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A.G. Harmon
Choral TTBB
Sheetmusic to print
14 sheet music found
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1
Let's Harmonize
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.723468 Composed by Al Fris…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.723468 Composed by Al Frisch, Fred Wise, and Kathleen G. Twomey. Arranged by Garrett Breeze. A Cappella,Jazz,Standards. Octavo. 5 pages. Lagom Music #6614471. Published by Lagom Music (A0.723468). Arranged for barbershop quartet (TTBB + Lead), this version is a adaptation of Vera Lynn’s Let’s Harmonize as performed by the Osmond Brothers on the Andy Williams show.
$2.99
2.69 €
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Choral TTBB
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Al Frisch, Fred Wise, and Kathleen G
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Let's Harmonize
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Lagom Music
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SheetMusicPlus
THERE'S A SONG IN THE AIR (There's a Star in the Sky) - a Christmas song
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522480 Composed by Lyrics …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522480 Composed by Lyrics by Josiah G. Holland Music by Karl P. Harrington. Arranged by Paul A. Jorg. A Cappella,Christian,Christmas,Gospel,Holiday,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #6255007. Published by Paul A. Jorg (A0.522480). This is a beautiful song for the Christmas season, written in 1872. It is published in 182 hymnals- according to Hymnary.org. There are 4 verses to this song, this arrangement has the first two as the opening group; the third verse features a lead solo with the parts Oo, and a key change for the last verse with a closing Coda. The Bennett Sisters do a nice job with the song - see YouTube Link.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.13 €
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Choral TTBB
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Lyrics by Josiah G
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THERE'S A SONG IN THE AIR
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Paul A. Jorg
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SheetMusicPlus
What A Wonderful World
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.980113 By Louis Armstrong …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.980113 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Mike Bultman. Jazz. Octavo. 7 pages. Mike Bultman #4111081. Published by Mike Bultman (A0.980113). Street-corner doo-wop for the fellas. TTBB with solos, some harmonic challenges.
$1.99
1.79 €
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Choral TTBB
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Louis Armstrong With Kenny G
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What A Wonderful World
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Mike Bultman
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SheetMusicPlus
Live And Let Die
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856209 By Wings. By Linda …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856209 By Wings. By Linda McCartney and Paul McCartney. Arranged by Liz Garnett. Film/TV. Octavo. 5 pages. Liz Garnett #4312145. Published by Liz Garnett (A0.856209). The McCartneys' title tune for the 1973 Bond theme is mercurial in its mood shifts. Whilst a relatively short song in duration, it covers a wide range of musical and emotional worlds, from wistful ballad to driving rock, and it ends with a harmonic harmonic handbrake-turn that tells you that nobody is safe in this narrative world.Vocal Ranges:Tenor: D4 - C5Lead: D3 - A4Bari: B flat 2 - F4Bass: G flat 2 - C4www.HelpingYouHarmonise.com
$2.99
2.69 €
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Choral TTBB
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Wings
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Live And Let Die
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Liz Garnett
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SheetMusicPlus
It's Still Rock And Roll To Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856249 By Billy Joel. By B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856249 By Billy Joel. By Billy Joel. Arranged by Liz Garnett. Pop,Rock. Octavo. 8 pages. Liz Garnett #6073673. Published by Liz Garnett (A0.856249). Billy Joel's classic declaration of musical love that transcends fashion seems particularly well suited to barbershop ensembles. The lyrics sparkle through an infectious groove, making this a feel-good song that will lift the spirits of any audience.The arrangement follows the original in starting out with a sparse texture that builds up into fuller harmonies through the course of the song. It also takes the implicit dialogue within the lyrics, that Joel articulates with a change of vocal colour, and makes it more explicit by giving question and answer to different voice parts.Vocal ranges:Tenor: E flat 3 - A4Lead: E flat 3 - G4Bari: E flat 3 - F4Bass: G flat 2 - B flat 3www.HelpingYouHarmonise.com
$2.99
2.69 €
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Choral TTBB
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Billy Joel
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It's Still Rock And Roll To Me
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Liz Garnett
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
IT IS WELL WITH MY SOUL
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522441 Composed by Lyrics …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522441 Composed by Lyrics by H.G. SPAFFORD, Music by P.P. BLISS. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Praise & Worship,Spiritual,Traditional. Octavo. 3 pages. Paul A. Jorg #6132751. Published by Paul A. Jorg (A0.522441). The song is about the incredible faith of it's lyrics writer, Horatio Spafford (1828-1888). After the recent Chicago fire, he thought his family could use a little rest and relaxation, and sent them on a ship headed for Europe. He was a modern day Job; a devout Christian and a prominent Chicago lawyer, who one day heard that his four daughters had lost their lives in a ship wreck on this vacation trip to Europe. Only his wife had survived. This calamity did not shake his faith in his loving Heavenly Father, as he wrote this classic song.This arrangement is for 4 part male harmony (TTBB) a cappella. .
