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304
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194
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148
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148
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111
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108
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56
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32
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30
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30
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28
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27
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8
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6
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4
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1
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1
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1
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1
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1553
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524
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286
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245
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151
Choral Unison
139
Voice solo
133
Vocal duet, Piano
79
Soprano voice, Piano
58
Vocal duet
38
High voice
34
Choral
33
Medium voice, Piano
19
Tenor voice
7
Voice, Guitar
6
Tenor voice, Piano
6
Alto voice, Piano
6
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5
Low voice, Piano
4
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4
Mezzo-Soprano voice, Piano
4
Baritone voice, Piano
3
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3
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3
Soprano voice
3
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2
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1
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1
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1
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1
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1
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1
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Flute and Piano
975
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790
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663
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662
Clarinet and Piano
635
2 Flutes (duet)
519
Clarinet
517
2 Saxophones (duet)
515
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499
Oboe, Piano (duet)
441
Flute, Oboe, Clarinet, Bassoon
422
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387
2 Clarinets (duet)
380
Alto Saxophone and Piano
380
Flute
357
Tenor Saxophone and Piano
261
Flute Quartet: 4 flutes
248
3 Clarinets (trio)
247
Flute and Guitar
232
Alto Saxophone
230
3 Saxophones (trio)
223
Soprano Saxophone and Piano
217
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211
Oboe (band part)
187
Tenor Saxophone
168
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165
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162
2 Oboes (duet)
146
Flute (band part)
142
Flute Trio: 3 flutes
141
Saxophone ensemble
137
Flute, Clarinet (duet)
129
Recorder Quartet
128
Flute, Oboe, Clarinet (trio)
118
English horn, Piano
115
Baritone Saxophone, Piano
114
3 Recorders (trio)
101
Recorder
87
Flute ensemble
79
Bass Clarinet, Piano
79
2 Recorders (duet)
77
Flute Quintet : 5 flutes
76
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76
Oboe, Bassoon (duet)
75
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74
5 Recorders
62
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60
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54
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53
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44
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36
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34
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32
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30
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28
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27
English Horn
25
Flute, Violin, Piano
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23
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21
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20
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20
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19
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19
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17
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17
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16
Baritone Saxophone
16
Tenor Recorder
15
Piccolo
15
Flute, Cello, Piano (trio)
14
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14
Harmonica
14
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14
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13
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13
Bass Clarinet
13
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11
2 Flutes, Piano
10
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9
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9
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9
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9
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8
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8
2 Clarinets, Piano
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5
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5
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5
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4
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271
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62
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58
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40
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36
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33
Trumpet, Horn (duert)
30
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29
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29
Trumpet ensemble
29
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27
3 Trombones (trio)
