet
25
Clarinet, trumpet and piano
25
Descant (Soprano) Recorder
24
2 Clarinets, Bassoon
24
Tenor Saxophone
23
Alto Saxophone
22
Flute and Guitar
21
Flute, Clarinet, Violin (trio)
21
English horn, Piano
20
Flute, Oboe (duet)
17
Saxophone
16
Descent (Soprano) Recorder, Piano
16
English Horn
16
Clarinet, Tuba
16
Oboe, Clarinet and Piano (Trio)
16
Tenor Recorder
15
Flute Quartet: 4 flutes
14
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14
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12
Recorder, Piano
11
Oboe, Violin (duet)
11
Flute (band part)
10
Clarinet Quintet: Clarinet, String Quartet
10
Clarinet, Organ
9
Flute Quintet : 5 flutes
7
Oboe
7
Clarinet Quartet: Clarinet, Violin, Viola, Cello
7
Flute, Violin, Piano
7
Flute, Viola and Piano
6
Wind ensemble
6
2 Recorders (duet)
6
3 Recorders (trio)
5
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5
Flute, Bassoon, and Piano
5
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4
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4
2 Saxophones, Piano
4
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4
Oboe, Clarinet, Bassoon and Piano
3
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3
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3
Clarinet, Saxophone, Piano
3
Flute, harp and violin
3
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3
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3
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3
Recorder
3
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3
Piccolo, Piano
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2
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1
Piccolo
1
Flute, Orchestra
1
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1
Saxophone and Organ
1
Flute, Violin and Violoncello
1
Treble (Alto) Recorder
1
2 English horns and Pianoforte
1
Eb Instruments
1
Soprano Saxophone
1
Recorder Ensemble
1
English horn, Harp (duet)
1
Oboe, Violin, Piano
1
2 Flutes, Piano
1
Oboe, Bassoon and Piano
1
+ 112 instrumentations
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171
Trumpet, Saxophone (duet)
157
Trombone and Piano
141
Trumpet
135
Trumpet, Trombone (duet)
103
2 Trombones (duet)
98
2 Trumpets (duet)
97
French Horn and Piano
86
Brass Quintet: 2 trumpets, horn, trombone, tuba
66
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33
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31
Trumpet (band part)
29
Bb Instruments
28
Trombone
26
Euphonium, Piano (duet)
23
English horn, Piano
20
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16
English Horn
16
Brass Quartet: 2 trumpets, horn, trombone
15
French horn
11
Clarinet, Horn (duet)
11
Euphonium
10
French horn (band part)
9
Tuba
7
3 Trumpets (trio)
7
2 French horns (duet)
5
Tuba and Organ
5
Tuba (band part)
5
Brass Quartet
4
Trombone ensemble
4
Bass Trombone and Piano
3
2 Tubas (duet)
3
English Horn, Guitar (duet)
3
Brass Quartet: 4 trumpets
2
Trumpet ensemble
2
Brass Quartet: 4 horns
2
Brass Quartet: 4 trombones
2
2 Euphoniums (duet)
2
Brass Trio
2
3 French horns (trio)
1
4 Tubas
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba ensemble
1
Horn and Organ
1
Trombone and Orchestra
1
2 English horns and Pianoforte
1
Trombone, Organ
1
English horn, Harp (duet)
1
Trumpet, Horn (duert)
1
+ 44 instrumentations
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Strings
Violin and Piano
364
Viola, Piano
265
Cello, Piano
233
String Quartet: 2 violins, viola, cello
176
2 Violas (duet)
118
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118
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112
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105
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104
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98
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96
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71
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58
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41
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38
Harp
35
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31
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18
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16
Viola and Harp
15
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14
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13
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12
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12
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6
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4
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4
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4
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4
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3
Viola ensemble
2
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1
String Trio: 2 violins, viola
1
Viola, Cello (duet)
1
Violin, Bassoon (duet)
1
2 Violins, Piano
1
Cello, Orchestra
1
Viola and orchestra
1
Violin ensemble
1
+ 41 instrumentations
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Orchestra & Percussion
Concert band
1,777
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953
Jazz Ensemble
507
Chamber Orchestra
272
Marching band
78
Brass ensemble
69
Jazz combo
66
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54
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21
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18
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13
Piano and Orchestra
13
Xylophone, Piano
11
Handbells
8
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8
Percussion Ensemble
8
School Ensemble
6
Woodwind Quintet
5
Big band
2
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2
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2
Marimba, Piano (duet)
1
Xylophone
1
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1
Brass Quintet: other combinaisons
1
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1
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1
Flexible Instrumentation
1
Timpani (band part)
1
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Retract
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Ian Clar
Soprano voice, Piano
Sheetmusic to print
25 sheet music found
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1
Halevi Songs (piano/vocal score only)
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Soprano voice, Piano
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ADVANCED
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashk...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
My Soul Declares My Lord is Great (arranged for Soprano Solo)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Robert E
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My Soul Declares My Lord is Gr
