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What\\\\\\\'s Up
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264
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2
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2 Pianos, 8 hands
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Piano Quartet: piano, violin, viola, cello
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+ 11 instrumentations
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Retract
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35
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14
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8
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7
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4
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4
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3
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Banjo
2
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1
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1
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1
2 Dulcimers (duet)
1
+ 9 instrumentations
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Voice
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60
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20
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19
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16
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13
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5
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3
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2
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1
Tenor voice, Piano
1
Choral SSAATTBB
1
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17
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13
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10
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9
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7
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5
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2 Flutes, Piano
2
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2
Clarinet, Bassoon (duet)
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Flute Quartet: 4 flutes
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Clarinet, Guitar (duet)
2
Flute, Violin
2
Flute, Saxophone (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Clarinet Quintet: 5 clarinets
1
Eb Instruments
1
Saxophone and Organ
1
Oboe, Flute
1
Flute Quintet : 5 flutes
1
2 Oboes, Piano
1
Clarinet Quartet: 4 clarinets
1
3 Saxophones (trio)
1
Treble (Alto) Recorder, Piano
1
Flute Trio: 3 flutes
1
Descent (Soprano) Recorder, Piano
1
+ 52 instrumentations
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Trombone (band part)
21
Brass Quintet: 2 trumpets, horn, trombone, tuba
20
Trumpet (band part)
14
Brass Quartet: 4 trombones
12
Trumpet
9
Trombone
9
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6
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5
Trumpet, Piano
5
2 Trombones (duet)
5
Trombone and Piano
5
Brass quartet : 2 trumpets, trombone, tuba
5
Trumpet, Saxophone (duet)
4
2 Trumpets (duet)
4
2 French horns (duet)
4
Tuba
4
English horn, Piano
3
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3
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2
Tuba (band part)
2
Brass Quartet
2
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2
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1
2 French horns, Piano
1
Euphonium, Piano (duet)
1
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1
4 Tubas
1
Bb Instruments
1
Brass Quartet: 2 trumpets, horn, trombone
1
Bass Clef Instruments
1
Trumpet, Horn (duert)
1
+ 26 instrumentations
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String Quartet: 2 violins, viola, cello
29
Harp
14
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13
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10
String Quintet: 2 violins, viola, cello, bass
8
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7
Violin (band part)
6
2 Violins (duet)
6
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6
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5
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5
Cello
5
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5
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5
2 Cellos (duet)
4
String Trio: violin, viola, cello
4
Harp, Voice
4
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3
Viola
3
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2
Cello (band part)
2
2 Violas (duet)
2
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2
Double Bass
2
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1
String quartet: 4 violins
1
String Trio: 3 cellos
1
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1
4 Double Basses
1
Viola, Cello (duet)
1
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2
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What\\\\\\\'s Up
Choral TTBB
Sheetmusic to print
12 sheet music found
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1
Don't Give Up
#
Choral TTBB
#
INTERMEDIATE
#
Pop music
#
Peter Gabriel And Kate Bush
#
Charles Beale
#
Don't Give Up
#
charliebmusic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo. 18 pages. Charliebmusic #772070. Published by charliebmusic (A0.1171795). From Peter Gabriel's 1987 album 'So', 'Don't Give up' is a song about struggle. Originally written around what Gabriel saw as the 1980s struggle against UK Thatcherism, the song works well in the context of all kinds of oppression. The arrangement features three soloists, all perhaps facing different kinds of struggle or mental health issue. In each case, the choir responds with kindness: Don't GIve Up, 'cause you've got friends, and 'cause somewhere there's a place where we belong.
$1.99
What's Up
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Choral TTBB
#
INTERMEDIATE/ADVANCED
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Contemporary
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4 Non Blondes
#
Sharon Udoh
#
What's Up
#
Sharon Udoh
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.988536 By 4 Non Blondes. By Linda Perry. Arranged by Sharon Udoh. Contemporary. Octavo. 16 pages...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.988536 By 4 Non Blondes. By Linda Perry. Arranged by Sharon Udoh. Contemporary. Octavo. 16 pages. Sharon Udoh #6443901. Published by Sharon Udoh (A0.988536).
$1.99
What Are You Doing New Year's Eve?
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Choral TTBB
#
EASY
#
Contemporary
#
Frank Loesser
#
Jim Shubert
#
What Are You Doing New Year's
#
James W. Shubert
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971411 Composed by Frank Loesser. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James ...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971411 Composed by Frank Loesser. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6656527. Published by James W. Shubert (A0.971411). 4 part male barbershop arrangement (TTBB) Early Intermediate Level. A great Frank Loesser song that gets short shrift due to subject matter; it's not a Christmas song, so it doesn't get done before the holidays, and by New Year's everyone's grown tired of the Xmas music. However, it's much too good to ignore, and some musical epicure's will scarf up this tasty morsel.
$1.99
My Songs Know What You Did In The Dark (light Em Up)
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Choral TTBB
#
EASY
#
Fall Out Boy
#
G
#
My Songs Know What You Did In
#
G. A. Allen
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1033352 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stum...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1033352 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stump, and Peter Wentz. Arranged by G. A. Allen. A Cappella,Pop,Rock. Octavo. 19 pages. G. A. Allen #6361887. Published by G. A. Allen (A0.1033352). A pulse-poudning a cappella TTBB+Solo+Vocal Percussion version of Fall Out Boy's hit 2013 single.
$3.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Joy to the World
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Choral TTBB
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ADVANCED
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Lowell Mason
#
Kevin Robison
#
Joy to the World
#
Kevin Robison Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.891556 Composed by Lowell Mason. Arranged by Kevin Robison. Christmas,Contemporary,Hanukkah,Pop....
