Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
109
Sheet Music
Books
50
Music
Equipment
190
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
7290
PIANO & KEYBOARDS
Piano solo
2362
Piano, Voice
476
Organ
448
Easy Piano
231
Piano, Vocal and Guitar
188
1 Piano, 4 hands
132
C Instruments
123
Piano Trio: piano, violin, cello
89
2 Pianos, 4 hands
62
Organ, Trumpet (duet)
38
Harpsichord
30
Piano Accompaniment
15
Organ, Piano (duet)
15
Accordion
15
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
10
2 Accordions
7
Piano Quartet: piano, 2 violins, cello
7
2 Pianos, 8 hands
5
Organ, Voice
4
1 Piano, 6 hands
4
Piano (band part)
4
Accordion ensemble
2
Fake Book
2
Keyboard
1
Big Note Piano
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
201
Guitar notes and tablatures
117
Melody line, (Lyrics) and Chords
49
2 Guitars (duet)
39
Bass guitar
25
Ukulele
10
Mandolin
10
Lyrics and Chords
7
Dulcimer
6
4 Guitars (Quartet)
6
3 Guitars (trio)
5
Banjo
4
Guitar, String Quartet
4
Guitar (band part)
3
Guitar Ensemble
3
Piano, Guitar (duet)
2
Mandolin, Guitar (duet)
2
Guitar, Orchestra
2
Electric Bass (band part)
1
Guitar, Violin, Cello (trio)
1
Dobro
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1715
Choral TTBB
436
Choral 3-part
336
Choral 2-part
110
Soprano voice, Piano
109
Choral SSAA
102
Choral Unison
81
Choral SSAATTBB
65
Baritone voice, Piano
42
Choral
40
High voice
37
Tenor voice, Piano
35
Medium voice, Piano
34
Choral SSATTB
32
Low voice, Piano
29
Vocal duet, Piano
21
Mezzo-Soprano voice, Piano
19
Choral SSATB
16
Soli, Mixted choir and accompaniment
15
Alto voice, Piano
15
High voice, Piano
8
Vocal duet
6
Voice solo
5
Soprano voice, Orchestra
5
Tenor voice
3
Soprano voice
3
Choral SSAATB
3
Low voice
3
Choral SATTBB A Cappella
1
Choral SATBB
1
Voice, Guitar
1
Vocal duet, Organ
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
877
2 Clarinets (duet)
429
Saxophone, Clarinet (duet)
414
Flute and Piano
375
2 Flutes (duet)
354
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
307
Clarinet and Piano
305
Alto Saxophone and Piano
303
Clarinet, Violin (duet)
276
Oboe, Piano (duet)
272
Clarinet Quartet: 4 clarinets
252
Saxophone Quartet: 4 saxophones
251
Clarinet, Trumpet (duet)
239
Clarinet
200
2 Oboes (duet)
193
Flute, Clarinet (duet)
192
Flute
170
Flute, Oboe, Clarinet, Bassoon
156
Tenor Saxophone and Piano
149
Oboe, Clarinet (duet)
145
Oboe, Bassoon (duet)
143
Flute, Violin
142
Oboe, Flute
141
Clarinet and Viola
140
Flute, Saxophone (duet)
135
Flute, Trumpet (duet)
111
Flute, Viola (duet)
109
Flute Quartet: 4 flutes
104
Soprano Saxophone and Piano
94
Flute ensemble
92
Saxophone (band part)
89
Oboe (band part)
86
Alto Saxophone
81
Clarinet Ensemble
76
2 Recorders (duet)
70
Flute Trio: 3 flutes
68
3 Clarinets (trio)
68
Tenor Saxophone
67
Saxophone Quintet: 5 Saxophones
62
Clarinet Quintet: 5 clarinets
53
3 Saxophones (trio)
48
Bass Clarinet, Piano
46
Baritone Saxophone, Piano
45
Descant (Soprano) Recorder
36
Saxophone ensemble
34
Clarinet (band part)
24
English Horn
23
English horn, Piano
22
Oboe, Clarinet, Bassoon (trio)
21
Flute (band part)
20
Flute and Guitar
20
3 Recorders (trio)
19
Recorder Quartet
18
2 Clarinets, Piano
17
Flute, Clarinet, Piano (trio)
14
Flute Quintet : 5 flutes
14
Flute, Clarinet and Bassoon.
