Version française
Browse Free-scores.com
Home page
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
Digital Sheet Music
12
Sheet Music Books
9
Music Equipment
132
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
348
PIANO & KEYBOARDS
Piano solo
171
Piano, Voice
38
Piano, Vocal and Guitar
36
Easy Piano
31
C Instruments
18
Organ
15
1 Piano, 4 hands
5
Keyboard
4
Piano Trio: piano, violin, cello
4
Piano Quartet: piano, violin, viola, cello
3
Big Note Piano
2
Organ, Piano (duet)
1
Piano Accompaniment
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
17
Guitar
15
Melody line, (Lyrics) and Chords
10
Ukulele
2
2 Guitars (duet)
2
Mandolin
1
Lyrics and Chords
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
106
Choral 3-part
25
Choral Unison
17
Choral 2-part
16
Choral TTBB
12
Vocal duet, Piano
8
Choral SSAA
6
Vocal duet
3
Alto voice, Piano
3
High voice
3
Baritone voice, Piano
2
Soprano voice
2
Tenor voice, Piano
1
Tenor voice
1
Choral SSATTB
1
Choral SSAATTBB
1
Soprano voice, Piano
1
Low voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
33
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
29
Saxophone Quintet: 5 Saxophones
24
Alto Saxophone and Piano
22
Clarinet Quartet: 4 clarinets
21
Clarinet and Piano
21
Flute and Piano
21
Soprano Saxophone and Piano
19
Oboe, Piano (duet)
16
2 Saxophones (duet)
14
Clarinet Ensemble
12
Flute, Oboe, Clarinet, Bassoon
12
Clarinet
11
Tenor Saxophone and Piano
11
Saxophone ensemble
11
3 Saxophones (trio)
11
Flute ensemble
11
2 Flutes (duet)
10
Flute
8
Clarinet Quintet: 5 clarinets
8
Oboe (band part)
7
Flute Quartet: 4 flutes
7
Alto Saxophone
7
Tenor Saxophone
6
Saxophone (band part)
6
2 Clarinets (duet)
6
Baritone Saxophone, Piano
6
Flute, Clarinet (duet)
5
2 Recorders (duet)
5
Flute Quintet : 5 flutes
5
Flute, Oboe (duet)
4
3 Clarinets (trio)
4
Bass Clarinet, Piano
4
English horn, Piano
4
Flute (band part)
3
2 Oboes (duet)
3
Clarinet, Bassoon (duet)
3
Recorder Quartet
3
Oboe, Clarinet (duet)
2
Descant (Soprano) Recorder
2
Oboe, Bassoon (duet)
2
Clarinet, Violin (duet)
1
Flute, Violin and Violoncello
1
Flute and Guitar
1
Flute, Oboe, Clarinet (trio)
1
Clarinet, Harp (duet)
1
Saxophone and Organ
1
Saxophone and Guitar
1
Flute, Clarinet and Bassoon.
1
Pennywhistle
1
Oboe, Clarinet, Bassoon (trio)
1
Flute Trio: 3 flutes
1
Oboe ensemble
1
Recorder Ensemble
1
5 Recorders
1
Oboe, Harp
1
Recorder
1
Flute, Violin
1
3 Recorders (trio)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
29
Brass Quintet: 2 trumpets, horn, trombone, tuba
26
Trumpet
17
Trombone and Piano
13
Trumpet, Piano
11
French Horn and Piano
10
Brass Quartet: 2 trumpets, horn, trombone
9
French horn
6
Trombone ensemble
6
Tuba and Piano
6
2 French horns (duet)
5
Euphonium, Piano (duet)
5
Trombone
5
Tuba
4
2 Trumpets (duet)
4
2 Trombones (duet)
4
English horn, Piano
4
Brass Quartet
3
Trumpet ensemble
3
Brass Quartet: 4 trombones
3
Trumpet, Trombone (duet)
3
Trumpet, Horn (duert)
3
2 Tubas (duet)
2
Trombone, Horn (duet)
2
Trombone, Tuba (duet)
2
Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
Brass Trio
2
Brass Quartet: 4 trumpets
1
Tuba ensemble
1
2 Euphoniums (duet)
1
Euphonium
1
Horn and Organ
1
Horn Ensemble
1
4 Tubas
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
62
Violin and Piano
29
Viola, Piano
18
Cello, Piano
17
Violin
13
Cello
11
String Trio: violin, viola, cello
9
2 Violins (duet)
7
Harp
7
Violin, Cello (duet)
6
2 Harps (duet)
5
Double Bass
5
Violin, Viola (duet)
4
2 Violas (duet)
4
Double bass, Piano (duet)
4
2 Cellos (duet)
4
Viola
4
Viola, Cello (duet)
3
Harp, Voice
3
String Quintet: 2 violins, viola, cello, bass
2
4 Cellos
2
Viola (band part)
2
2 Double basses (duet)
2
String Quintet: 2 violins, 2 violas, cello
1
String Quartet : 4 violas
1
Harp, Violin (duet)
1
Viola ensemble
1
String Trio: 3 cellos
1
String Trio: 3 violas
1
Violin ensemble
1
Violin, Guitar (duet)
1
Harp, Flute (duet)
1
String Trio: 3 violins
1
String quartet: 4 violins
1
Violin (band part)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
91
Orchestra
52
String Orchestra
25
Jazz combo
12
Brass ensemble
10
Handbells
8
Chamber Orchestra
8
Jazz Ensemble
6
Drums
3
Percussion Ensemble
3
Marimba
1
Marching band
1
Piano and Orchestra
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Call it a Day
Choral TTBB
Sheetmusic to print
12 sheet music found
<
1
It's A Lovely Day Today
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971352 By Elmo Hope. By Ir…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971352 By Elmo Hope. By Irving Berlin. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6255011. Published by James W. Shubert (A0.971352). 4 part Male Barbershop Arrangement (TTBB) Early Intermediate Level. Irving Berlin's 1950 hit song from Call Me Madam set in the barbershop style.
