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You've selected:
But I Do
Choral TTBB
Sheetmusic to print
17 sheet music found
<
1
I'll Be
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.927154 Composed by …
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.927154 Composed by Edwin Cole Mc Cain. Arranged by Ryan Aimel J. Estandarte. Contemporary. 3 pages. Ryan Aimel J. Estandarte #4845963. Published by Ryan Aimel J. Estandarte (A0.927154). This was initially arranged for an all-male choir with guitar instrumentation for a wedding of my friend but the idea has been budding already for quite some time. And at the same time that I was doing it, I was also reviewing some music theory concepts which I applied it this arrangement. Arranged for TBB (or TTB) but I will do an arrangement in a few months for TTBB and SATB.
$7.00
6.43 €
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Choral TTBB
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Edwin Cole Mc Cain
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I'll Be
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Ryan Aimel J. Estandarte
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SheetMusicPlus
Honey, I'm Good
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.555244 By Andy Gram…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.555244 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Timorell. A Cappella,Contemporary,Country,Pop. 14 pages. Timorell #164851. Published by Timorell (A0.555244). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An easy intermediate level cover of the Andy Grammer song, close to the original style and structure. TONEWALL performs the song as a twist of a straight man being hit on by a gay man by adding a second voice to a few solo lines in the second verse. And, we change the second chorus to Honey, I'm good. I could do a brother, but I probably should not.
$2.00
1.84 €
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Choral TTBB
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Andy Grammer
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Honey, I'm Good
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Timorell
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SheetMusicPlus
But I Do - You Know I Do!
Choral TTBB
Voice (TTBB) - Level 3 - Digital Download SKU: A0.1144964 By Gene Austin. By Gus Ka…
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Voice (TTBB) - Level 3 - Digital Download SKU: A0.1144964 By Gene Austin. By Gus Kahn & Walter Donaldson. Arranged by Dom Finetti. 20th Century,A Cappella,Barbershop,Contest,Festival,Ragtime. Barbershop Quartet. 6 pages. Dom Finetti #745280. Published by Dom Finetti (A0.1144964). Here's a fairly singable arrangement of a forgotten Gus Kahn tune with cheeky, fun lyrics about unrequited love.
$1.99
1.83 €
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Choral TTBB
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Gene Austin
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But I Do - You Know I Do!
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Dom Finetti
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SheetMusicPlus
I Can’t Tell Why I Love You, But I Do (TTBB, a cappella)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappella,Contest,Festival,Jazz,Ragtime,Traditional. Octavo. 13 pages. Cathy Stamegna #870068. Published by Cathy Stamegna (A0.1278350). This 1900 hit was originally recorded by Harry MacDonough, one of the most popular singers of the early twentieth century, with a later rendition by Dinah Shore.  It begins in the traditional 3/4 and repeats in 4/4 halfway through with a change in tempo and style.  Appropriate for a TTBB quartet as well as a larger men’s choral ensemble.  Performance Time: approximately 3:50.
$2.25
2.07 €
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Choral TTBB
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Dinah Shore
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I Can’t Tell Why I Love You, But I Do
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Cathy Stamegna
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SheetMusicPlus
I Will Sing and Praise Your Name - TTBB Ensemble
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144882 Composed by Mark R…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144882 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published by Mark R Lewis (A0.1144882). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The tenor 1 and basses do spend a fair bit of time towards the extreme of their ranges. There is only one (optional) note that can only be reached by a true bass and the tenor 1s do go up to a G4 but most singers will have little difficulty performing it.
$1.99
1.83 €
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Choral TTBB
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Mark R Lewis
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I Will Sing and Praise Your Name - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
I Get Around
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1014355 By The Beach Boys.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1014355 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Brian Cromer. Pop,Rock. Octavo. 7 pages. Brian A Cromer #6858431. Published by Brian A Cromer (A0.1014355). Barbershop style arrangement featuring the tenors throughout. The most challenging part of this arrangement is just the vocal range of the tenor and lead, but you can do it big guy! Side note, I actually wrote this a half-step up but it just looked like an absolute nightmare. Anyway, contact the arranger Brian Cromer for a different key or how to get tracks to this baby. BrianCromer85@gmail.comVocal RangesTenor: G#3-F5 (yikes)Lead: F#3-G#4Baritone:E3-E4Bass: F2-A3
$1.99
1.83 €
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Choral TTBB
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The Beach Boys
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I Get Around
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Brian A Cromer
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SheetMusicPlus
What Do I Need With Love
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1075174 Composed by Dick S…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1075174 Composed by Dick Scanlan and Jeanine Tesori. Arranged by Kirk Young. A Cappella,Broadway,Contemporary,Musical/Show. Octavo. 7 pages. Kirk J. Young #679437. Published by Kirk J. Young (A0.1075174). This is arranged for a TTBB quartet but can be used SATB or SSAA.
