Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ling Ling Lin
Not classified
6,866
Piano & keyboards
Piano solo
6,961
Piano, Voice
3,020
Piano, Vocal and Guitar
2,401
Easy Piano
1,887
C Instruments
575
Organ
376
1 Piano, 4 hands
183
Big Note Piano
129
Piano Trio: piano, violin, cello
104
Accordion
99
Piano Accompaniment
98
Piano (band part)
57
2 Pianos, 4 hands
50
Piano Quartet: piano, violin, viola, cello
23
Piano Quartet: piano, 2 violins, cello
23
Piano Quintet: piano, 2 violins, viola, cello
14
Melody line, Piano
9
1 Piano, 6 hands
7
Keyboard
6
Organ, Piano (duet)
6
Organ, Trumpet (duet)
6
Accordion, Voice
3
Solo instrument and Organ
3
Harpsichord
2
Accordion ensemble
2
All Instruments
1
Organ, Voice
1
2 Organs (duet)
1
2 Pianos, 8 hands
1
Accordion, String(s)
1
+ 25 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,389
Melody line, (Lyrics) and Chords
1,173
Guitar
676
Lyrics and Chords
396
Ukulele
368
Bass guitar
297
Guitar (band part)
80
Banjo
44
2 Guitars (duet)
41
Guitar Ensemble
26
Mandolin
25
4 Guitars (Quartet)
23
Dulcimer
22
Piano, Guitar (duet)
18
3 Guitars (trio)
9
Electric Bass (band part)
7
Dobro
5
Band Scores
4
Baritone Ukulele
4
Lap Steel Guitar
3
Ukulele Ensemble
2
Mandolin, Piano (duet)
2
2 Ukuleles
1
Guitar, Orchestra
1
Plectrum Orchestra
1
Mandolin, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
2 Mandolins (duet)
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
2,760
Choral 3-part
878
Choral TTBB
497
Choral 2-part
496
Choral Instrumental Pak
354
Choral SSAA
280
Choral Unison
238
Voice solo
171
Choral
90
Soprano voice, Piano
84
Vocal duet, Piano
78
High voice
54
Alto voice, Piano
54
Baritone voice, Piano
50
Tenor voice, Piano
44
Vocal duet
32
Low voice, Piano
18
Choral SSAATTBB
13
Choral SSAB a cappella
12
Medium voice, Piano
10
Mezzo-Soprano voice, Piano
6
Choral SSATTB
5
Tenor voice
5
Choral SSATB
4
High voice, Piano
4
Low voice
4
Choral SSAB, Piano
4
Choral SSATBB
3
Soli, Mixted choir and accompaniment
3
Voice, Guitar
2
Soprano voice
1
Medium Voice
1
Choral SSAATB
1
Choral, Organ
1
+ 29 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
847
Saxophone (band part)
744
Flute
649
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
608
Flute, Oboe, Clarinet, Bassoon
607
Clarinet Quartet: 4 clarinets
584
Clarinet
573
Flute and Piano
503
Alto Saxophone
464
Saxophone Quintet: 5 Saxophones
440
Saxophone
376
Clarinet and Piano
375
2 Saxophones (duet)
351
Alto Saxophone and Piano
331
Tenor Saxophone
320
Oboe, Piano (duet)
306
Tenor Saxophone and Piano
277
2 Flutes (duet)
277
Clarinet (band part)
206
Oboe (band part)
197
Flute Quartet: 4 flutes
164
2 Clarinets (duet)
148
Soprano Saxophone and Piano
131
Flute (band part)
103
Clarinet Ensemble
84
3 Saxophones (trio)
84
Flute ensemble
78
Baritone Saxophone, Piano
74
Oboe
70
2 Oboes (duet)
67
Saxophone ensemble
65
Flute, Clarinet (duet)
61
Eb Instruments
57
Soprano Saxophone
55
Clarinet Quintet: 5 clarinets
53
English horn, Piano
47
Flute Trio: 3 flutes
44
2 Saxophones, Piano
44
Flute, Harp and Cello
42
Flute and Guitar
42
2 Recorders (duet)
41
3 Clarinets (trio)
38
Bass Clarinet, Piano
34
Flute, Violin, Piano
34
Descant (Soprano) Recorder
34
Recorder
28
Oboe, Bassoon (duet)
27
Flute, Violin
26
Treble (Alto) Recorder
26
Clarinet, Violin (duet)
25
Recorder Quartet
25
Oboe, Clarinet (duet)
25
Harmonica
23
Flute, Clarinet and Bassoon.