27
Brass Quartet: 4 trumpets
27
English Horn
25
Tuba and Organ
25
Horn Ensemble
21
Bass Trombone
20
2 English horns and Pianoforte
19
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16
Cornet
12
3 Trumpets (trio)
11
Euphonium, Tuba (duet)
11
Trombone, Horn (duet)
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3 French horns (trio)
9
Trumpet and Guitar
8
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8
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8
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6
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5
Trumpet, Trombone, Piano
5
English Horn, Guitar (duet)
5
Bb Instruments
5
3 Tubas (trio)
5
Trumpet, Cello (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Horn and Orchestra
3
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Trumpet, Cello, Piano
2
Trumpet, violin (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Flügelhorn
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
French Horn and Harp
1
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1
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1
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String Quartet: 2 violins, viola, cello
2700
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1366
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1089
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832
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800
Viola, Piano
590
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486
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437
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377
String Trio: violin, viola, cello
340
Viola
329
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290
2 Cellos (duet)
271
2 Violas (duet)
184
Doublebass (band part)
182
Violin, Viola (duet)
179
String Quintet: 2 violins, viola, cello, bass
149
Viola (band part)
129
4 Cellos
122
Cello (band part)
121
String Trio: 2 violins, cello
117
Harp, Flute (duet)
92
Double Bass
88
Double bass, Piano (duet)
86
String quartet: 4 violins
76
Violin, Guitar (duet)
75
String Trio: 3 violins
71
Viola, Cello (duet)
61
String Trio: 3 cellos
54
Harp, Violin (duet)
52
Cello, Guitar (duet)
52
2 Harps (duet)
48
String Quintet: 2 violins, 2 violas, cello
47
Piano Trio: Violin, Viola, Piano
45
2 Violins, Piano
42
2 Double basses (duet)
38
String trio
36
Cello, String Bass (duet)
34
Viola, Guitar (duet)
29
String Quartet : 4 violas
28
String Trio: 2 violins, viola
23
String Trio: 3 violas
19
Violoncello, Basso continuo
16
Cello and Marimba
15
String Quintet: 2 violins, viola, 2 cellos
15
2 Cellos, Piano
13
2 Violas, Piano
10
Violin, Clarinet, Piano (trio)
9
Violin, Basso continuo
9
Cello Ensemble
8
Flute, Doublebass (duet)
8
Harp, Cello (duet)
6
Cello, Orchestra
6
4 Double Basses
6
Harp, Voice
6
Violin, Bassoon (duet)
6
Viola and Harp
5
Violin ensemble
4
Violin, Organ
4
Viola ensemble
4
Harp and Organ
3
Cello, Organ
3
Viola and Bassoon
3
Harp (band part)
3
4 Harps
2
5 Harps
2
3 double basses
2
Violin, Trumpet and Piano
2
3 Harps
2
Violin, Cello, Clarinet
1
Harp, Violin, Violoncello
1
Harp, Orchestra
1
Harp, String quartet
1
Instrumentations suivantes
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Concert band
1697
Orchestra
1349
String Orchestra
1311
Chamber Orchestra
423
Jazz Ensemble
394
Brass ensemble
362
Handbells
320
Percussion (band part)
175
Marching band
123
Drums
97
Drum (band part)
91
Jazz combo
80
Marimba
60
Percussion Ensemble
56
Timpani (band part)
48
Piano and Orchestra
46
Percussion
20
Timpani
19
Woodwind Quartet: any 4 woodwinds
13
Vibraphone (band part)
12
Woodwind Quintet
12
Orchestra, Violin
10
Snare drums
9
2 Xylophones
7
Xylophone, Piano
5
Vibraphone
5
Flexible Instrumentation
5
Brass Quintet: other combinaisons
4
Xylophone
3
Marimba and Organ
2
Marimba, Piano (duet)
1
2 Marimbas
1
Vibraphone and Marimba
1
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Musical course - Solfege
179
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SheetMusicPlus
Soprano voice, Piano
Sheetmusic to print
58 sheet music found
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1
26
51
Apparently with no surprise (Downloadable)
Soprano voice, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8645-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinsinon's flower poems to music. Duration: 6:00Contents:Perhaps you’d like to buy a flower?Apparently with no surpriseWhen roses cease to bloom, dear.
$7.00
6.27 €
#
Soprano voice, Piano
#
Juliana Hall
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Apparently with no surprise
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Ju…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
#
Judith Cloud
#
SheetMusicPlus
Opus 11, No. 3
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.966129 Composed by John Trie. 2…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.966129 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 4 pages. John Trie #37731. Published by john Trie (A0.966129). Opus 11, No. 3 by John Trie.
$3.99
3.57 €
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Soprano voice, Piano
#
John Trie
#
Opus 11, No. 3
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john Trie
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
#
Judith Cloud
#
SheetMusicPlus
Stabat Mater No.2 Cujus animam gementem Eb Major Piano Vocal
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.856925 Composed by Giovanni Bat…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856925 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621095. Published by Change the Key (A0.856925). Stabat Mater No.2 Cujus animam gemenitem by Giovanni Pergolesi transposed to Eb Major for piano and soprano. Vocal range F - Ab.
$4.50
4.03 €
#
Soprano voice, Piano
#
Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gementem Eb Major Piano Vocal
#
Change the Key
#
SheetMusicPlus
Stabat Mater No.2 Cujus animam gementum D Major Piano Vocal
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.856929 Composed by Giovanni Bat…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856929 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621091. Published by Change the Key (A0.856929). Stabat Mater No.2 Cujus animam gementum by Giovanni Pergolesi transposed to D Major for piano and soprano. Vocal range E - G.