14
Flute, Organ (duet)
13
Flute, Cello, Piano (trio)
13
Clarinet, Trombone (duet)
12
Treble (Alto) Recorder
12
Flute, Violin, Piano
12
Treble (Alto) Recorder, Piano
11
2 Flutes, Piano
11
Wind ensemble
10
Oboe
10
Clarinet, Cello (duet)
9
Clarinet, Orchestra
9
Flute, Oboe (duet)
9
Clarinet Quintet: Clarinet, String Quartet
8
Flute, Violoncello
8
Recorder Ensemble
8
Descent (Soprano) Recorder, Piano
8
Flute, Orchestra
7
Flute, Violin and Violoncello
7
2 English horns and Pianoforte
6
Bass Clarinet
6
3 Oboes
6
Piccolo
6
Tenor Recorder
6
5 Recorders
5
Flute, Oboe, Clarinet (trio)
5
Clarinet, Bassoon, Piano (trio)
5
Clarinet, Bassoon (duet)
5
Oboe and String quartet
4
2 Recorders, Piano
4
Flute, Oboe, Piano (trio)
4
Oboe, Violin (duet)
4
Recorder
4
Flute, Oboe, Bassoon
4
Recorder, Piano
4
Clarinette, Viola and Piano (trio)
3
4 Oboes
3
Clarinet, Cello, Piano (trio)
3
Flute, Bassoon, and Piano
3
Flute and String Quartet
3
Clarinet, Harp (duet)
3
Clarinet, Double bass (duet)
3
Oboe, Organ
2
Clarinet, Organ
2
Flute, Clarinet, Violin (trio)
2
Flute, Basso continuo
2
Saxophone
2
Oboe and Orchestra
2
Flute, Trombone (duet)
2
Oboe, Bassoon and Piano
2
Saxophone and Organ
2
Flute, French horn (duet)
2
Flute, Violin, Guitar
2
Flute, Viola and harp
2
Piccolo, Piano
2
Oboe, Guitar (duet)
2
Soprano Saxophone
2
2 Oboes, 2 Horns and 2 Bassoons
1
Bagpipe
1
2 Saxophones, Piano
1
2 clarinets, 2 bassoons
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, Tuba
1
Harmonica
1
Oboe, Violin, Piano
1
Flute and Strings Trio
1
Pennywhistle
1
Flute, harp and violin
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Clarinet, Guitar (duet)
1
2 Clarinets, Bassoon
1
Flute, Violin, Violoncello and Piano
1
Recorder, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
474
Trumpet, Saxophone (duet)
288
Trombone and Piano
243
2 Trumpets (duet)
176
2 Trombones (duet)
174
French Horn and Piano
172
Trumpet
166
Trumpet, Piano
155
Trumpet, Trombone (duet)
151
Brass quartet : 2 trumpets, trombone, tuba
119
Tuba and Piano
113
Trombone ensemble
106
Euphonium, Piano (duet)
105
Brass Quartet: 4 trombones
98
Trombone
83
Trumpet (band part)
68
Trombone (band part)
67
French horn
58
Brass Quartet: 4 horns
46
2 French horns (duet)
38
Brass Quartet
37
Brass Quartet: 2 trumpets, horn, trombone
27
English Horn
23
Tuba
22
English horn, Piano
22
3 Trombones (trio)
18
4 Tubas
17
Brass Trio
16
Euphonium
14
Bass Trombone
14
Bass Trombone and Piano
12
2 Euphoniums (duet)
12
Cornet and Piano
12
3 Trumpets (trio)
11
French horn (band part)
9
Euphonium, Tuba (duet)
9
Horn Ensemble
8
Brass Quartet: 4 trumpets
8
Trumpet ensemble
8
Trombone, Organ
8
2 Euphoniums and 2 Tubas
8
2 English horns and Pianoforte
6
3 Tubas (trio)
6
Trombone and Orchestra
5
Tuba (band part)
5
Horn and Organ
4
Trumpet, Horn (duert)
4
3 French horns (trio)
3
Trombone, Tuba (duet)
3
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
3
Trumpet, violin (duet)
3
2 Tubas (duet)
3
Trumpet, Orchestra
2
Brass Quartet: 2 trumpets, 2 trombones
2
Clarinet, Horn (duet)
2
Horn and Orchestra
2
Tuba ensemble
2
French Horn and Harp
2
Horn, Tuba (duet)
2
3 Euphoniums
2
2 Trumpets, Keyboard (piano or organ)
2
4 Euphoniums
1
Trumpet, Trombone, Piano
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Tuba or Euphonium or Saxhorn
1
Cornet and Orchestra
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
894
Violin and Piano
537
Cello, Piano
369
Violin, Cello (duet)
326
Violin
321
Viola, Piano
259
Violin (band part)
259
2 Violins (duet)
240
2 Cellos (duet)
231
Violin, Viola (duet)
220
Cello
214
2 Violas (duet)
180
String Trio: violin, viola, cello
134
Viola
124
Viola (band part)
123
Viola, Cello (duet)
99
Harp
96
String Trio: 2 violins, cello
40
Cello (band part)
39
String Trio: 3 violins
25
Harp, Flute (duet)
22
4 Cellos
22
Double Bass
22
String trio
19
Cello, Orchestra
19
Violin, Organ
19
Double bass, Piano (duet)
18
String Trio: 3 cellos
17
Doublebass (band part)
17
Viola and Harp
17
Harp, Cello (duet)
16
Harp, Violin (duet)
15
Cello, Organ
14
Violin, Guitar (duet)
13
Viola and orchestra