$3.00
2.75 €
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Choral TTBB
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Dick Scanlan and Jeanine Tesori
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What Do I Need With Love
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Kirk J. Young
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SheetMusicPlus
It Takes All Day For Me To Do (What I Did All Day Long)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971380 Composed by Jim Shu…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971380 Composed by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6423883. Published by James W. Shubert (A0.971380). 4 part Male Barbershop Arrangement (TTBB) Early Intermediate Level. This song would not work for anyone but a Senior Quartet. Once you qualify for that exalted position, this song will make absolute sense to you. Your audiences will identify with it also.
$1.99
1.83 €
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Choral TTBB
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Jim Shubert
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It Takes All Day For Me To Do
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James W. Shubert
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SheetMusicPlus
Do You Hear What I Hear
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853891 By Carrie Un…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853891 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4735723. Published by Larry Wright (A0.853891). A MEN'S 4-part, a cappella, barbershop medium tempo'd arrangement of this popular Christmas/holiday song recorded by Andy Williams and others; not contestable. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for a low $1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website FREE!!!! Of course, you'll still need to pay the publisher controlling the song licensing their per-copy fee for this second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.77 €
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Choral TTBB
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Carrie Underwood
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not contestable
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Do You Hear What I Hear
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Larry Wright
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Pippo Non Lo Sa
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giusep…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.67 €
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Choral TTBB
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Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Africa
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.59 €
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Choral TTBB
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Toto
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Angel, Blow that Trumpet
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.83 €
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Choral TTBB
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Poor Little Millionaire
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1395378 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1395378 Composed by Marc Shaiman and Scott Wittman. Arranged by Mark Burnip. 21st Century,A Cappella,Barbershop,Contemporary. 7 pages. Mark S Burnip #978846. Published by Mark S Burnip (A0.1395378). This wonderful insight into the lack of a love life for a PoorLittle Millionaire from the musical Some Like it Hot.Will he find love? Money is no problem but he is not very happy you need more than money to be happy in life. Â This fun arrangement is challenging and use the doo-der- ly doos and do-wop!s for effect.This could be a good opener or closer for ant chorus set!I really enjoyed arranging this song I hope you like my version of this fun song!! Â
$1.99
1.83 €
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Choral TTBB
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Marc Shaiman and Scott Wittman
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Poor Little Millionaire
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Mark S Burnip
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SheetMusicPlus
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James N…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
4.13 €
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Choral TTBB
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James Nathaniel Holland
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Indiana for Four Part A capella Men's Chorus
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James Nathaniel Holland
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SheetMusicPlus
Schubert Ave Maria • TTBB choir sheet music with piano accompaniment
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1310240 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1310240 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899363. Published by Benzaiten Editions (A0.1310240). Hey! Do you want to learn how to sing Schubert's Ave Maria for the SSTT choir? It's your lucky day! 🎵Schubert Ave Maria • TTBB (tenor I • tenor II • bass I • bass II) choir sheet music with piano accompaniment About the song Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott. Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs. Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin. This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.
$1.99
1.83 €
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Choral TTBB
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Franz Schubert
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Schubert Ave Maria • TTBB choir sheet music with piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
Schubert Ave Maria • TTBB choir sheet music with easy piano accompaniment
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1310239 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1310239 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899362. Published by Benzaiten Editions (A0.1310239). Hey! Do you want to learn how to sing Schubert's Ave Maria for the SSTT choir? It's your lucky day! 🎵Schubert Ave Maria • TTBB (tenor I • tenor II • bass I • bass II) choir sheet music with easy piano accompaniment About the song Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott. Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs. Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin. This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.
$1.99
1.83 €
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Choral TTBB
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Franz Schubert
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Schubert Ave Maria • TTBB choir sheet music with easy piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
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