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You've selected:
Four Songs
Choral TTBB
Sheetmusic to print
17 sheet music found
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1
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.96 €
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Choral TTBB
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Traditional
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.96 €
#
Choral TTBB
#
Traditional
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
#
Dandelion Music Press
#
SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.92 €
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Choral TTBB
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Traditional
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Innocence & Experience (Four Poems by William Blake) for TB Chorus with Piano Accompaniment
Choral TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien…
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Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..
$4.00
3.73 €
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Choral TTBB
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Debra E
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Innocence & Experience
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Standard Time
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
To Spring
Choral TTBB
TTBB chorus a cappella - Digital Download SKU: IZ.VMW233 Composed by Franz Schubert…
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TTBB chorus a cappella - Digital Download SKU: IZ.VMW233 Composed by Franz Schubert. Arranged by William Bullock. Octavo. 12 pages. Imagine Music - Digital #VMW233. Published by Imagine Music - Digital (IZ.VMW233). 8.5 x 11 inches.This part song (in four vocal parts) is one of three Schubert composed in strophic form, in this case with four strophes (verses). The poem, by Friedrich Schiller (1759–1805), is a song to youthful love and the season in which it blooms. Schubert has set the poem freely in the manner of a romantic madrigal, complete with la-la-la refrain. Alfred Einstein (1880–1952) observed that Schubert’s parts songs are not composed for a large chorus “but for musically enlightened [singers] who are capable of doing justice to his modulations and enharmonic changes. By this he means that the songs must be performed with careful attention to the textual nuances of each strophe.
$2.20
2.05 €
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Choral TTBB
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this he means that the songs must be performed with careful attention to the textual nuances of each strophe
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Franz Schubert
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To Spring
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Imagine Music - Digital
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SheetMusicPlus
Morning has broken
Choral TTBB
SATB chorus and piano four-hands or chamber orchestra - Digital Download SKU: OX.978019…
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SATB chorus and piano four-hands or chamber orchestra - Digital Download SKU: OX.9780193542709 Arranged by Mack Wilberg. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193542709. Published by Oxford University Press Digital (OX.9780193542709). ISBN 9780193542709.For SATB and piano four-hands or chamber orchestra. Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on hire.
$3.25
3.03 €
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Choral TTBB
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Morning has broken
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Oxford University Press Digital
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SheetMusicPlus
Shenendoah / Loch Lomond
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.994841 Composed by Aaron O…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.994841 Composed by Aaron Orr. Arranged by Aaron Orr. Celtic,Folk,Patriotic,Traditional. Octavo. 8 pages. Aaron Orr #4362845. Published by Aaron Orr (A0.994841). Shenendoah and Loch Lomond are two classic traditional songs often sung by high school and collegiate choirs. Because both songs have similar musical styles, this arrangement is a combination of the two, with Loch Lomond being sung in tandem with Shenendoah in its conclusion. This song was originally arranged for a four-man barbershop quartet, but can be performed by any size group of singers. Arranger Contact Information: aaronorrfg@gmail.com
$1.99
1.86 €
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Choral TTBB
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Aaron Orr
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Shenendoah / Loch Lomond
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Aaron Orr
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SheetMusicPlus
The Wonder Of You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.991484 By Elvis Presley. B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.991484 By Elvis Presley. By Baker Knight. Arranged by Liz Smith. A Cappella,Rock. Octavo. 4 pages. Liz Smith #3872965. Published by Liz Smith (A0.991484). A favourite of Elvis's concert songs, with the live recording being released as a single. Notated in traditional barbershop style: Treble clef (sung an octave lower than written) for Tenor (harmony) and Lead (melody); Bass Clef for Baritone and Bass. First verse has the melody in the Lead part; second verse has the melody in the Bass part. Purchase price is for four copies. Computer-generated teach tracks are available by completing the form at https://forms.gle/RFHJmGWK11N4zNreA
$12.99
12.12 €
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Choral TTBB
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Elvis Presley
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The Wonder Of You
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Liz Smith
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SheetMusicPlus
In My Room
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.86 €
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Choral TTBB
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The Beach Boys
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In My Room
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Donald A Mills
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SheetMusicPlus
Under The Anheuser Bush
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.971227 Composed by Words b…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.971227 Composed by Words by ANDREW B. STERLING, Music by HARRY VON TILZER. Arranged by Arranged by Jim Shubert. Traditional. Octavo. 3 pages. James W. Shubert #6063633. Published by James W. Shubert (A0.971227). 4 part Male Barbershop Arrangement. Easy level. Circa 1903. It is said that corporations would pay Tin-Pan-Alley to write songs about their product, old-time product placement. You will be an absolute Hit at your next Octoberfest performance with this song.Learning tracks are available for all four parts; Tenor, Lead, Bari, Bass; Item# S0.877357, S0.877349, S0.877343, S0.877337.