$4.59
4.13 €
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Choral TTBB
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Lyrics by H
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IT IS WELL WITH MY SOUL
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Paul A. Jorg
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SheetMusicPlus
You're The Inspiration
Choral TTBB
Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring …
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Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$15.95
14.34 €
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Choral TTBB
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Peter Cetera Featuring AZ Yet
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
You're The Inspiration
Choral TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By Davi…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
2.7 €
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Choral TTBB
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Chicago
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
Demons
Choral TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.762526 By Imagine Dragons. By Alexan…
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Choral Choir (TTBB) - Digital Download SKU: A0.762526 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3627203. Published by Carolyn Goates (A0.762526). This chart-topping song has been covered many times. I hope you like this arrangement for 4 voices. It is in the original key of Eb major, so if you already know the song it is a very familiar sing-along in a familiar place for the voice. The melody starts with Tenors while Baritones and Basses provide rhythmic accompaniment. As the song develops the melody splits into 3 and then 4 part harmony, with the tune taken by different parts here and there. Tenor 1s have a soaring descant over the tune towards the end. (Top note G a twelfth above middle C for a short while).
$2.49
2.24 €
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Choral TTBB
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Imagine Dragons
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Demons
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Carolyn Goates
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SheetMusicPlus
It Is Well with My Soul
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.817923 Composed by Philip …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.817923 Composed by Philip P. Bliss, Horatio G. Spafford. Arranged by Brandon C. Hemry. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 3 pages. Brandon Hemry #3545795. Published by Brandon Hemry (A0.817923). This is a fairly contemporary a capella arrangement of the classic hymn It Is Well with My Soul. It is written for 4-6 (TTTBBB) voices. This piece is filled with subtle and satisfyingly smooth progressions with tight rich harmonies. Perform this with an intermediate to advanced male vocal ensemble. Enjoy!If you are interested in commissioning a piece to be written or arranged by me, please contact me at BrandonHemryMusic@gmail.com.
$1.99
1.79 €
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Choral TTBB
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Philip P
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It Is Well with My Soul
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Brandon Hemry
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SheetMusicPlus
Nighttime in Dixieland / One Step Dixieland Band (men)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.817440 Composed by D. J. L…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.817440 Composed by D. J. LaRocca, G. Crandall, Irving Berlin, and J. R. Robinson. Arranged by Brent Graham. Folk,Traditional. Octavo. 7 pages. Brent Graham #3570783. Published by Brent Graham (A0.817440). A wonderful combination of two classic Barbershop songs, arranged for a men's Barbershop ensemble. Contestable in the Barbershop Harmony Society.
$4.99
4.49 €
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Choral TTBB
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D
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Nighttime in Dixieland / One Step Dixieland Band
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Brent Graham
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SheetMusicPlus
Stop All the Clocks
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.962558 Composed by G.F.Ski…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.962558 Composed by G.F.Skipworth. Contemporary. Octavo. 12 pages. George Skipworth #4830581. Published by George Skipworth (A0.962558). Stop All the Clocks, or Funeral Blues on a text of W.H. Auden is scored for TT/BB (only occasionally divided) choir. Accompaniment is piano, not overly demanding, but requires the ability to read off-beat harmonies. Vocal ranges moderate for high school and collegiate use. The Auden poem is set to a relaxed, lazy blues style. Appropriate for any choral concert.
$2.99
2.69 €
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Choral TTBB
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G
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Stop All the Clocks
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George Skipworth
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SheetMusicPlus
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