21
Clarinet, Bassoon (duet)
20
Saxophone, Clarinet (duet)
20
Baritone Saxophone
19
Flute, Violoncello
18
Clarinet, Trumpet (duet)
18
Flute Quintet : 5 flutes
17
Flute, Oboe, Bassoon
17
Clarinet, Guitar (duet)
16
Clarinet, Cello (duet)
16
English Horn
14
Ocarina
14
Flute, Oboe (duet)
14
Flute, Oboe, Clarinet (trio)
14
Oboe, Flute
14
Tenor Recorder
13
Descent (Soprano) Recorder, Piano
13
Oboe, Clarinet, Bassoon (trio)
13
Flute, Trombone (duet)
12
Flute, Saxophone (duet)
12
Flute, Oboe, Piano (trio)
12
Clarinet, Harp (duet)
12
Flute, Viola (duet)
12
Bass Clarinet
11
2 Clarinets, Piano
11
Flute, Clarinet, Piano (trio)
11
Oboe, Cello
9
Oboe, Guitar (duet)
9
Flute, Trumpet (duet)
9
Flute, Violin and Violoncello
8
Piccolo
8
Clarinet and Viola
7
Recorder, Piano
7
2 Flutes, Piano
7
Recorder Ensemble
7
Clarinet, Cello, Piano (trio)
6
Treble (Alto) Recorder, Piano
6
Flute, Bassoon, and Piano
5
Piccolo, Piano
5
Saxophone and Guitar
5
3 Recorders (trio)
5
Flute, Viola and Piano
4
Clarinet, trumpet and piano
4
Saxophone and Organ
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Oboe, Violin (duet)
4
2 Recorders, Piano
3
Pennywhistle
3
English Horn, Guitar (duet)
3
Flute, trombone and piano
3
Flute, Clarinet, Violin (trio)
3
Oboe, Harp
3
Clarinet, Trombone (duet)
3
Flute, Oboe, Violin
3
Oboe and viola (duet)
3
Flute, Violin, Violoncello and Piano
3
3 Oboes
2
Harmonica, Piano
2
2 Clarinets, Bassoon
2
Flute, Cello, Piano (trio)
2
Flute, harp and violin
2
Saxophone and Harp
2
Oboe, Trumpet (duet)
2
Clarinet, Tuba
1
Flute, Viola and Cello
1
5 Recorders
1
Oboe, Trombone (duet)
1
Flute and Strings Trio
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Cello, Guitar
1
Clarinet, Double bass (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Oboe, Bassoon and Piano
1
Flute, Basso continuo
1
Clarinette, Viola and Piano (trio)
1
Flute, Tuba (duet)
1
+ 124 instrumentations
-
Retract
Woodbrass
Trumpet
613
Brass Quintet: 2 trumpets, horn, trombone, tuba
547
Trombone (band part)
497
Trumpet (band part)
493
Trombone
444
Trumpet, Piano
328
French horn
300
Brass quartet : 2 trumpets, trombone, tuba
283
Trombone and Piano
268
French Horn and Piano
231
Tuba
151
2 Trumpets (duet)
147
Trumpet, Trombone (duet)
141
Tuba and Piano
120
French horn (band part)
95
Brass Quartet: 2 trumpets, horn, trombone
95
2 Trombones (duet)
86
2 French horns (duet)
74
Bass Clef Instruments
69
Tuba (band part)
68
Brass Quartet
60
Euphonium, Piano (duet)
57
Bb Instruments
56
Brass Quartet: 4 trombones
48
Brass Trio
47
English horn, Piano
47
Brass Quartet: 4 horns
32
Trombone ensemble
25
Euphonium
24
Trumpet, Saxophone (duet)
22
2 Euphoniums and 2 Tubas
21
2 Tubas (duet)
17
Trumpet ensemble
15
English Horn
14
3 Trombones (trio)
13
Brass Quartet: 4 trumpets
13
Trumpet, Horn (duert)
12
Bass Trombone
10
4 Tubas
8
Tuba or Euphonium or Saxhorn
8
Trumpet, Bassoon (duet)
7
Bass Trombone and Piano
7
Trombone, Horn (duet)
6
Trumpet, Harp
6
Trumpet, Tuba (duet)
6
2 Trumpets, Keyboard (piano or organ)
5
French Horn and Harp
5
3 Tubas (trio)
4
Horn, Tuba (duet)
4
Horn, Cello (duet)
4
Trombone, Tuba (duet)
4
Horn Ensemble
3
English Horn, Guitar (duet)
3
3 Trumpets (trio)
3
Cornet
3
Trumpet, Cello (duet)
3
F Instruments
3
Tuba and Organ
3
Trumpet, Trombone, Piano
3
2 Euphoniums (duet)
2
French horn and Basson (duet)
2
Euphonium, Tuba (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
Trombone and Orchestra
2
Tuba ensemble
2
Trombone, cello (duet)
2
3 French horns (trio)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
2 Trombones, Piano
1
Trumpet, Euphonium (duet)
1
Trumpet, Orchestra
1
Clarinet, Horn (duet)
1
4 Euphoniums
1
Trombone, Violin (duet)
1
2 French horns, Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Trumpet, violin (duet)
1
Horn and Organ
1
Trombone, Organ
1
+ 75 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,660
