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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Out
Not classified
20,168
Piano & keyboards
Piano solo
18,860
Piano, Voice
8,635
Piano, Vocal and Guitar
6,619
Easy Piano
6,384
Big Note Piano
3,437
Organ
2,806
C Instruments
1,554
1 Piano, 4 hands
677
Piano Accompaniment
635
Piano Trio: piano, violin, cello
203
Accordion
196
Piano (band part)
182
2 Pianos, 4 hands
134
Keyboard
67
Piano Quartet: piano, violin, viola, cello
63
Piano Quartet: piano, 2 violins, cello
36
Organ, Piano (duet)
36
Piano Quintet: piano, 2 violins, viola, cello
36
Organ, Trumpet (duet)
32
Harpsichord
20
Melody line, Piano
13
1 Piano, 6 hands
9
Accordion, Voice
6
2 Pianos, 8 hands
4
2 Accordions
2
Solo instrument and Organ
2
Fake Book
2
Accordion, Piano
2
Organ, Voice
1
Accordion ensemble
1
Piano ensembles
1
Accordion, String(s)
1
Organ and Orchestra
1
All Instruments
1
+ 29 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
4,220
Melody line, (Lyrics) and Chords
1,464
Guitar
1,425
Ukulele
1,074
Bass guitar
822
Lyrics and Chords
557
Guitar (band part)
336
2 Guitars (duet)
144
Piano, Guitar (duet)
143
Dulcimer
62
Mandolin
57
4 Guitars (Quartet)
51
Banjo
39
Guitar Ensemble
22
3 Guitars (trio)
21
Electric Bass (band part)
19
2 Ukuleles
7
Guitar, Violin, Cello (trio)
5
Mandolin, Guitar (duet)
4
Ukulele Ensemble
3
Band Scores
2
Baritone Ukulele
2
Mandolin, Piano (duet)
1
2 Dulcimers (duet)
1
2 Mandolins (duet)
1
Plectrum Orchestra
1
Lap Steel Guitar
1
+ 22 instrumentations
-
Retract
Voice
Choral SATB
6,314
Choral 3-part
2,146
Choral 2-part
1,641
Choral Unison
1,182
Choral TTBB
1,082
Choral SSAA
741
Vocal duet, Piano
330
Choral Instrumental Pak
239
Vocal duet
183
Soprano voice, Piano
181
Voice solo
159
Alto voice, Piano
152
Baritone voice, Piano
146
Choral
138
Tenor voice, Piano
136
High voice
101
Tenor voice
46
Low voice, Piano
37
Soprano voice
34
Medium voice, Piano
29
Choral SSAB a cappella
12
Low voice
11
Choral SSATB
10
Choral SSAATTBB
8
Choral SSAB, Piano
7
Voice, Guitar
6
Voix Masculines
5
Choral SSATTB
4
Mezzo-Soprano voice, Piano
4
Choral SSAATB
2
Choral SAATB A Cappella
2
Choral SSATBB
2
Choral, Organ
1
Vocal duet, Organ
1
Choral SATBB
1
+ 30 instrumentations
-
Retract
Woodwind
Flute and Piano
1,956
2 Saxophones (duet)
1,666
Saxophone (band part)
1,514
Clarinet and Piano
1,479
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,350
Saxophone Quartet: 4 saxophones
1,304
Oboe, Piano (duet)
1,237
Alto Saxophone and Piano
1,163
Flute
1,140
Clarinet
995
Flute, Oboe, Clarinet, Bassoon
990
2 Flutes (duet)
912
2 Clarinets (duet)
812
Alto Saxophone
797
Clarinet Quartet: 4 clarinets
761
Tenor Saxophone and Piano
752
Tenor Saxophone
632
Saxophone Quintet: 5 Saxophones
564
Soprano Saxophone and Piano
532
Saxophone, Clarinet (duet)
462
Oboe (band part)
394
2 Oboes (duet)
389
Flute, Clarinet (duet)
356
Clarinet, Violin (duet)
349
Flute Quartet: 4 flutes
305
Baritone Saxophone, Piano
280
Clarinet, Trumpet (duet)
279
Oboe, Clarinet (duet)
277
2 Recorders (duet)
268
3 Saxophones (trio)
264
Saxophone
251
Clarinet (band part)
250
Oboe, Bassoon (duet)
240
Flute (band part)
237
Oboe
221
Clarinet Ensemble
219
Flute and Guitar
215
Flute, Violin
214
3 Clarinets (trio)
212
Clarinet Quintet: 5 clarinets
207
Flute ensemble
197
Saxophone ensemble
187
Clarinet and Viola
185
Flute, Saxophone (duet)
164
Flute, Viola (duet)
158
Descant (Soprano) Recorder
156
Oboe, Flute
153
English horn, Piano
148
Flute, Trumpet (duet)
135
Flute Trio: 3 flutes
134
Flute Quintet : 5 flutes
103
Flute, Clarinet and Bassoon.
