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Ain't A Thing
Choral TTBB
Sheetmusic to print
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1
It Don't Mean A Thing (if It Ain't Got That Swing)
Choral TTBB
By Duke Ellington. By Duke Ellington (1899-1974) and Irving Mills (1894-1985). Arran…
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By Duke Ellington. By Duke Ellington (1899-1974) and Irving Mills (1894-1985). Arranged by Dan Mulligan. A Cappella, Barbershop, Jazz. Octavo. 6 pages. Dan Mulligan #750981. Published by Dan Mulligan
$1.99
1.83 €
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Choral TTBB
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Duke Ellington
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It Don't Mean A Thing
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Dan Mulligan
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
Choral TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith …
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
$4.99
4.6 €
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Choral TTBB
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Judith Cloud
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Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
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Judith Cloud
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SheetMusicPlus
A Song of Canute (male voice choir and piano)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
2.76 €
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Choral TTBB
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
My Tennessee Mountain Home
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1197834 By Dolly Parton. B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.
$2.10
1.94 €
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Choral TTBB
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Dolly Parton
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My Tennessee Mountain Home
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Clifford W. King
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836376 By Duke Ellington. …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836376 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Mark Goodney. Jazz. Octavo. 6 pages. Mark Goodney #6638475. Published by Mark Goodney (A0.836376). Barbershop Male - TTBB - Chorus-Quartet- Duke Ellington's big swing hit!
$4.51
4.16 €
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Choral TTBB
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Duke Ellington
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It Don't Mean A Thing
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Mark Goodney
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SheetMusicPlus
Stayin' At Home
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856200 Composed by Thomas …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856200 Composed by Thomas Fats Waller. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4281875. Published by Liz Garnett (A0.856200). This song from one of Fats Waller's earliest albums explores the theme of trust in long-distance relationships he was to return to much more famously in 'Ain't Misbehaving' 6 years later. This early version of the faithful lover gives a gentler reassurance, both in lyric and in tempo. Rather than listing the things he's not getting up to in his beloved's absense, he paints a picture of quiet evenings spent thinking about her. Like his later self, though, he does like to pass the time listening to the radio.This contest-suitable arrangement sets up the chorus with a free-flowing verse before settling into a relaxed swing feel.Vocal Ranges:Tenor: B3 - B flat 4Lead: E flat 3 - F4Bari: D3 - E4Bass: A flat 2 - C4www.HelpingYouHarmonise.com
$2.99
2.76 €
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Choral TTBB
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Thomas Fats Waller
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Stayin' At Home
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Liz Garnett
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SheetMusicPlus
Condacul celor adormiţi (Kontakion of the Departed)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1220994 Composed by Adrian…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1220994 Composed by Adrian Gagiu. A Cappella,Christian. Octavo. 2 pages. Adrian Gagiu #817341. Published by Adrian Gagiu (A0.1220994). A solemn and soothing a cappella piece for men's chorus, based on a traditional hymn from the Orthodox Memorial Service and composed for a friend's sudden and unexpected passing away. It utilizes subtly varied, yet restrained harmonizations and textures, and is mostly faithful to the Byzantine style, with a few discrete incursions into quartal harmony. Appropriate for the Orthodox church service and for choral groups, schools and students, too. Duration: 3 min. Performing Rights Organization: SOCAN. Text (Romanian original): Cu sfinţii odihneşte, Hristoase, sufletul adormitului robului Tău, unde nu este durere, nici întristare, nici suspin, ci viaţă fără de sfârşit. (English translation) O Christ, with the saints give rest to the soul of Thy servant, where there is neither sickness, nor sorrow, nor sighing, but life everlasting..
$3.70
3.41 €
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Choral TTBB
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Adrian Gagiu
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Condacul celor adormiţi
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Adrian Gagiu
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SheetMusicPlus
Windy
Choral TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Assoc…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4727619. Published by Larry Wright (A0.853883). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune by the 60's group The Association. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available instrumentally played Learning Trax. If you want to get an idea of what the basic vocals sound like,... on my website store, listen to the FREE 1 minute audio sample in the women's key. Secondly, from my website store, you can also purchase the $2 full-length demo in the women's key. Thirdly, again from my website store, you can hear a MEN'S KEY vocal sample of Windy by listening to MEN'S KEY Association Medley arrangement... which starts with the Windy song. If you love the Windy arrangement, and need to have the MEN'S KEY learning TRAX, hang in there. I'm recording the MEN'S KEY TRAX in a few days.If you've FIRST purchased the COMBO from my website store and the SHEET MUSIC per-copy price on the SMP website store is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
13.83 €
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Choral TTBB
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The Association
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for assistance
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Windy
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Larry Wright
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SheetMusicPlus
Windy
Choral TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1372357 By The Asso…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1372357 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry Wright #956650. Published by Larry Wright (A0.1372357). A MEN'S 4-part, high energy, fun barbershop PARTIAL arrangement of this clever tune. NOTE:Â AGAIN, this is NOT an arrangement of the complete song!!!! For an explanation, please email <larry@larrywrightmusic.com>.Excellent 4-part, part-predominant, vocal learning trax are available <www.larrywrightmusic.com>. Check out SMP's short 30-second audio sample... as well as my website's FREE 1 minute audio sample... and finally, my website's $2 full-length audio demo <www.larrywrightmusic.com>.IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price..., NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: If the SMP per-copy is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements...to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangment making good use of the EXCELLENT part-predominant, vocal learning trax <www.larrywrightmusic.com>.
$1.99
1.83 €
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Choral TTBB
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The Association
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for assistance
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Windy
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Larry Wright
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