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You've selected:
We Are The World - Tuba
Soprano voice, Piano
Sheetmusic to print
2 sheet music found
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The Silver Swan
Soprano voice, Piano
Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Digital Download Composed by A…
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Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Digital Download Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. Score. 5 pages. Published by Silver Sickle Publications
I composed this song back in the early nineties while I wasexperimenting with extended tonality. The text of this anonymous poet propelledme to use a more pensive style but without deviating from the romantic style Ihad envision for this song.<br> <br> The song form isalmost an announcement without repeats or technical remedies for a cyclic formas we mostly are accustomed from the romantic period or in general from songwriting. It is a simple story that was told once.<br> <br> Dedicated to composer Jakov Jakoulov who made me see that the fineprint of my music.
$5.99
5.48 €
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Soprano voice, Piano
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Apostolos Paraskevas
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The Silver Swan
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Silver Sickle Publications
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SheetMusicPlus
Pictures at an exHERbition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.14 €
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Soprano voice, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
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