94
Recorder
93
Bass Clarinet, Piano
85
Pennywhistle
83
Soprano Saxophone
78
Flute, Violoncello
70
Clarinet, Guitar (duet)
70
Clarinet, Bassoon (duet)
66
Recorder Quartet
66
English Horn
61
Flute, Violin, Piano
61
Flute, Oboe (duet)
59
Treble (Alto) Recorder
57
Oboe, Clarinet, Bassoon (trio)
57
Baritone Saxophone
56
Flute, Oboe, Clarinet (trio)
53
Clarinet, Cello (duet)
53
2 Flutes, Piano
45
Tenor Recorder
45
Recorder Ensemble
42
Oboe, Violin (duet)
32
Flute, Cello, Piano (trio)
32
Flute, Clarinet, Piano (trio)
32
Eb Instruments
32
Oboe, Cello
31
Flute, Oboe, Bassoon
31
Harmonica
29
Flute, Trombone (duet)
27
3 Recorders (trio)
24
Flute, Viola and harp
24
Bass Clarinet
22
Saxophone and Guitar
21
Oboe, Guitar (duet)
21
Flute, Violin and Violoncello
21
Flute, Oboe, Piano (trio)
20
Oboe and viola (duet)
19
Ocarina
19
Clarinet, Trombone (duet)
18
Flute, Viola and Piano
18
5 Recorders
16
2 Clarinets, Piano
16
Flute, Clarinet, Horn and Bassoon (Quartet)
16
Flute, Bassoon, and Piano
15
Descent (Soprano) Recorder, Piano
14
Clarinet, Cello, Piano (trio)
14
Saxophone and Organ
13
Flute, Organ (duet)
12
Piccolo
12
Treble (Alto) Recorder, Piano
11
2 Saxophones, Piano
11
English Horn, Guitar (duet)
10
3 Oboes
10
Flute, trombone and piano
9
Clarinet, Harp (duet)
8
English horn, Harp (duet)
7
Flute, Tuba (duet)
7
Oboe, Trombone (duet)
7
Wind ensemble
5
Flute, Clarinet, Violin (trio)
5
Clarinet, Bassoon, Piano (trio)
5
Piccolo, Piano
5
Recorder, Piano
5
Flute, harp and violin
4
Flute, Violin, Violoncello and Piano
4
Clarinet, Tuba
4
2 Oboes, Piano
4
Flute, Harp and Cello
4
Clarinet Quintet: Clarinet, String Quartet
4
2 Clarinets, Bassoon
4
2 English horns and Pianoforte
4
Saxophone and Harp
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
3
Saxophone, Violin (duet)
3
Oboe, Bassoon and Piano
3
Flute, Oboe, Violin
2
Flute and Strings Trio
2
Flute, French horn (duet)
2
Clarinet, Organ
2
Flute and String Quartet
2
Flute, Cello, Guitar
2
Oboe, Clarinet and Piano (Trio)
2
Harmonica, Piano
2
Clarinette, Viola and Piano (trio)
2
4 Oboes
2
Oboe, Harp
2
Saxophone and Piano
2
Clarinet, trumpet and piano
2
2 Flutes, Basso continuo
1
Recorder, Guitar (duet)
1
Treble (Alto) Recorder, Basso continuo
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, Orchestra
1
Saxophone, Bassoon (duet)
1
Clarinet, Saxophone, Piano
1
Pan Flute
1
2 Flutes, 2 Clarinets (Quartet)
1
Clarinet, Double bass (duet)
1
Flute, Basso continuo
1
+ 144 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,409
Trumpet, Piano
1,040
Trumpet
1,007
Trombone and Piano
995
Trombone (band part)
989
Trumpet (band part)
903
Brass quartet : 2 trumpets, trombone, tuba
755
French Horn and Piano
752
Trombone
747
French horn
584
