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--INSTRUMENTS--
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We Two
Not classified
802
Piano & keyboards
Piano solo
238
Piano Accompaniment
75
Piano, Vocal and Guitar
72
Piano, Voice
64
Easy Piano
44
Organ
41
2 Pianos, 4 hands
34
1 Piano, 4 hands
27
C Instruments
11
Piano Trio: piano, violin, cello
9
Organ, Trumpet (duet)
6
Piano Quartet: piano, violin, viola, cello
5
Piano Quartet: piano, 2 violins, cello
3
Organ, Piano (duet)
2
Piano (band part)
1
Melody line, Piano
1
Harpsichord
1
Accordion
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29
Guitar
15
Piano, Guitar (duet)
7
Melody line, (Lyrics) and Chords
5
2 Guitars (duet)
5
4 Guitars (Quartet)
3
3 Guitars (trio)
2
Guitar (band part)
2
Banjo
1
Ukulele
1
Bass guitar
1
2 Ukuleles
1
Lyrics and Chords
1
+ 8 instrumentations
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Retract
Voice
Choral SATB
186
Choral 2-part
121
Choral Unison
99
Choral 3-part
67
Tenor voice, Piano
20
Choral TTBB
14
Vocal duet, Piano
14
Soprano voice, Piano
14
Vocal duet
14
Choral SSAA
9
Alto voice, Piano
8
Tenor voice
5
Choral
5
Baritone voice, Piano
5
Voice solo
3
High voice
2
Choral SSAATTBB
1
Medium voice, Piano
1
Low voice, Piano
1
Choral SSATTB
1
Soprano voice
1
+ 16 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
94
2 Flutes (duet)
81
2 Clarinets (duet)
64
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44
Flute and Piano
39
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29
Tenor Saxophone and Piano
24
2 Oboes (duet)
24
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22
Saxophone Quartet: 4 saxophones
21
Clarinet, Violin (duet)
20
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19
3 Clarinets (trio)
19
Flute, Violin
18
3 Saxophones (trio)
17
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
17
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16
Alto Saxophone and Piano
16
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15
Flute
14
Soprano Saxophone and Piano
14
Clarinet, Trumpet (duet)
14
2 Flutes, Piano
13
2 Recorders (duet)
13
Clarinet Quartet: 4 clarinets
13
Clarinet and Viola
9
Clarinet Ensemble
8
Saxophone ensemble
8
Oboe, Flute
8
Flute, Viola (duet)
8
Oboe, Clarinet (duet)
8
English horn, Piano
8
Flute, Saxophone (duet)
7
Clarinet
7
Oboe, Bassoon (duet)
7
Descant (Soprano) Recorder
6
Flute, Clarinet, Piano (trio)
6
Baritone Saxophone, Piano
6
Flute ensemble
5
Clarinet, Cello (duet)
5
Flute, Trumpet (duet)
5
Recorder Quartet
4
2 Clarinets, Piano
4
Descent (Soprano) Recorder, Piano
4
Alto Saxophone
4
Flute Trio: 3 flutes
4
Clarinet, Bassoon (duet)
4
Flute, Violin and Violoncello
4
Flute, Viola and Piano
3
Clarinet Quintet: 5 clarinets
3
Flute, Violin, Piano
3
Bass Clarinet, Piano
3
Flute, Clarinet and Bassoon.
3
Clarinet, Cello, Piano (trio)
3
Wind ensemble
2
Tenor Saxophone
2
2 Flutes and Harp
2
Saxophone Quintet: 5 Saxophones
2
Flute, Cello, Piano (trio)
2
Flute, trombone and piano
2
Clarinet, Trombone (duet)
1
Flute Quintet : 5 flutes
1
Clarinet, trumpet and piano
1
Bass Clarinet
1
Flute and Strings Trio
1
English horn, Harp (duet)
1
Clarinet, Harp (duet)
1
Flute, Bassoon, and Piano
1
Flute (band part)
1
Recorder, Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Recorder Ensemble
1
Saxophone (band part)
1
Flute, Oboe, Piano (trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Violin (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe (duet)
1
Flute, Cello, Guitar
1
+ 75 instrumentations
-
Retract
Woodbrass
2 Trumpets (duet)
46
Brass Quintet: 2 trumpets, horn, trombone, tuba
43
2 Trombones (duet)
41
Trombone and Piano
22
Trumpet, Piano
19
Trumpet, Saxophone (duet)
17
Trumpet, Trombone (duet)
15
Brass quartet : 2 trumpets, trombone, tuba
15
2 French horns (duet)
13
Brass Quartet: 2 trumpets, horn, trombone
13
French Horn and Piano
9
Trumpet
8
English horn, Piano
8
Trombone
8
Euphonium, Piano (duet)
7
Tuba and Piano
6
Brass Quartet
5
Trombone ensemble
5
2 Trumpets, Keyboard (piano or organ)
4
2 Tubas (duet)
4
Tuba
4
Trombone (band part)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Brass Quartet: 4 trombones
3
Trumpet, Cello, Piano
2
Brass Trio
2
Brass Quartet: 4 trumpets
2
French horn
2
Trumpet, Horn (duert)
1
Horn, Cello (duet)
1
Trumpet ensemble
1
French horn (band part)
1
English horn, Harp (duet)
1
Trombone, Tuba (duet)
1
Trumpet, Cello (duet)
1
3 French horns (trio)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Tuba and Organ
1
2 Trombones, Piano
1
+ 35 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
98
2 Violins (duet)
79
String Trio: violin, viola, cello
74
2 Cellos (duet)
53
Harp
50
Violin and Piano
44
Violin, Cello (duet)
39
2 Violas (duet)
35
Viola, Piano
27
Cello, Piano
20
Violin, Viola (duet)
18