10
Piano Trio: Violin, Viola, Piano
10
String Trio: 3 violas
10
String Quintet: 2 violins, viola, cello, bass
10
String Quartet : 4 violas
7
Cello Ensemble
7
Cello, String Bass (duet)
6
String quartet: 4 violins
5
String Quintet: 2 violins, viola, 2 cellos
5
Viola, Organ
5
String Quintet: 2 violins, 2 violas, cello
4
Harp, Voice
3
Cello, Guitar (duet)
3
2 Violins and Basso
2
2 Violins, Piano
2
2 Violas, Piano
2
Harp and Piano
2
Flute, Doublebass (duet)
2
Violin, Clarinet, Piano (trio)
1
Harp (band part)
1
4 Double Basses
1
Viola and Bassoon
1
2 Harps (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
754
Concert band
538
String Orchestra
455
Brass ensemble
368
Chamber Orchestra
253
Handbells
153
Jazz Ensemble
83
Marching band
69
Drums
42
Percussion Ensemble
36
Jazz combo
23
Piano and Orchestra
21
Orchestra, Violin
18
Percussion (band part)
16
Marimba
12
Percussion
8
Vibraphone
7
Woodwind Quintet
5
Drum (band part)
5
Xylophone
3
Timpani (band part)
2
Snare drums
2
Voice Mezzo-Soprano, Orchestra
2
Xylophone, Piano
1
3 Percussions
1
Marimba, Piano (duet)
1
Symphonic Band
1
Big band
1
2 Xylophones
1
Marimba and Organ
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Minute By Minute
Soprano voice, Piano
Sheetmusic to print
109 sheet music found
<
1
26
51
....
101
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.939816 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Published by Richard St. Clair (A0.939816). Six dynamically expressionist and expressive songs on the modernist poems by Kenneth Patchen, total duration ca 10 minutes.
$24.95
22.88 €
#
Soprano voice, Piano
#
Richard St
#
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
#
Richard St. Clair
#
SheetMusicPlus
Truth, A Song for Soprano and Piano (Poem by Muriel Rada)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939877 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939877 Composed by Richard St. Clair. 20th Century,Concert,Holiday,Wedding. 7 pages. Richard St. Clair #6348601. Published by Richard St. Clair (A0.939877). This song, under 3 minutes duration, is completely tonal, and the feeling is celebratory. The poem, Truth, is by the Nebraska poet, Muriel Rada.
$12.99
11.91 €
#
Soprano voice, Piano
#
Richard St
#
Truth, A Song for Soprano and Piano
#
Richard St. Clair
#
SheetMusicPlus
Five Poems by Friedrich Rückert
Soprano voice, Piano
Soprano voice and piano - Digital Download SKU: S9.Q50019 No. 4 The Dawn (Bb maj…
(+)
Soprano voice and piano - Digital Download SKU: S9.Q50019 No. 4 The Dawn (Bb major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 46/4. Duration 3 minutes. Fürstner Musikverlag - Digital #Q50019. Published by Fürstner Musikverlag - Digital (S9.Q50019). Key: B flat major. German • English.
$6.99
6.41 €
#
Soprano voice, Piano
#
Richard Strauss
#
Five Poems by Friedrich Rückert
#
Fürstner Musikverlag - Digital
#
SheetMusicPlus
Shimmerwords and Idle Songs
Soprano voice, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6613 (Selected P…
(+)
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
23.84 €
#
Soprano voice, Piano
#
Kenneth Hesketh
#
Shimmerwords and Idle Songs
#
Schott Music - Digital
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.21 €
#
Soprano voice, Piano
#
Richard Wagner
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
#
Soprano voice, Piano
#
Ruggiero Leoncavallo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.79 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.04 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
#
Soprano voice, Piano
#
Maurice Ravel
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
#
Soprano voice, Piano
#
Richard Strauss
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Night-Leaves, a Song for Soprano and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939815 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published by Richard St. Clair (A0.939815). This 2-minute neo-impressionistic song is a sentimental setting of a short poem by William C. Mullen. It was composed in the winter of 1969.