Tuba and Piano
476
2 Trumpets (duet)
424
2 Trombones (duet)
411
Tuba
390
Trumpet, Saxophone (duet)
335
Brass Quartet: 2 trumpets, horn, trombone
320
Trumpet, Trombone (duet)
310
French horn (band part)
223
Brass Quartet
188
Tuba (band part)
185
Euphonium, Piano (duet)
178
Brass Quartet: 4 trombones
174
2 French horns (duet)
169
English horn, Piano
148
Trombone ensemble
129
2 Tubas (duet)
98
Brass Quartet: 4 horns
77
Euphonium
76
Trumpet, Horn (duert)
65
English Horn
61
Trumpet ensemble
55
2 Euphoniums and 2 Tubas
48
Brass Trio
47
3 Trombones (trio)
40
Bass Clef Instruments
37
Bb Instruments
36
Brass Quartet: 4 trumpets
29
4 Tubas
27
Trombone, Tuba (duet)
24
Euphonium, Tuba (duet)
23
Trumpet, Tuba (duet)
21
3 Trumpets (trio)
21
Tuba and Organ
20
Horn Ensemble
14
Bass Trombone
14
Trombone, Organ
13
2 Euphoniums (duet)
13
Bass Trombone and Piano
12
Horn, Tuba (duet)
11
Trombone, Violin (duet)
10
English Horn, Guitar (duet)
10
Brass Quartet: 2 trumpets, 2 trombones
10
Trumpet, violin (duet)
10
Trombone, Horn (duet)
8
English horn, Harp (duet)
7
Horn, Cello (duet)
6
Tuba or Euphonium or Saxhorn
6
2 Trumpets, Keyboard (piano or organ)
6
French Horn and Harp
5
Trumpet, Cello (duet)
5
F Instruments
4
3 Euphoniums
4
2 French horns, Piano
4
Tuba ensemble
4
2 English horns and Pianoforte
4
Trumpet, Cello, Piano
4
Trumpet, Harp
4
Trumpet, Bassoon (duet)
3
Clarinet, Horn (duet)
3
Horn and Organ
3
Trombone and Orchestra
3
3 Tubas (trio)
2
Trumpet, Trombone, Piano
2
Cornet and Orchestra
2
3 French horns (trio)
2
Trumpet and Guitar
1
Trumpet, Euphonium (duet)
1
French horn and Basson (duet)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
2 Trombones, Piano
1
Trumpet, Orchestra
1
Horn, Cello and Piano
1
4 Euphoniums
1
+ 78 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,474
Violin and Piano
2,393
Cello, Piano
1,539
Violin
1,522
Viola, Piano
1,490
Cello
1,083
Harp
943
Violin, Cello (duet)
816
Viola
709
2 Violins (duet)
696
String Trio: violin, viola, cello
510
2 Cellos (duet)
510
Violin, Viola (duet)
460
2 Violas (duet)
439
Double bass, Piano (duet)
418
String Quintet: 2 violins, viola, cello, bass
418
Double Bass
321
Doublebass (band part)
267
String Trio: 2 violins, cello
256
Violin (band part)
186
Viola (band part)
182
Viola, Cello (duet)
97
2 Double basses (duet)
95
String Trio: 3 violins
79
Violin, Guitar (duet)
74
Cello, Guitar (duet)
69
4 Cellos
65
Piano Trio: Violin, Viola, Piano
56
Cello (band part)
54
String Trio: 3 cellos
48
Cello, String Bass (duet)
41
Harp, Flute (duet)
37
Viola, Guitar (duet)
36
2 Harps (duet)
35
String Trio: 2 violins, viola
35
String quartet: 4 violins
32
String Trio: 3 violas
26
String Quintet: 2 violins, viola, 2 cellos
25