String Trio: 2 violins, cello
18
Violin
16
Cello
10
2 Harps (duet)
9
String Trio: 2 violins, viola
9
String Quintet: 2 violins, viola, cello, bass
8
Harp, Flute (duet)
6
4 Cellos
5
Violin (band part)
5
Piano Trio: Violin, Viola, Piano
5
Double bass, Piano (duet)
4
Harp, Violin (duet)
4
2 Violins, Piano
4
String quartet: 4 violins
4
Viola, Cello (duet)
4
Violin, Clarinet, Piano (trio)
4
String trio
4
Viola (band part)
3
String Trio: 3 cellos
3
String Trio: 3 violins
3
2 Cellos, Piano
2
Harp and Piano
2
Doublebass (band part)
2
String Quartet : 4 violas
2
4 Double Basses
1
Cello (band part)
1
Viola
1
Violin, Bassoon (duet)
1
Double Bass
1
Viola and Harp
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
135
Brass ensemble
49
Handbells
45
String Orchestra
41
Orchestra
30
Marching band
24
Jazz Ensemble
10
Chamber Orchestra
8
Percussion Ensemble
7
Marimba
4
Jazz combo
4
2 Marimbas
1
Orchestra, Violin
1
Piano and Orchestra
1
Drum (band part)
1
+ 10 instrumentations
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You've selected:
We Two
Choral TTBB
Sheetmusic to print
14 sheet music found
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1
We Three Kings / God Rest Ye Merry Medley
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Choral TTBB
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BEGINNER
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Christmas
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Traditional
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Paul A
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GOD REST YE MERRY GENTLEMEN
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We Three Kings / God Rest Ye M
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522409 Composed by Traditional. Arranged by Paul A. Jorg. A Cappella,Christian,Christmas,Sacred....
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522409 Composed by Traditional. Arranged by Paul A. Jorg. A Cappella,Christian,Christmas,Sacred. Octavo. 4 pages. Paul A. Jorg #6092217. Published by Paul A. Jorg (A0.522409). This Medley is a combination of two older Christmas Carols - WE THREE KINGS & GOD REST YE MERRY GENTLEMEN. The arrangement is for 4 part male (TTBB) harmony, a cappella.
$4.59
Angels We Have Heard On High (TTB)
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Choral TTBB
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EASY
#
Christmas
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Traditional
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Sam Cardon, Garrett Breeze
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Angels We Have Heard On High
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Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723447 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Octavo. 10 pa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723447 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Octavo. 10 pages. Lagom Music #6357335. Published by Lagom Music (A0.723447). This upbeat, joyous arrangement of Angels We Have Heard on High by Sam Cardon and Garrett Breeze begins with an extended introduction, followed by an initial statement of the chorus. The men and women each sing a respective verse before coming together for a triumphant, majestic final verse. Also available in SAB, SSA, TTB, and Two-Part Choir. Orchestral accompaniment sold separately.
$2.75
While We're Young (TTB)
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Choral TTBB
#
EASY
#
Sacred music
#
April Meservy & Jay B Ahfua
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Garrett Breeze
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While We're Young
#
Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.746135 By April Meservy & Jay B Ahfua. By Lowell Alexander and Tyler Castleton. Arranged by Garr...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.746135 By April Meservy & Jay B Ahfua. By Lowell Alexander and Tyler Castleton. Arranged by Garrett Breeze. Children,Pop,Praise & Worship. Octavo. 8 pages. Lagom Music #353994. Published by Lagom Music (A0.746135). A hopeful and inspirational ballad originally written for the 2009 Especially For Youth album by Tyler Castleton and Lowell Alexander and recorded by April Meservy & Jay B Ahfua. Newly arranged by Garrett Breeze for SATB, SAB, SSA, TTB, and Two-Part choir and piano, this piece will be a positive and memorable addition to any concert, particularly end of year shows and graduation events.
$2.50
We Will Sing At Christmas (TTB)
#
Choral TTBB
#
BEGINNER
#
Christmas
#
Garrett Breeze, Gustav Holst
#
We Will Sing At Christmas
#
Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.723456 Composed by Garrett Breeze, Gustav Holst. Christmas,Holiday. Octavo. 7 pages. Lagom Music...