$12.95
11.88 €
#
Soprano voice, Piano
#
Richard St
#
Night-Leaves, a Song for Soprano and Piano
#
Richard St. Clair
#
SheetMusicPlus
TO HEAR AN ORIOLE SING for Soprano and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939904 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard St. Clair #6684759. Published by Richard St. Clair (A0.939904). This 2-minute song is a setting of Emily Dickinson's poem by that title. It was originally composed in 1964 but was for decades lost: reconstructed from memory and re-arranged in 2022. Completely traditional lieder style, suitable for almost any occasion.
$8.99
8.25 €
#
Soprano voice, Piano
#
Richard St
#
TO HEAR AN ORIOLE SING for Soprano and Piano
#
Richard St. Clair
#
SheetMusicPlus
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
Soprano voice, Piano
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: …
(+)
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
18.33 €
#
Soprano voice, Piano
#
Victor Labenske
#
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
#
Labenske Music Services
#
SheetMusicPlus
ARISE, SHINE (Isaiah 60:1-3) for Soprano and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939907 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939907 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship. 4 pages. Richard St. Clair #6705475. Published by Richard St. Clair (A0.939907). This 2-minute peaceful song will find itself appropriate in Church as an Offertory as well as in concert.
$8.99
8.25 €
#
Soprano voice, Piano
#
Richard St
#
ARISE, SHINE
#
Richard St. Clair
#
SheetMusicPlus
GREAT IS THE LORD for Soprano and Piano (Psalm 40)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939909 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939909 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship,Sacred. 10 pages. Richard St. Clair #6705485. Published by Richard St. Clair (A0.939909). This 3 1/2-minute song will work nicely in both worship and concert settings.
$8.99
8.25 €
#
Soprano voice, Piano
#
Richard St
#
GREAT IS THE LORD for Soprano and Piano
#
Richard St. Clair
#
SheetMusicPlus
The Primal Vow (Buddhist), for Soprano and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939838 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.939838 Composed by Richard St. Clair. Contemporary,Praise & Worship,Sacred. 4 pages. Richard St. Clair #5310233. Published by Richard St. Clair (A0.939838). This ca. 3-minute song sets to music the Primal Vow of Amida Buddha, the Buddha of Infinite Light and Life. The text is found in the Sutra on the Buddha of Infinite Life, also called the Larger Sukhavati-vyuha Sutra. Here is the full text:
$10.00
9.17 €
#
Soprano voice, Piano
#
Richard St
#
The Primal Vow
#
Richard St. Clair
#
SheetMusicPlus
AND THEY SHALL PROPHESY for Soprano and Keyboard
Soprano voice, Piano
Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - Digital Download SKU: A0.93990…
(+)
Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - Digital Download SKU: A0.939905 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Sacred. Score and parts. 9 pages. Richard St. Clair #6694509. Published by Richard St. Clair (A0.939905). This 4-minute song is a setting of Acts 2:16-21, the words of St. Peter on the occasion of the Pentecost. The style is completely tonal and traditional, suitable for church and/or concert venues.
$8.99
8.25 €
#
Soprano voice, Piano
#
Richard St
#
AND THEY SHALL PROPHESY for Soprano and Keyboard
#
Richard St. Clair
#
SheetMusicPlus
Halevi Songs (piano/vocal score only)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.25 €
#
Soprano voice, Piano
#
Elissa Brill Pashkin
#
Halevi Songs
#
Elissa Brill Pashkin
#
SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.17 €
#
Soprano voice, Piano
#
Richard St
#
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
#
Richard St. Clair
#
SheetMusicPlus
Chansons de Verlaine
Soprano voice, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
(+)
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.33 €
#
Soprano voice, Piano
#
John Casken
#
Chansons de Verlaine
#
Schott Music - Digital
#
SheetMusicPlus
Poems of Queen Mary Stuart
Soprano voice, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
(+)
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.67 €
#
Soprano voice, Piano
#
Robert Schumann
#
Robert Schumann
#
Poems of Queen Mary Stuart
#
Schott Music - Digital
#
SheetMusicPlus
One Day (song)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by He…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
3.67 €
#
Soprano voice, Piano
#
Henryk Pachulski
#
One Day
#
Haydn Reeder
#
SheetMusicPlus
The exploding Head
Soprano voice, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
(+)
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.58 €
#
Soprano voice, Piano
#
Christian Jost
#
The exploding Head
#
Schott Music - Digital
#
SheetMusicPlus
O Mio Babbino Caro - Voice and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.722177 Composed by Pu…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.722177 Composed by Puccini, Giaccomo. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. 4 pages. Music-Scores.com #6013137. Published by Music-Scores.com (A0.722177). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love.For Voice & Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.46 €
#
Soprano voice, Piano
#
Puccini, Giaccomo
#
Piano
#
O Mio Babbino Caro - Voice and Piano
#
Music-Scores.com
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
