Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
7
Sheet Music
Books
31
Music
Equipment
6,253
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
436
PIANO & KEYBOARDS
Piano solo
197
Piano, Voice
104
Accordion
34
Organ
17
Piano, Vocal and Guitar
17
Easy Piano
13
C Instruments
13
Piano Trio: piano, violin, cello
6
Piano Quartet: piano, violin, viola, cello
6
2 Pianos, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Accompaniment
1
1 Piano, 4 hands
1
Organ, Trumpet (duet)
1
Keyboard
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
32
Guitar notes and tablatures
16
Ukulele
4
Mandolin
4
Bass guitar
2
Mandolin, Guitar (duet)
1
Banjo
1
2 Guitars (duet)
1
Plectrum Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
115
Alto voice, Piano
11
Choral 3-part
11
Choral 2-part
9
Choral SSAA
8
Choral TTBB
7
Tenor voice, Piano
6
Baritone voice, Piano
4
Vocal duet, Piano
4
High voice
3
Choral Unison
3
Choral SSAATTBB
1
Low voice, Piano
1
Tenor voice
1
Choral SSATTB
1
Voice solo
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
71
Saxophone Quartet: 4 saxophones
48
Clarinet and Piano
45
Oboe, Piano (duet)
41
Tenor Saxophone and Piano
38
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
38
Alto Saxophone and Piano
36
Clarinet
31
Baritone Saxophone, Piano
29
Flute, Oboe, Clarinet, Bassoon
28
Soprano Saxophone and Piano
27
English horn, Piano
25
2 Saxophones (duet)
25
2 Flutes (duet)
22
Saxophone Quintet: 5 Saxophones
20
Bass Clarinet, Piano
18
3 Saxophones (trio)
16
Clarinet Quartet: 4 clarinets
16
Oboe (band part)
11
2 Recorders (duet)
11
3 Clarinets (trio)
8
2 Clarinets (duet)
8
Flute Quartet: 4 flutes
8
Recorder Quartet
8
Flute
8
Clarinet Quintet: 5 clarinets
7
Flute ensemble
7
5 Recorders
6
Treble (Alto) Recorder
5
Flute Quintet : 5 flutes
5
Flute Trio: 3 flutes
4
Clarinet Ensemble
4
3 Recorders (trio)
4
Piccolo, Piano
3
Oboe, Clarinet, Bassoon (trio)
3
Clarinet, Bassoon (duet)
3
Descant (Soprano) Recorder
2
Flute, harp and violin
2
Pennywhistle
2
2 Clarinets, Piano
2
Saxophone
2
Ocarina
2
Flute, Clarinet (duet)
2
Clarinet, Harp (duet)
2
Recorder
2
Flute, Violin and Violoncello
1
Harmonica
1
Flute, Basso continuo
1
2 Flutes, Piano
1
Flute, Clarinet, Piano (trio)
1
Flute, Oboe, Piano (trio)
1
Oboe, Harp
1
Flute, Violin, Violoncello and Piano
1
Flute, Viola and Piano
1
Saxophone ensemble
1
2 Oboes (duet)
1
2 Clarinets, Bassoon
1
Tenor Saxophone
1
Recorder Ensemble
1
Flute, Clarinet and Bassoon.
1
Flute, Cello, Piano (trio)
1
Flute, Oboe (duet)
1
Clarinet, Guitar (duet)
1
Clarinet, trumpet and piano
1
Flute and Guitar
1
Oboe, Bassoon (duet)
1
Saxophone and Guitar
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone and Piano
34
Brass Quintet: 2 trumpets, horn, trombone, tuba
34
French Horn and Piano
29
Euphonium, Piano (duet)
28
English horn, Piano
25
Trumpet
20
Brass quartet : 2 trumpets, trombone, tuba
19
Trumpet, Piano
15
Brass Quartet
8
Trumpet ensemble
5
Brass Quartet: 2 trumpets, horn, trombone
4
Horn Ensemble
4
Trumpet, Trombone (duet)
4
Tuba and Organ
3
Brass Quartet: 4 trombones
3
Tuba and Piano
3
Brass Trio
3
Brass Quartet: 4 trumpets
3
Trombone ensemble
2
2 French horns (duet)
2
French horn
2
Tuba
2
2 Trombones (duet)
2
4 Tubas
2
Brass Quartet: 4 horns
2
2 Trumpets (duet)
1
2 Euphoniums (duet)
1
2 Tubas (duet)
1
3 Trombones (trio)
1
3 Trumpets (trio)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
114
Violin and Piano
74
Viola, Piano
41
Cello, Piano
39
String Trio: violin, viola, cello
32
2 Violins (duet)
16
Harp
15
Cello
13
Violin, Cello (duet)
11
2 Harps (duet)
9
Violin
9
2 Cellos (duet)
6
Violin, Viola (duet)
6
2 Violas (duet)
5
4 Cellos
5
String quartet: 4 violins
4
Viola, Cello (duet)
4
String Quartet : 4 violas
4
Double Bass
4
Viola
4
String Trio: 3 violins
4
String Trio: 3 violas
3
Harp, Violin (duet)
3
String Trio: 3 cellos
3
Harp, Voice
2
String Trio: 2 violins, cello
2
Violin, Guitar (duet)
2
Double bass, Piano (duet)
2
Harp, Flute (duet)
2
Viola, Guitar (duet)
1
Viola and Harp
1
Piano Trio: Violin, Viola, Piano
1
String Quintet: 2 violins, viola, cello, bass
1
Viola ensemble
1
Violin, Organ
1
Violin ensemble
1
Violin, Clarinet, Piano (trio)
1
4 Double Basses
1
Cello, String Bass (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