$1.99
1.83 €
#
Choral TTBB
#
Elmo Hope
#
It's A Lovely Day Today
#
James W. Shubert
#
SheetMusicPlus
Omnia Mutantur (for TTBB Choir, a cappella)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1033409 Composed by Aaron …
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1033409 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 16 pages. J. Aaron Lee #638433. Published by J. Aaron Lee (A0.1033409). Omnia Mutantur addresses the ever-present reality of life these days. Everything changes. However, this work intends to affirm for the listener that while things may change, we always adapt to keep up, and that nothing is ever truly lost to change. This work approaches the matter of change, perhaps ironically, via minimalistic techniques and an uplifting perspective. This song is an entirely secular work in Latin. It touches on some minimalist techniques and could be integrated into secondary school music lessons as a means of discussing minimalism and also as a means to introduce students to singing in Latin while avoiding religious ties. This work has been arranged for TTBB choir (a cappella) from the original SATB version and is approximately 4.5 minutes in duration. The choral parts are largely diatonic and should be accessible to most audiences/ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
2.3 €
#
Choral TTBB
#
Aaron Lee
#
Omnia Mutantur
#
J. Aaron Lee
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
The Christmas Waltz
Choral TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1240950 By Frank Sinatra. By Jule…
(+)
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836345. Published by Anastasio Rossi (A0.1240950). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.98 €
#
Choral TTBB
#
Frank Sinatra
#
The Christmas Waltz
#
Anastasio Rossi
#
SheetMusicPlus
The Christmas Waltz
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240952 By Frank Si…
(+)
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836343. Published by Anastasio Rossi (A0.1240952). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
1.84 €
#
Choral TTBB
#
Frank Sinatra
#
The Christmas Waltz
#
Anastasio Rossi
#
SheetMusicPlus
The Christmas Waltz
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240040 By Frank Si…
(+)
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835405. Published by Anastasio Rossi (A0.1240040). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
1.84 €
#
Choral TTBB
#
Frank Sinatra
#
The Christmas Waltz
#
Anastasio Rossi
#
SheetMusicPlus
Angel, Blow that Trumpet
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.83 €
#
Choral TTBB
#
Ken Litton
#
Angel, Blow that Trumpet
#
Artist of Note, Inc.
#
SheetMusicPlus
Togetherness
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy B…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
$1.99
1.83 €
#
Choral TTBB
#
Leroy Brathwaite
#
Togetherness
#
charliebmusic
#
SheetMusicPlus
Winter Song
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865876 Composed by Ingrid …
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865876 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Charles Beale. Pop. Octavo. 14 pages. Charliebmusic #5313409. Published by charliebmusic (A0.865876). Co-written by Sara Bareilles and Ingrid Michaelson, 'Winter Song' is a Holiday (Christmas) song, which does not mention the season in the lyric. Written in 2008, it wistfully expresses a universal longing to be with your loved one in December, when the world and nature itself can feel loveless. The polyphonic outro 'round and round' section, which builds to a spectacular and colorful conclusion, expresses a yearning for connection with the lyric 'Is Love Alive?'. Optimistically, it reminds us that Spring will come and we will rebuild.
$1.99
1.83 €
#
Choral TTBB
#
Ingrid Michaelson and Sara Bareilles
#
Winter Song
#
charliebmusic
#
SheetMusicPlus
Silver Echo Taps (for double men's chorus)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union A…
(+)
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
2.11 €
#
Choral TTBB
#
Union Army Brigadier General Daniel Butterfield
#
Words by Horace Lorenzo Trim
#
Silver Echo Taps
#
Donald A Mills
#
SheetMusicPlus
Spirit In The Night
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by…
(+)
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
1.83 €
#
Choral TTBB
#
Bruce Springsteen
#
Spirit In The Night
#
ROBERT J EGGERS
#
SheetMusicPlus
This Is Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pa…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
1.83 €
#
Choral TTBB
#
Benj Pasek and Justin Paul
#
I am bruised
#
This Is Me
#
Shelton Ridge Love
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version