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You've selected:
Dan Hill
Choral TTBB
Sheetmusic to print
10 sheet music found
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1
Castle On The Hill
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.823239 By Ed Sheeran. By B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.823239 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Kevin Cincotta-Guest. A Cappella,Pop. Octavo. 18 pages. Kevin Cincotta-Guest #6207087. Published by Kevin Cincotta-Guest (A0.823239). A fun contemporary a cappella TTTBB+Solo+Vocal Percussion version of Ed Sheeran's 2017 Top Charting US Billboard Top 100, Mainstream & Adult Top 40, Dance Club Songs, 3x platinum lead single from his 2017, 3rd studio album, ÷ (Divide).As performed by Boston, MA, USA based, award-winning all-male Contemporary A Cappella League (CAL) group, Redline (www.redlineboston.com).
$1.99
1.82 €
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Choral TTBB
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Ed Sheeran
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Castle On The Hill
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Kevin Cincotta-Guest
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SheetMusicPlus
Exsultate Justi
Choral TTBB
TTBB choir, a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-10-E C…
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TTBB choir, a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-10-E Composed by Christopher Aspaas. 16 pages. Aspen Hill Music - Digital #AHM-10-E. Published by Aspen Hill Music - Digital (MQ.AHM-10-E). English. Psalm 33:1-3.Viadana's brilliant motet is a great exercise for your tenors and basses with each line of text receiving special treatment and startling contrasts of articulation and melodic contour. This arrangement differs from others with its strong harmonic opening and closing sections.
$2.85
2.61 €
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Choral TTBB
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Christopher Aspaas
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Exsultate Justi
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Aspen Hill Music - Digital
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SheetMusicPlus
Cantate Domino
Choral TTBB
TTBB choir, a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-02-E C…
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TTBB choir, a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-02-E Composed by Christopher Aspaas. Instrument part. 8 pages. Aspen Hill Music - Digital #AHM-02-E. Published by Aspen Hill Music - Digital (MQ.AHM-02-E). English. Psalm 96:1-2.This lively setting of Cantate Domino by Giovanni Croce is a great way to start the year with your tenors and basses. The polyphonic opening gives each voice part a chance at the melody and is followed by a lilting dance-like central section. This motet allows singers to explore significant contrasts of phrasing, articulation, and pulse.
$2.25
2.06 €
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Choral TTBB
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Christopher Aspaas
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Cantate Domino
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Aspen Hill Music - Digital
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SheetMusicPlus
At The Ball, That's All - Barbershop Men, TTBB, Chorus, Quartet
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836319 Composed by J. Leub…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836319 Composed by J. Leubrie Hill. Arranged by Mark Goodney. Broadway,Contemporary,Film/TV,Folk,Traditional. Octavo. 6 pages. Mark Goodney #5218853. Published by Mark Goodney (A0.836319). Laurel & Hardy danced to this song, sung by the Avalon Boys in the 1937 film Way Out West. Chill Wills added a Ziggity Boom bass and then a yodel lay-he-hoo tenor part. This arrangement has both. (at the same time!) Great novelty number.
$4.51
4.12 €
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Choral TTBB
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J
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At The Ball, That's All - Barbershop Men, TTBB, Chorus, Quartet
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Mark Goodney
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SheetMusicPlus
The Glory Of Love
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1262268 By Count Basie. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1262268 By Count Basie. By Billy Hill. Arranged by Dan Wessler. Barbershop,Film/TV,Standards. Octavo. 5 pages. Dan Wessler #855305. Published by Dan Wessler (A0.1262268). Men's barbershop arrangement of The Glory of Love by Dan Wessler.
$2.50
2.29 €
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Choral TTBB
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Count Basie
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The Glory Of Love
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Dan Wessler
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
It's Not Right But It's Okay
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1357828 By Whitney …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1357828 By Whitney Houston. By Fred Jerkins, Isaac Phillips, LaShawn Daniels, Rodney Jerkins, and Toni Estes. Arranged by Steve Milloy. Pop,Soul. 15 pages. Steve Milloy #942333. Published by Steve Milloy (A0.1357828). Based on the Thunderpuss remix from her Greatest Hits Album.
$1.99
1.82 €
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Choral TTBB
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Whitney Houston
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It's Not Right But It's Okay
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Steve Milloy
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SheetMusicPlus
It's Not Right But It's Okay
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.557075 By Whitney Houston.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.557075 By Whitney Houston. By Fred Jerkins, Isaac Phillips, LaShawn Daniels, Rodney Jerkins, and Toni Estes. Arranged by David Maddux. Hip-Hop,Pop,R & B. Octavo. 15 pages. David Maddux #166537. Published by David Maddux (A0.557075). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
4.8 €
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Choral TTBB
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Whitney Houston
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It's Not Right But It's Okay
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David Maddux
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SheetMusicPlus
Lil Boo Thang
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1346944 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob Klingsten. 21st Century,A Cappella,Broadway,Contemporary,Hip-Hop,Musical/Show. 12 pages. Jacob Klingsten #931731. Published by Jacob Klingsten (A0.1346944). Lil Boo Thang by Paul Russell is a 2023 top track with a positive, energetic atittude. This arrangement is for TTBB acapella groups, and sits at an easy difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features a hype-up kind of energy like no other while being quite repetitive and fun to sing with doubled spoken parts. Additionally, there are multiple opportunities for the ensemble to get the crowd excited, with suggestions such as freestyle dancing and clapping in the score. This piece is a great way to start or end your program or even a set within your repertoire!Additional Details: Key: C Major 12 Pages Length: 1m 55s Ranges Soloist: C3-C4 (E4) T1: G3-A4 T2: G3-F4 B1: E3-C4 B2: G2-G3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99
1.82 €
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Choral TTBB
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Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook
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Lil Boo Thang
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Jacob Klingsten
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SheetMusicPlus
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