Violin
965
Violin and Piano
743
Cello
537
Cello, Piano
461
Violin, Cello (duet)
416
Viola, Piano
348
Harp
334
Viola
325
String Trio: violin, viola, cello
303
2 Violins (duet)
277
2 Cellos (duet)
228
Violin (band part)
212
Doublebass (band part)
160
Double Bass
130
String Quintet: 2 violins, viola, cello, bass
130
Double bass, Piano (duet)
99
2 Violas (duet)
96
Violin, Viola (duet)
93
Viola (band part)
91
String Trio: 2 violins, cello
73
Cello (band part)
55
Viola, Cello (duet)
53
Harp, Flute (duet)
50
2 Harps (duet)
40
4 Cellos
37
String Trio: 3 violins
36
String Trio: 3 cellos
26
String trio
25
Cello, Guitar (duet)
25
Violin, Guitar (duet)
18
2 Double basses (duet)
17
Piano Trio: Violin, Viola, Piano
15
String quartet: 4 violins
14
String Trio: 3 violas
14
Harp, Violin (duet)
11
String Quartet : 4 violas
11
2 Cellos, Piano
10
String Trio: 2 violins, viola
10
2 Violins, Piano
9
Harp, Voice
9
Cello, String Bass (duet)
8
2 Violas, Piano
7
Viola, Guitar (duet)
6
Harp, Cello (duet)
6
String Quintet: 2 violins, viola, 2 cellos
5
Viola and Harp
5
Violin, Bassoon (duet)
4
Violin ensemble
4
Harp and Piano
4
Viola and Bassoon
3
Harp and mandolin
3
Harp and Organ
2
Flute, Doublebass (duet)
2
Viola ensemble
2
4 Double Basses
2
String Quintet: 2 violins, 2 violas, cello
2
Violin, Tuba (duet)
1
Cello Ensemble
1
Harp, Violin, Violoncello
1
Violoncello, Basso continuo
1
+ 56 instrumentations
-
Retract
Orchestra & Percussion
Concert band
2,801
Jazz Ensemble
824
String Orchestra
740
Orchestra
649
Handbells
262
Brass ensemble
258
Marching band
239
Drums
238
Percussion (band part)
147
Chamber Orchestra
116
Drum (band part)
109
Jazz combo
99
Percussion Ensemble
58
Percussion
50
2 Xylophones
41
Vibraphone
28
Xylophone
23
Timpani (band part)
20
Marimba
16
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
11
Timpani
9
Flexible Instrumentation
8
Xylophone, Piano
8
Woodwind Quartet: any 4 woodwinds
4
Snare drums
3
Vibraphone (band part)
3
Piano and Orchestra
2
Bongos
2
2 Marimbas
1
Marimba, Piano (duet)
1
Vibraphone and Marimba
1
Conga
1
Woodwind Quintet
1
Bodhran
1
Voice and Orchestra
1
Xylophone (band part)
1
Big band
1
+ 32 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
6
Digital Sheet Music
84
Sheet Music Books
83
Music Equipment
5,258
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Ling Ling Lin
Soprano voice, Piano
Sheetmusic to print
84 sheet music found
<
1
26
51
76
Love Came Calling
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Paige B
#
Meral Guneyman
#
Love Came Calling
#
Guneyman L'Hommedieu Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Wedding. 5 pages. Guneyman L'Hommedieu Music #6039967. Published by Guneyman L'Hommedieu Music (A0.1005732). Fans of the Great American Songbook will want to make room for Love Came Calling--one of Paige B. L'Hommedieu's four original love songs, beautifully arranged for piano and soprano by celebrated pianist Meral Guneyman.
$4.99
Bester Jüngling (lower key)
#
Soprano voice, Piano
#
Classical
#
Wolfgang Amadeus Mozart
#
(Editor) Lee G
#
Bester Jüngling
#
Bargraphica
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.812043 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Stand...
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.812043 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. 5 pages. Bargraphica #4822061. Published by Bargraphica (A0.812043). From The Impresario (Die Schauspieldirektor). Mademoiselle Silberklang's aria in a lower key (Db4-Ab5) with piano reduction. Original German text and new English translation.
$3.99
Frühlingsstimmen-Walzer
#
Soprano voice, Piano
#
Classical
#
Johann Strauss Jr
#
Frühlingsstimmen-Walzer
#
Edition Cranz
#
SheetMusicPlus
Coloratura soprano and Piano - Digital Download Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition C...