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.891556 Composed by Lowell Mason. Arranged by Kevin Robison. Christmas,Contemporary,Hanukkah,Pop. Octavo. 12 pages. Kevin Robison Music #3223577. Published by Kevin Robison Music (A0.891556). One of Robison’s more innovative arrangements. The text has been made secular for this setting that includes an original bridge by the arranger with the text: No matter how you celebrate or what the reason, it’s time to wipe away the hate. It is the season. There’s love in every human heart. It may be locked away, but open up and we will soon say Peace rules the world… The progressive harmony arrangement delivers with a stirring and inspiring conclusion. Perfect for ending a holiday concert!
$2.00
Read All About It, Part III
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Choral TTBB
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INTERMEDIATE
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Emeli Sande
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Michael Gordon Bennett
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Read All About It, Part III
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MGB Choral Music
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1466318 By Emeli Sande. By Ben Kohn, Emeli Sande, Iain James, Peter Kelleher, Stephe...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1466318 By Emeli Sande. By Ben Kohn, Emeli Sande, Iain James, Peter Kelleher, Stephen Manderson, and Tom Barne. Arranged by Michael Gordon Bennett. 21st Century,Contemporary,Pop,Singer/Songwriter. 14 pages. MGB Choral Music #1044930. Published by MGB Choral Music (A0.1466318). Arranged for TTBB with piano, Emeli Sande's Read All About It is an inspiring work encouraging everyone to speak up for what is right, be proud, be seen, be heard. Some optional solos, unison and soaring harmonies add variety to the arrangement. Great for any concert that wishes to support and inspire its singers and audience.
$2.50
All The Young Dudes
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Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Bruce Dickinson
#
Charles Beale
#
All The Young Dudes
#
charliebmusic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865862 By Bruce Dickinson. By David Bowie. Arranged by Charles Beale. Contemporary. Octavo. 13 p...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865862 By Bruce Dickinson. By David Bowie. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmusic #5294095. Published by charliebmusic (A0.865862). 'All the Young Dudes' is a fun period piece and a mid-tempo glam rock classic from the early 1970s, originally sung by Mott the Hoople but made more famous by David Bowie. The lyric is partly about being young and free, and partly about gender. and being a ‘dude’. It tells the story of several 'dudes' and celebrates what they get up to. Like many Bowie lyrics, it is double-edged, and the melody is catchy and fun to sing. Originally sung by the New York City Gay Men's Chorus, the arrangement sticks closely to the original groove and form, and is designed for an intermediate level group. There is also a solo for a Baritenor with pop sound.
$1.99
The Water Is Wide
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Choral TTBB
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EASY
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Person...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
Fix You
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Choral TTBB
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Rock
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Javier Colon
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Vicky Jacobs
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Fix You
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Victoria Jacobs
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.817190 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Vicky ...
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Choral Choir (TTBB) - Digital Download SKU: A0.817190 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Vicky Jacobs. Rock. Octavo. 9 pages. Victoria Jacobs #3676225. Published by Victoria Jacobs (A0.817190). A challenging but singable and fun-to-learn arrangement of this Coldplay classic for male voice choirs which your choir will love singing. Presented here with piano accompaniment (that your accompanist will love playing too!)Have a listen to Melbourne's fabulous Low Rez choir singing it here: https://www.youtube.com/watch?v=W5j6BsA1rT0You can follow me on Twitter to see what I'm up to @vickysfirsts or check out my bio at https://about.me/vickyjacobs
$1.99
Free Man In Paris
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Joni Mitchell
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Stephen Smith
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Free Man In Paris
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1460308 By Joni Mitchell. By Joni Mitchell. Arranged by Stephen Smith. 20th Century,...
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1460308 By Joni Mitchell. By Joni Mitchell. Arranged by Stephen Smith. 20th Century,A Cappella,Contemporary,Rock,Singer/Songwriter. 7 pages. Stephen Smith #1039211. Published by Stephen Smith (A0.1460308). In 2019, The Vancouver Men's Chorus asked their longtime pianist, Stephen Smith, to write them a custom arrangement of Free Man in Paris for an upcoming concert. Somewhat surprisingly, he responded with an a cappella version of the Joni Mitchell song, which is famous for its guitar-heavy instrumentals. But the arrangement worked a treat, and ended up being a favourite of many of the singers that term, and a hit with the audiences for whom they sang it. If performed with rhythmic precision and drive, and careful balance between tune and (vocal) accompaniment, it will be a success for your ensemble too!
$1.99
Fast Car
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Rock
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Tracy Chapman
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Stephen Smith
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Fast Car
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Stephen Smith
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SheetMusicPlus
TTBB - Advanced Intermediate - Digital Download By Tracy Chapman. Arranged by Stephen Smith. Score. 10 pages. Published by Stephen Smith...
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TTBB - Advanced Intermediate - Digital Download By Tracy Chapman. Arranged by Stephen Smith. Score. 10 pages. Published by Stephen Smith
An important feature of this arrangement for TTBB a cappella is that the lines given to the accompanying voice-parts are almost as interesting as the melody-line! The accompanying voices even get to sing actual words (as distinct from vocables) in the choruses. In fact, the rhythmic enunciation of text by all the voices is what gives the choruses the stepped-up energy and drive which, in the original version, is created by the addition of the drum-kit. Check out the effect in the audio clip, which is excerpted with permission from a live recording made in 2016 by the Vancouver Men's Chorus under the direction of Willi Zwozdesky.
$3.99
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