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You've selected:
Blue on You
Choral TTBB
Sheetmusic to print
17 sheet music found
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1
I've Got A Crush On You
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871502 Composed by Michael…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871502 Composed by Michael James and Troy B Samson. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5209083. Published by Latzko Muzic (A0.871502). Classic Gershwin Ballad as performed by Bluegrass Student Union
$7.99
7.39 €
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Choral TTBB
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Michael James and Troy B Samson
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I've Got A Crush On You
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Latzko Muzic
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SheetMusicPlus
I Put A Spell On You
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1114333 By Creedence Clear…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1114333 By Creedence Clearwater Revival. By Jay Hawkins. Arranged by Lucy Mulgan. Blues. Octavo. 10 pages. Lucy Mulgan #716269. Published by Lucy Mulgan (A0.1114333). Commissioned by LGMC.
$1.99
1.84 €
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Choral TTBB
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Creedence Clearwater Revival
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I Put A Spell On You
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Lucy Mulgan
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SheetMusicPlus
Sence You Went Away (James Weldon Johnson)
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.955825 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.955825 Composed by Scott S. Stewart. 20th Century,A Cappella,Blues,Instructional. 4 pages. Scott S. Stewart #6235499. Published by Scott S. Stewart (A0.955825). African-American writer and civil rights activist James Weldon Johnson is perhaps best known as the author of Lift Every Voice and Sing, written on the occasion of Lincoln’s birthday and now known as the Black national anthem.  He established himself as a writer during the Harlem Renaissance (the African-American cultural movement in New York City in the 1920’s) for his poems, novels and anthologies. This poem Sence You Went Away creates the narrative of one who bemoans the loss of a loved one.  His bluesy poem features a southern dialect style.  It is written for 4-part male ensemble (TTBB) and is performed a capella. Performance time:2:00+  It is an apt introduction to Johnson’s work and most befitting for study during Black History month.
$2.49
2.3 €
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Choral TTBB
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Scott S
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Sence You Went Away
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Scott S. Stewart
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SheetMusicPlus
Suite: Judy Blue Eyes
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479622 By Crosby Stills and Nash. By Stephen Stills. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 306. Deke Sharon #4OqDo2QAFgIHraq644mzw0. Published by Deke Sharon (A0.479622). Key: E major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.84 €
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Choral TTBB
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Crosby Stills and Nash
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Suite: Judy Blue Eyes
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Deke Sharon
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SheetMusicPlus
Mr. Blue Sky
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Deke Sharon. This edition: Interactive Download. Rock. Octavo. Duration 201. Deke Sharon #466riMrgzqL4wJO6Nl0qM8. Published by Deke Sharon (A0.479683). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.84 €
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Choral TTBB
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Electric Light Orchestra
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Mr. Blue Sky
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Deke Sharon
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SheetMusicPlus
Blue (Da Ba Dee)
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479829 Composed by Gianfranco Randone, Massimo Gabutti, and Maurizio Lobina. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 182. Deke Sharon #39AxxxHm0s3wcDRclsdMsg. Published by Deke Sharon (A0.479829). Key: G minor.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.84 €
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Choral TTBB
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Gianfranco Randone, Massimo Gabutti, and Maurizio Lobina
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Blue
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Deke Sharon
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SheetMusicPlus
Beautiful Lady In Blue
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874640 Composed by John Fr…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874640 Composed by John Frederick Coots. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4287039. Published by Chris Arnold (A0.874640). A traditional romantic ballad arranged in traditional barbershop style for Barbershop Harmony Society contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$1.99
1.84 €
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Choral TTBB
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John Frederick Coots
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Beautiful Lady In Blue
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Chris Arnold
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SheetMusicPlus
Beautiful Lady In Blue
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874639 Composed by John Fr…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874639 Composed by John Frederick Coots. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4287033. Published by Chris Arnold (A0.874639). A traditional romantic ballad arranged in traditional barbershop style for Barbershop Harmony Society contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99
12.01 €
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Choral TTBB
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John Frederick Coots
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Beautiful Lady In Blue
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Chris Arnold
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SheetMusicPlus
Sail On Sailor
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1299922 By The Beac…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1299922 By The Beach Boys. By Brian Wilson, Jack Rieley, Ray Kennedy, Tandyn Almer, and Van Dyke Parks. Arranged by Jeff Tincher. Blues,Contemporary,Pop,Rock. 10 pages. Jeff Tincher #889682. Published by Jeff Tincher (A0.1299922). This is what you get when you have a surfer band sing blues. This is a great piece that has been covered by a lot of artists. In the original key, originally from their Holland LP, this song has appeared on a lot of The Beach Boys LP. It still has the typical tight harmonies The Beach Boys are known for. Duration = 3:21. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
1.84 €
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Choral TTBB
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The Beach Boys
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Sail On Sailor
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Jeff Tincher
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SheetMusicPlus
Thankfulness Song Medley
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.829875 Composed by Phil Vi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.829875 Composed by Phil Vischer. Arranged by Jeremy Morada. Contemporary. Octavo. 4 pages. Jeremy Morada #4274529. Published by Jeremy Morada (A0.829875). This arrangement currently has over 50,000 views on youtube! This arrangement is for TTBB, and is also available for SATB. It is the Thankfulness Song from the Madame Blueberry Veggie Tales Episode. The original recording is also featured on the personalized Veggie Tales album. .