84
Orchestra
29
String Orchestra
28
Brass ensemble
26
Chamber Orchestra
12
Handbells
4
Jazz Ensemble
3
Marimba
2
Orchestra, Violin
1
2 Marimbas
1
Vibraphone
1
Marching band
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Even as He
Choral TTBB
Sheetmusic to print
7 sheet music found
<
1
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
A Song of Canute (male voice choir and piano)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan B…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
2.73 €
#
Choral TTBB
#
Alan Bullard
#
A Song of Canute
#
Colne Edition / BullardMusic
#
SheetMusicPlus
Reh-im-Park-Blues
Choral TTBB
TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by…
(+)
TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46987. Published by Schott Music - Digital (S9.Q46987). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99
3.65 €
#
Choral TTBB
#
Alwin Michael Schronen
#
Reh-im-Park-Blues
#
Schott Music - Digital
#
SheetMusicPlus
Lil Boo Thang
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1346944 Composed by…
(+)
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1346944 Composed by Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook. Arranged by Jacob Klingsten. 21st Century,A Cappella,Broadway,Contemporary,Hip-Hop,Musical/Show. 12 pages. Jacob Klingsten #931731. Published by Jacob Klingsten (A0.1346944). Lil Boo Thang by Paul Russell is a 2023 top track with a positive, energetic atittude. This arrangement is for TTBB acapella groups, and sits at an easy difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features a hype-up kind of energy like no other while being quite repetitive and fun to sing with doubled spoken parts. Additionally, there are multiple opportunities for the ensemble to get the crowd excited, with suggestions such as freestyle dancing and clapping in the score. This piece is a great way to start or end your program or even a set within your repertoire!Additional Details: Key: C Major 12 Pages Length: 1m 55s Ranges Soloist: C3-C4 (E4) T1: G3-A4 T2: G3-F4 B1: E3-C4 B2: G2-G3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99
1.82 €
#
Choral TTBB
#
Albert Phillip Mc Kay, Maurice White, Paul Russell, and Sean Cook
#
Lil Boo Thang
#
Jacob Klingsten
#
SheetMusicPlus
In Christ Alone
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.904854 By The Newsboys. By…
(+)
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.904854 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Stephen J. Nasby - editing M. Borsoi. Christian,Gospel. Octavo. 24 pages. Marco Borsoi #5648469. Published by Marco Borsoi (A0.904854). In Christ Alone is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001.This song is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, and that he is God whom even death cannot hold.The song is commonly known as In Christ Alone (My Hope Is Found) and In Christ Alone (I Stand) taking verses from the song. It has become very popular and has been the subject of many cover versions and many language translations.
$9.99
9.13 €
#
Choral TTBB
#
The Newsboys
#
In Christ Alone
#
Marco Borsoi
#
SheetMusicPlus
It Is Well....ttbb
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip …
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
2.73 €
#
Choral TTBB
#
Philip Bliss, music and Horatio G
#
It Is Well....ttbb
#
Donald A Mills
#
SheetMusicPlus
Farther Along
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Ba…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6184003. Published by Paul A. Jorg (A0.522451). William B. Stevens was born in 1862 in the Lawnridge community of Scotland County, Missouri. All through his life, he suffered many hardships including his father being falsely arrested and serving some prison time during his teens. He became a minister of the gospel until death, dying a year after his wife in the early 1940s. All of their babies died before them, some as small children, one Waldo at 19, and a daughter who may have lived a little longer. This may have shaped the feelings expressed in this song. This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.2 €
#
Choral TTBB
#
J
#
Farther Along
#
Paul A. Jorg
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version