$4.50
4.03 €
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Soprano voice, Piano
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Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gementum D Major Piano Vocal
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Change the Key
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SheetMusicPlus
Stabat Mater No.2 Cujus animam gementum C Major Piano Vocal
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.856928 Composed by Giovanni Bat…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856928 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621087. Published by Change the Key (A0.856928). Stabat Mater No.2 Cujus animam gementum by Giovanni Pergolesi transposed to C Major for piano and soprano. Vocal range D - F.
$4.50
4.03 €
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Soprano voice, Piano
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Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gementum C Major Piano Vocal
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Change the Key
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
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Soprano voice, Piano
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Judith Cloud
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24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
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Judith Cloud
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SheetMusicPlus
Opus 11, No. 2
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.966131 Composed by John Trie. 2…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.966131 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 5 pages. John Trie #37729. Published by john Trie (A0.966131). Opus 11, No. 2 by John Trie.
$3.99
3.57 €
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Soprano voice, Piano
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John Trie
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Opus 11, No. 2
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john Trie
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.47 €
#
Soprano voice, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
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Judith Cloud
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SheetMusicPlus
No Hidin' Place
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.886383 Arranged by Ro…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Published by Arch Angel (A0.886383). A fun-filled sprint through the horrors of sin and punishment. Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
4.03 €
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Soprano voice, Piano
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No Hidin' Place
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Arch Angel
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SheetMusicPlus
Art Song No.1
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1003168 Composed by M…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1003168 Composed by Michael Rosin. Contemporary. 7 pages. Michael Rosin #12197. Published by Michael Rosin (A0.1003168). An Art Song written for soprano with piano accompaniment. The text is William Shakespeare's 66th sonnet.
$3.99
3.57 €
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Soprano voice, Piano
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Michael Rosin
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Art Song No.1
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Michael Rosin
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SheetMusicPlus
Si mañana no vuelvo (Soprano & Piano)
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.987651 Composed by Mu…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.987651 Composed by Music: Yonatan Sanchez Santianes Lyrics: José Luis Correa. 20th Century,Contemporary,Musical/Show. 7 pages. Yonatan Sanchez-Santianes #115523. Published by Yonatan Sanchez-Santianes (A0.987651). Song for Soprano & Piano.
$4.50
4.03 €
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Soprano voice, Piano
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Music: Yonatan Sanchez Santianes Lyrics: José Luis Correa
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Piano.
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Si mañana no vuelvo
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Yonatan Sanchez-Santianes
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SheetMusicPlus
Zueignung (Op. 10, No. 1) (High Voice)
Soprano voice, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.8…
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.807979 Composed by Richard Strauss. This edition: scorch. Classical. Score. 3 pages. Hal Leonard - Digital #975375. Published by Hal Leonard - Digital (HX.807979).
$4.99
4.47 €
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Soprano voice, Piano
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Richard Strauss
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Zueignung
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Hal Leonard - Digital
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SheetMusicPlus
Civility
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.26 €
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Soprano voice, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.5 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.81 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Soprano voice, Piano
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.02 €
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Soprano voice, Piano
#
Richard Wagner
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O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
#
Soprano voice, Piano
#
Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
"Wardaton w dumu3"art song in Arabic
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iy…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,Standards. 6 pages. Iyad kanaan #4626815. Published by iyad kanaan (A0.979719). Art song in Arabic for soprano and piano op. 19 No 14. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$10.00
8.96 €
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Soprano voice, Piano
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Iyad KANAAN
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"Wardaton w dumu3"art song in Arabic
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iyad kanaan
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Soprano voice, Piano
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Ruggiero Leoncavallo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
3aSifa (storm) art song in Arabic
Soprano voice, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN.…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,World. 11 pages. Iyad kanaan #4622997. Published by iyad kanaan (A0.979711). Art song in Arabic for soprano and piano op. 19 No 12. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$50.00
44.79 €
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Soprano voice, Piano
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Iyad KANAAN
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3aSifa
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iyad kanaan
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SheetMusicPlus
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