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.723456 Composed by Garrett Breeze, Gustav Holst. Christmas,Holiday. Octavo. 7 pages. Lagom Music #6609393. Published by Lagom Music (A0.723456). Setting a new text by composer Garrett Breeze to the familiar tune of In the Bleak Midwinter this simple but memorable arrangement is a sentimental and uplifting addition to any winter concert. Part dominant rehearsal tracks available at holidaychoirmusic.comALSO AVAILABLE IN:SATB: https://bit.ly/3nZhXjgSAB: https://bit.ly/302xciUSSA: https://bit.ly/3EPTuDQTTB: https://bit.ly/2YqxqQITwo-Part:https://bit.ly/2ZYZVpxWith the text In the Bleak MidwinterSATB: https://bit.ly/3o76bok
$2.25
Like Him We Rise (Downloadable)
#
Choral TTBB
#
INTERMEDIATE
#
Christmas
#
Sacred music
#
Tom Trenney
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Like Him We Rise
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
TTBB choir and piano - Medium - Digital Download SKU: MQ.50-6079-E Composed by Tom Trenney. Christmas, Christmas-Sacred. Instrument part. 11 pages. Morni...
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TTBB choir and piano - Medium - Digital Download SKU: MQ.50-6079-E Composed by Tom Trenney. Christmas, Christmas-Sacred. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-6079-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6079-E). English.Premiered by the Viking Chorus at the 2017 St. Olaf Christmas Festival, the sweep of this original text makes it appropriate for many times of the year. At times echoing the words of Christ, at times commenting on them, the result is emotionally powerful. Quite a bit of unison and two-part writing, but in about 10 measures out of the total 75 there is solid four-part TTBB writing. The piano accompaniment is skillful and essential.
$2.65
We Two
#
Choral TTBB
#
EASY
#
The Little River Band
#
Jeff Tincher
#
We Two
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1201650 By The Little River Band. By Graeham George Goble. Arranged by Jeff Tincher. Contemporar...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1201650 By The Little River Band. By Graeham George Goble. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Octavo. 16 pages. Jeff Tincher #800268. Published by Jeff Tincher (A0.1201650). This is my favorite song from the Yacht Rock groups Little River Band. In the original key from their The Net LP, this is the best breakup song ever. This arrangement includes the live ending from their The Net tour in Germany 3/1983. Duration = 4:10. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
#
Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Sing Loud (TTB)
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Choral TTBB
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EASY
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Mu...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Published by Lagom Music (A0.723492). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
Psalm 42 for Men’s Choir (TTBB) a capella
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Choral TTBB
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EASY
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Anonimous
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L
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Psalm 42 for Men’s Choir
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classi...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1079061. Published by Müller Publishing company (A0.1503597). Psalm 42 for Men’s Choir (TTBB) a capella Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. Whether for a concert, worship service, or special event, this piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Format: Closed Score (two voices per staff)Text: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
$2.99
The Parting Glass
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Choral TTBB
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INTERMEDIATE
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Ken Potter
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Ken Potter
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The Parting Glass
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1229833 By Ken Potter. By Traditional Scottish Drinking Song. Arranged by Ken Potter. Barbershop...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1229833 By Ken Potter. By Traditional Scottish Drinking Song. Arranged by Ken Potter. Barbershop,Folk,Pop. Octavo. 3 pages. Ken Potter #825591. Published by Ken Potter (A0.1229833). Three verse arrangement of Scottish drinking tune. 3rd verse by cowriter Eileen Meyer.TTBB barbershop. Could also work well for SATB mixed.  Verse one is mostly drone with melody in Lead.Verse two is barbershop style with melody in Lead.Verse three voicing is tighter with melody in Tenor. 3rd verse works as a great rehearsal ending tune, as we do in Northwest Mix in Seattle.
$2.00
Can't Stop The Feeling from TROLLS
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Choral TTBB
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INTERMEDIATE
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Justin Timberlake
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Timorell
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Can't Stop The Feeling from TR
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501986 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellb...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501986 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Timorell. A Cappella,Contest,Festival,Hip-Hop,Pop,R & B. 17 pages. Timorell #3594519. Published by Timorell (A0.501986). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced intermediate-level a cappella cover of the classic Justin Timberlake song, close to the original funky style with an extended ending, good to get the audience clapping along. Written for male voices, some with high falsetto. Includes a breakdown section for basses in the middle. Also includes shout-out to 'Jus-tin' which can be tailored to most any two-syllable combo--we do 'New York!' Vocal percussion is considered a key component, though not notated, for a fully developed production.Video of the arrangement: https://youtu.be/tkyQTUK4rsQRange: low - (tessitura) - highT1: C4 - (G4) - E5 T2: A3 - (E4) - G4 Bari: F3 - (A3) - E4Bass: F2 - (D3) - C4
$2.00
The Water Is Wide
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Choral TTBB
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EASY
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Person...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
Det förlorade paradiset
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Choral TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work i...
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SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
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