Violin, Bassoon (duet)
23
String Quartet : 4 violas
23
Harp, Violin (duet)
20
String trio
17
Violin ensemble
16
2 Violins, Piano
15
Viola ensemble
14
Violin, Tuba (duet)
11
Harp, Voice
11
String Quintet: 2 violins, 2 violas, cello
10
Violin, Organ
9
Viola and Harp
8
4 Double Basses
8
Cello, Organ
8
Flute, Doublebass (duet)
7
Harp, Cello (duet)
7
2 Cellos, Piano
7
Viola and Bassoon
6
2 Violas, Piano
5
Harp, Violin, Violoncello
5
Violin, Clarinet, Piano (trio)
4
Violin, Cello, Clarinet
4
Cello Ensemble
3
Cello, Orchestra
3
Harp and Piano
3
3 double basses
2
Harp and Organ
2
Violin, Basso continuo
2
3 Harps
2
Violin, Clarinet and Guitar
2
Harp and mandolin
2
Harp (band part)
2
2 Violins and Basso
1
Autoharp
1
Violin, Trumpet and Piano
1
4 Harps
1
Harp, Trombone (duet)
1
Violoncello, Basso continuo
1
+ 71 instrumentations
-
Retract
Orchestra & Percussion
Concert band
4,438
Jazz Ensemble
1,985
Orchestra
1,589
String Orchestra
1,396
Marching band
983
Handbells
829
Brass ensemble
651
Drums
550
Chamber Orchestra
467
Jazz combo
291
Drum (band part)
230
Percussion Ensemble
221
Percussion (band part)
137
Marimba
83
Vibraphone
52
Xylophone, Piano
47
Percussion
47
Xylophone
41
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
31
Timpani (band part)
11
Big band
10
Piano and Orchestra
10
School Ensemble
8
3 Marimbas
5
Woodwind Quintet
5
Flexible Instrumentation
5
Snare drums
5
Timpani
5
2 Xylophones
3
Xylophone or Marimba or Vibraphone
3
Brass Quintet: other combinaisons
2
Xylophone (band part)
2
2 Marimbas
1
Marimba, Piano (duet)
1
Vibraphone (band part)
1
Vibraphone and Marimba
1
Woodwind Quartet: any 4 woodwinds
1
Marimba and Organ
1
Marimba or Xylophone and Piano
1
Orchestra, Violin
1
2 Percussions
1
Bongos
1
+ 37 instrumentations
-
Retract
Others
Musical course - Solfege
10
Music Theory
1
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--INSTRUMENTS--
ACCORDION
AUTOHARP
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Soprano voice, Piano
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181 sheet music found
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1
26
51
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176
Do not boast about tomorrow
#
Soprano voice, Piano
#
BEGINNER
#
Shiu yu chuen
#
Do not boast about tomorrow
#
Shiu yu chuen
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1021710 Composed by Shiu yu chuen. Christian,Holiday,Sacred. 5 pages. Shiu yu chuen #620427...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1021710 Composed by Shiu yu chuen. Christian,Holiday,Sacred. 5 pages. Shiu yu chuen #6204271. Published by Shiu yu chuen (A0.1021710). Let someone else praise you, and not your own mouth; and outsider, and not your own lips.