(+)
Coloratura soprano and Piano - Digital Download Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition Cranz #Q1194. Published by Edition Cranz
$7.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
#
Soprano voice, Piano
#
ADVANCED
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse from
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Fruhling (High Voice)
#
Soprano voice, Piano
#
Fruhling
#
Hal Leonard - Digital
#
SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.810698 This edition: scorch. Classical,German. Score. 8 pages. Hal ...
(+)
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.810698 This edition: scorch. Classical,German. Score. 8 pages. Hal Leonard - Digital #312455. Published by Hal Leonard - Digital (HX.810698).
$4.99
Kling! (High Voice)
#
Soprano voice, Piano
#
Kling!
#
Hal Leonard - Digital
#
SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.809009 This edition: scorch. Classical,German. Score. 4 pages. Hal ...
(+)
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.809009 This edition: scorch. Classical,German. Score. 4 pages. Hal Leonard - Digital #312237. Published by Hal Leonard - Digital (HX.809009).
$4.99
Passion from Emily!
#
Soprano voice, Piano
#
INTERMEDIATE
#
Gwyneth W
#
Passion from Emily!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music C...
(+)
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
Art Is Calling For Me
#
Soprano voice, Piano
#
Art Is Calling For Me
#
Hal Leonard - Digital
#
SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.412408 This edition: scorch. Broadway,Collection. Score. 6 pages. H...
(+)
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.412408 This edition: scorch. Broadway,Collection. Score. 6 pages. Hal Leonard - Digital #997995. Published by Hal Leonard - Digital (HX.412408).
$4.99
Goodnight, My Darling (Lullaby) -- Vocal Solo
#
Soprano voice, Piano
#
Amanda Dills
#
Goodnight, My Darling
#
Amanda Dills
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.829725 Composed by Amanda Dills. Broadway,Children,Christmas,Holiday,Musical/Show. 4 pages. Amanda Di...
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.829725 Composed by Amanda Dills. Broadway,Children,Christmas,Holiday,Musical/Show. 4 pages. Amanda Dills #3108203. Published by Amanda Dills (A0.829725). A lovely, original soprano lullaby, that feels like a contemporary folk song.  Perfect for both spring and holiday vocal recitals!Lyrics:
$3.99
My Darling Jim from Glory Denied (Downloadable)
#
Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
Tom Cipullo
#
My Darling Jim from Glory Deni
#
SheetMusicPlus
Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-1E. Published by E. C. Schirmer Music Company -...
(+)
Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-1E. Published by E. C. Schirmer Music Company - Digital
$5.00
Civility
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Melanie B
#
Civility
#
Melanie B Guerin
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Exile
#
Soprano voice, Piano
#
ADVANCED
#
Maria Thompson Corley
#
Exile
#
Maria Thompson Corley
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99
YOU'VE COME INTO MY WORLD
#
Soprano voice, Piano
#
ADVANCED
#
Celtic/Irish
#
Sonny Rios
#
YOU'VE COME INTO MY WORLD
#
Sonny Rios
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Pub...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny Rios (A0.962892). YOU’VE COME INTO MY WORLD: A Celtic love-song in the classical crossover genre by Sonny Rios for solo high voice. The song is in English and has a range of D4-B5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead English vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Soprano voice, Piano
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Soprano voice, Piano
#
ADVANCED
#
Opera
#
Classical
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bo
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
#
Soprano voice, Piano
#
INTERMEDIATE
#
Victor Labenske
#
Katie Manning, poet
#
Tasty Other: A Dramatic Song C
#
Labenske Music Services
#
SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, ...
(+)
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
Silent Night - Soprano and Piano
#
Soprano voice, Piano
#
INTERMEDIATE
#
Christmas
#
Geoffrey Loff
#
Silent Night - Soprano and Pia
#
Geoffrey Loff
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff ...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
MARY'S SONG
#
Soprano voice, Piano
#
ADVANCED
#
Sonny Rios
#
MARY'S SONG
#
Sonny Rios
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny R...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Unknown Poets from the Full-Time Jungle
#
Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
William Ortiz
#
Unknown Poets from the Full-Ti
#
William Ortiz
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published by William Ortiz (A0.1008997). A bilingual song cycle (English/Spanish). Nine songs by different poets for Soprano and Piano.
$30.00
Crying Oceans (Soprano Solo and Piano
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Cody Weinmann
#
Crying Oceans
#
Cody Weinmann
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835147 Composed by Cody Weinmann. Contemporary,Standards. 17 pages. Cody Weinmann #5777789....
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835147 Composed by Cody Weinmann. Contemporary,Standards. 17 pages. Cody Weinmann #5777789. Published by Cody Weinmann (A0.835147). This piece was originally written in 2010 and 2011 over a few months. It experiments with moderately advanced string techniques such as wailing slides and highly dissonant and chromatic figures. In the beginning, the piece starts off with a murmuring like that of an ocean and gets more intense as the piece goes on.
$10.99
<
1
26
51
76
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version