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Anna B
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Anna B
Choral TTBB
Sheetmusic to print
10 sheet music found
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1
Hard Hearted Hannah (the Vamp Of Savannah)
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Choral TTBB
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INTERMEDIATE
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Bob Bigelow, Charles Bates, Ja
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Larry Wright
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for info.
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Hard Hearted Hannah
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Larry Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853903 Composed by Bob Bigelow, Charles Bates, Jack Yellen, and Milton Ager. Arranged by Larry W...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853903 Composed by Bob Bigelow, Charles Bates, Jack Yellen, and Milton Ager. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry Wright #4735985. Published by Larry Wright (A0.853903). A MEN'S 4-part, a cappella, barbershop arrangement of this popular contest uptune. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've purchased my learning trax from my website and the per-copy pricing on the SMP website is a problem, email me<larry@larrywrightmusic.com> for info.
$15.00
Boomerang
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Choral TTBB
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ADVANCED
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YEBBA
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Mike Bierschenk
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Boomerang
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Mike Bierschenk
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1379047 By YEBBA. By Abbey Smith, Abigail Elizabeth Smith, Isley Anna Juber, Thomas Brene...
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1379047 By YEBBA. By Abbey Smith, Abigail Elizabeth Smith, Isley Anna Juber, Thomas Breneck, Thomas R Brenneck, and Tommy Brenneck. Arranged by Mike Bierschenk. A Cappella,Pop,R & B,Soul. 8 pages. Mike Bierschenk #963763. Published by Mike Bierschenk (A0.1379047). TTBB a capella arrangement for advanced group. Light vocal percussion throughout, divisi in upper three parts. Optional 8va doubling in T1 and B2.
$1.99
Jesus Loves Me
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Anna Bartlett Warner and Willi
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Daniel Blosser
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Jesus Loves Me
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Hedgerow Music Publishing
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1170355 Composed by Anna Bartlett Warner and William B. Bradbury. Arranged by Daniel Blosser. A ...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1170355 Composed by Anna Bartlett Warner and William B. Bradbury. Arranged by Daniel Blosser. A Cappella,Contest,Festival,Jazz,Sacred. Octavo. 12 pages. Hedgerow Music Publishing #768816. Published by Hedgerow Music Publishing (A0.1170355). This vocal jazz arrangement of Jesus Loves Me is ideal for low-voice ensembles, octets, or TTBB groups looking for a challenge. Includes a tenor solo.
$1.99
Close To You
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Choral TTBB
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INTERMEDIATE
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Frank Ocean
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Susanna Lausevic
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Close To You
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Susanna Lausevic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.498504 By Frank Ocean. By Burt Bacharach, Christopher Breaux, Hal David, and Josiah Sherman. Arr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.498504 By Frank Ocean. By Burt Bacharach, Christopher Breaux, Hal David, and Josiah Sherman. Arranged by Susanna Lausevic. 20th Century,A Cappella,Pop. Octavo. 3 pages. Susanna Lausevic #112050. Published by Susanna Lausevic (A0.498504). A cappella version. male voices. Tenor soloist goes up to high F. Tenor goes up to optional high B at ending. Tenor, Tenor, Bari, Bari, Bass. parts. fun arrangement at ending. check out the audio version on my YOUTUBE channel at Susanna Lausevic.
$3.00
Jesus Loves Me
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Choral TTBB
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INTERMEDIATE
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Sacred music
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William B
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Susanna Lausevic
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Jesus Loves Me
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Susanna Lausevic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.487592 Composed by William B. Bradbury. Arranged by Susanna Lausevic. A Cappella,Country,Praise ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.487592 Composed by William B. Bradbury. Arranged by Susanna Lausevic. A Cappella,Country,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Susanna Lausevic #105148. Published by Susanna Lausevic (A0.487592). A cappella 5 part harmony female solo male quartet a cappella gospel song slower tempo medium difficulty intro, interlude, coda 2 verses.
$6.60
Bless The Broken Road
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Choral TTBB
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INTERMEDIATE
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Country
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Rascal Flatts
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Deke Sharon
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Bless The Broken Road
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Deke Sharon
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SheetMusicPlus
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479854 By Rascal Flatts. By Bobby Boyd, Jeffrey Hanna, and...
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479854 By Rascal Flatts. By Bobby Boyd, Jeffrey Hanna, and Marcus Hummon. Arranged by Deke Sharon. This edition: Interactive Download. Country. Octavo. Duration 220. Deke Sharon #6JurjsBXrU9FjMFqVY8a4r. Published by Deke Sharon (A0.479854). Key: B major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
Mass in B Minor: IV. Benedictus, Agnus Dei and Dona Nobis Pacem: 1. Osanna - 9 Prints by Johann Sebastian Bach - SSAATTBB Choir + Piano
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Choral TTBB
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Johann Sebastian Bach
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Mass in B Minor: IV. Benedictu
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Musicnotes
Johann Sebastian Bach - Mass in B Minor: IV. Benedictus, Agnus Dei and Dona Nobis Pacem: 1. Osanna Digital Sheetmusic - instantly downloadable sheet music plus ...
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Johann Sebastian Bach - Mass in B Minor: IV. Benedictus, Agnus Dei and Dona Nobis Pacem: 1. Osanna Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SSAATTBB Choir + Piano, instruments: SSAATTBB Choir;Piano Accompaniment; 19 pages -- Baroque~~Classical~~Sacred~~Religious~~18th-Century~~Church
$2.65
Love On Top
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Choral TTBB
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INTERMEDIATE
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Pop music
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Beyonce
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Pakk Hui
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Love On Top
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Pakk Hui
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888576 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Pakk Hui. Pop,R...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888576 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Pakk Hui. Pop,R & B,Soul. Octavo. 17 pages. Pakk Hui #5739237. Published by Pakk Hui (A0.888576). Love on Top by Beyonce for TTBB Piano. Rumming time about 4:20. Optimized for men's chorus. Great for programming themes like divas, soul music, love songs etc. This is a rare gem for dudes who wanna sing Beyonce! Yas!Conductor Score and band parts available separately. Instagram: @pakkhuimusic and @pakkhuiWebsite: www.pakkhuimusic.comIMDb: www.imdb.me/pakkhui Pakk is a member of BMI
$4.95
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Hosanna to the Son of David (TTBB)
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Choral TTBB
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INTERMEDIATE
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Renaissance
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P
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Hosanna to the Son of David
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Picardy Press
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SheetMusicPlus
Composed by P.C.B. Dittamo. For Choir, Choir - other voicings. 21st Century, Renaissance, Early Music, Sacred, Easter. Intermediate. Picardy Press #PP-N-003-M. ...
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Composed by P.C.B. Dittamo. For Choir, Choir - other voicings. 21st Century, Renaissance, Early Music, Sacred, Easter. Intermediate. Picardy Press #PP-N-003-M. Published by Picardy Press
$2.25
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