$2.00
After You Hear Me Out from Glory Denied (Downloadable)
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Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
Tom Cipullo
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After You Hear Me Out from Glo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Compan...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
When the South Wind Sings: Child Moon (Downloadable)
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Soprano voice, Piano
#
INTERMEDIATE
#
Juliana Hall
#
When the South Wind Sings: Chi
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Mu...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
How to Get Heat without Fire (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. P...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
Divertimento 6 / Divertissement 6 / Entertainment 6
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Soprano voice, Piano
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INTERMEDIATE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwrite...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
BLOW THE WIND SOUTHERLY FOR SOPRANO VOICE AND PIANO
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Soprano voice, Piano
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EASY
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Garth Williams
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Garth Williams
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BLOW THE WIND SOUTHERLY FOR SO
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Garth M. Williams
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Fe...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Festival,Folk,Instructional,Irish,Traditional. 8 pages. Garth M. Williams (Socan) #786885. Published by Garth M. Williams (Socan) (A0.1187249). This arrangement includes soprano voice and keyboard accompaniment.
$21.95
From the Musical Show "Nauvoo Adventure" about the Martyrdom of the Prophet Joseph Smith and his bro
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Nonie N
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The Composer
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From the Musical Show "Nauvoo
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Nonie N. Sorensen
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.916003 Composed by Nonie N. Sorensen. Arranged by The Composer. Folk,Sacred. 2 pages. Nonie...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.916003 Composed by Nonie N. Sorensen. Arranged by The Composer. Folk,Sacred. 2 pages. Nonie N. Sorensen #3532967. Published by Nonie N. Sorensen (A0.916003). Composed by Nonie Sorensen while on a special mission to the Mormon History Cultural Center theaters at Nauvoo, Il. with her husband where they produced and directed daily musical shows during the summer months between 1988 and 2002. the historical show, Nauvoo Adventure was the premier offering and together with the show, Rendezvous in Old Nauvoo were produced to packed audiences for a period of more than 15 years.
$2.50
Time Arranged for Soprano soloist and Piano
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Soprano voice, Piano
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INTERMEDIATE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
When a Mezzo (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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#
When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Six Songs
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Soprano voice, Piano
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ADVANCED
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Heinz Holliger
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger....
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Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5809. Published by Schott Music - Digital (S9.Q5809). German.Comparable to Alban Berg whose 'Seven Early Songs' show through in the music, Heinz Holliger has picked out some truly rapturous youth songs, set them up in easy arrangements and scored them for orchestra. Apart from being used as piano reduction, the original meaning of this edition remains evident: another piece in the great tradition of the German lied for voice and piano.
$19.99
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Soprano voice, Piano
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ADVANCED
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Oper...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
IN THE BEGINNING. For soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel R...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
El Aire (Tres Poemas de Gabriela Mistral)
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Soprano voice, Piano
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Contemporary
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Wayland Rogers
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El Aire
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WR Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.866661 Composed by Wayland Rogers. Contemporary. 5 pages. WR Editions #3070485. Published by WR Editi...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.866661 Composed by Wayland Rogers. Contemporary. 5 pages. WR Editions #3070485. Published by WR Editions (A0.866661). This is first song of the cycle Tres Poemas de Gabriela Mistral written for and sung here by Michelle Areyzaga, with Dana Brown, pianist. That which passes and that which remains, that is the air, that is the air, and without a mouth that you can see, it drinks and kisses you, a loving father.
$12.00
Peace on Earth
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Soprano voice, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digit...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95
Oppekepe all over the world Op.178
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Soprano voice, Piano
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Kohei KONDO
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Oppekepe all over the world Op
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Kohei KONDO
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Publ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube：https://youtu.be/tbkyTmVTBKg?t=1139　 Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
The Birds
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Soprano voice, Piano
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ADVANCED
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Sacred music
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,S...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Three Songs
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Fede...
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Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
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