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Robert E. Benton, Jr. #1039377. Published by Robert E. Benton, Jr. (A0.1460446). This vocal soprano solo arrangement of the hymn reflects Mary’s song and reminds us that our Father cares for us. All of the treasures and honors of this world pale in comparison to the love of God.The soprano arrangement is appropriate for vocal performance at the advanced collegiate or professional level with piano accompaniment. The accompaniment provides a solid platform for the vocalist and builds intensity encouraging the vocalist and the audience to leap together into the graceful and mighty arms of our loving Savior. Vocal Range: Soprano: B3 – B5 For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Glory, Glory, Hallelujah
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Spiritual
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Maria Thompson Corley
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Maria Thompson Corley, piano)
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Glory, Glory, Hallelujah
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,S...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Sacred,Spiritual. 5 pages. Maria Thompson Corley #6702061. Published by Maria Thompson Corley (A0.845959). This cheerful, gospel-inflected spiritual incorporates I'm Gonna Lay Down My Heavy Load. As recorded on the 2022 Navona release, Soul Sanctuary (Maria Clark, soprano; Maria Thompson Corley, piano).
$8.99
Two Hymns
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Soprano voice, Piano
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ADVANCED
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Sacred music
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Maria Burke-Clark and Maria Th
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Maria Thompson Corley and Mari
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Shimmerwords and Idle Songs
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Soprano voice, Piano
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ADVANCED
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Kenneth Hesketh
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Shimmerwords and Idle Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This editi...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
Morning Has Broken
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Soprano voice, Piano
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INTERMEDIATE
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Cat Stevens
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Brenda Dillon
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Morning Has Broken
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360482 By Cat Stevens. By Cat Stevens and Eleanor Farjeon. Arranged by Brenda Dillon. Stan...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360482 By Cat Stevens. By Cat Stevens and Eleanor Farjeon. Arranged by Brenda Dillon. Standards. 5 pages. Dillon's Music Group #944979. Published by Dillon's Music Group (A0.1360482). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$4.99
My Lord, What a Morning
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Traditional Spiritual
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Brenda Dillon
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My Lord, What a Morning
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360448 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Sacred. 4 pages. Dill...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360448 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Sacred. 4 pages. Dillon's Music Group #944942. Published by Dillon's Music Group (A0.1360448). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S. and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
There Is a Balm in Gilead
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Soprano voice, Piano
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INTERMEDIATE
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Gospel/Spiritual
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Jazz
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Traditional Spiritual
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Brenda Dillon
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There Is a Balm in Gilead
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. D...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. Dillon's Music Group #944955. Published by Dillon's Music Group (A0.1360461). Bremda Dillon has a background in both academia and the music industry. She is best known for her expertise in group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
Beneath the Cross of Jesus
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Frederick Charles Maker
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Brenda Dillon
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Beneath the Cross of Jesus
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Di...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Dillon's Music Group #944932. Published by Dillon's Music Group (A0.1360437). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
Holy Holy Holy--vocal soprano solo
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I Heard the Bells on Christmas Day--vocal solo
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Soprano voice, Piano
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INTERMEDIATE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospe...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,East...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Our Lady's Minstrel
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Soprano voice, Piano
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INTERMEDIATE
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Naji Hakim
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Our Lady's Minstrel
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - Digital Download SKU: S9.Q48143 Three Poems. Composed by Naji Hakim. This edition: Sheet music. Downloada...
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Soprano voice and piano - intermediate - Digital Download SKU: S9.Q48143 Three Poems. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q48143. Published by Schott Music - Digital (S9.Q48143). English.The edition is the second part of the commissioned work Our Lady’s Minstrel. The through-composed music of Three Poems takes up verses from the English translation of Le Jongleur de Notre-Dame, a tale from medieval France. The piece Prelude and Dance for clarinet and organ (ED 22298) is the first part of the whole work and separately available.
$21.99
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