$5.00
4.62 €
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Choral TTBB
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Phil Vischer
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Thankfulness Song Medley
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Jeremy Morada
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SheetMusicPlus
Can't Help Falling In Love
Choral TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George D…
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Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.62 €
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Choral TTBB
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Elvis Presley
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Mean
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1364261 By Taylor S…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1364261 By Taylor Swift. By Taylor Swift. Arranged by Paul William Stewart. 21st Century,A Cappella,Country,Pop,Singer/Songwriter. 17 pages. Paul William Stewart #948562. Published by Paul William Stewart (A0.1364261). Taylor Swift's influence on pop culture is undeniable, so here's a fun arrangement of her hit Mean that your high school, college, or even advanced middle school choir will love! Starting off with with a smooth, legato first verse, it then launches into into the familiar country/bluegrass groove that made the song a hit. For TTBB voices, soloist, soli, and vocal percussion (a.k.a. BeatBox), this arrangement is accessible for the intermediate choir, but with lots of opportunities for your advanced groups, too! It captures the spirit of the original, but with just enough variation to keep things interesting. Your Swifties will be glad you chose this arrangement.Also available in SATB voicing.If you like this arrangement, you can find more of my work on Noteflight Marketplace, Sheet Music Direct, and Sheet Music Plus. Just search for Paul William Stewart.
$1.99
1.84 €
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Choral TTBB
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Taylor Swift
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Mean
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Paul William Stewart
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SheetMusicPlus
Please Come Home For Christmas
Choral TTBB
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1398842 By Willie Nelson. By Char…
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1398842 By Willie Nelson. By Charles Brown and Gene Redd. Arranged by Dom Finetti. A Cappella,Barbershop,Blues,Christmas,Holiday. Barbershop Quartet. 8 pages. Dom Finetti #982117. Published by Dom Finetti (A0.1398842). Whether you're looking for a unique addition to your holiday show repertoire or want to raise some eyebrows on the contest stage with a Christmas-themed tune that is surprisingly fit for a Barbershop contest, look no further than this 4-part a cappella take on the Gene Redd & Charles Brown classic, Please, Come Home For Christmas.While you've likely heard a number of different artists share their take on this song over the years, this arrangement is mostly inspired by the iconic recording by Grammy Award-winning rock band, THE EAGLES. Be warned, the melody line for this chart isn't for the faint of heart and Bass singers will have a great time driving the tempo from their very first word. Fans of Blues songs like Drown In My Own Tears and Love Me will feel right at home, but in all honesy this tune pleases any crowd!
$12.99
12.01 €
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Choral TTBB
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Willie Nelson
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Please Come Home For Christmas
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Dom Finetti
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SheetMusicPlus
Love's Been Good To Me
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1401131 By Frank Si…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1401131 By Frank Sinatra. By Rod McKuen. Arranged by Douglas E Smith. A Cappella,Barbershop,Blues,Pop,Standards. 5 pages. DouglasESmithPublishers #984314. Published by DouglasESmithPublishers (A0.1401131). This popular song by Rod Mckuen was recorded by Frank Sinatra and the Kingston Trio. This Arrangement is in the TTBB format with the melody written on the baritone line to feature the baritone voice. The remaining voices provide the rhythm and harmonnic backbround similar to the Sinatra recording. It's a great way to feature your quartet baritone or chorus baritone section.
$1.99
1.84 €
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Choral TTBB
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Frank Sinatra
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Love's Been Good To Me
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DouglasESmithPublishers
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SheetMusicPlus
Sweet Home Chicago
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479615 By Robert Johnson. By Robert Johnson. Arranged by Deke Sharon. This edition: Interactive Download. Blues. Octavo. Duration 193. Deke Sharon #3vIDTIKHIsX3H9VlZbb44m. Published by Deke Sharon (A0.479615). Key: E major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.84 €
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Choral TTBB
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Robert Johnson
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Sweet Home Chicago
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Deke Sharon
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SheetMusicPlus
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