$1.99
1.86 €
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Choral TTBB
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Words by ANDREW B
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Tenor, Lead, Bari, Bass
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Under The Anheuser Bush
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James W. Shubert
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SheetMusicPlus
Nobody Else But You
Choral TTBB
Voice (TTBB) - Level 3 - Digital Download SKU: A0.1206917 Composed by Jack Feldman …
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Voice (TTBB) - Level 3 - Digital Download SKU: A0.1206917 Composed by Jack Feldman and Tom Snow. Arranged by Søren Detlefsen. A Cappella,Barbershop. Barbershop Quartet. 5 pages. Soren Detlefsen #805100. Published by Soren Detlefsen (A0.1206917). Disney's A Goofy Movie is mostly know for the song Eye 2 Eye, but there is a wide selection of wonderful songs from that movie. Nobody Else But You is truely a hidden gem of this soundtrack, and now you can finally enjoy this song in four part harmony barbershop.For more information about my arrangements visit: detlefsenmusic.comVoiced for TTBB.
$12.99
12.12 €
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Choral TTBB
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Jack Feldman and Tom Snow
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Nobody Else But You
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Soren Detlefsen
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SheetMusicPlus
Ave maris stella
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1204377 Composed by Ivan p…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1204377 Composed by Ivan pl. Zajc. Arranged by Ivana Tuskan. 19th Century,A Cappella,Religious,Romantic Period,Sacred. Octavo. 6 pages. Ivana Tuskan #802856. Published by Ivana Tuskan (A0.1204377). Ivan Zajc (1832 – 1914) was one of the most important Croatian romantic composers. He was an exceptionally profilic composer (he wrote mostly operas, operettas, musical comedies, cantatas, art songs and choral compositions), and is often called „the Croatian Verdi. Original Zajc's work is written for solo voice and organ, and this arrangement is it's adaptation for four-part male ensemble (TTBB) a cappella. It's also available in two SATB (keys E and F-major) and SSA a cappella versions.
$1.99
1.86 €
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Choral TTBB
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Ivan pl
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Ave maris stella
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Ivana Tuskan
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SheetMusicPlus
Do-re-mi
Choral TTBB
Voice (TTBB) - Level 3 - Digital Download SKU: A0.1250074 By Various Artists. By Os…
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Voice (TTBB) - Level 3 - Digital Download SKU: A0.1250074 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Anastasio Rossi. Pop,Standards. Barbershop Quartet. 7 pages. Anastasio Rossi #844346. Published by Anastasio Rossi (A0.1250074). Do Re Mi is one of the most popular Broadway songs. This arrangement, with its dialog and staging is sure to be a showstopper! It is based closely on a performance by Andy Williams, Bobby Darin and Eddie Fisher, as seen on Andy Williams' TV Show. This version is written for four male voices. The complete package includes the score, an Orchestral Accompaniment Track in MP3 format, one page of dialog used throughout the performance, and instructions on how to put it all together. Watch a performance using the video link.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$19.99
18.66 €
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Choral TTBB
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Various Artists
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Do-re-mi
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Anastasio Rossi
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SheetMusicPlus
CUATRO CANTOS PENITENCIALES
Choral TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1287347 By Javier B…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1287347 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Contemporary,Easter. 12 pages. Bustovega #878363. Published by bustovega (A0.1287347). Choral TTBB div. work A Cappella, composed by Javier Busto in 1999. Four penitential songs for easter week. 15 minutes of music and 20 pages.
$8.00
7.47 €
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Choral TTBB
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Javier Busto
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CUATRO CANTOS PENITENCIALES
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bustovega
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SheetMusicPlus
Unterschale
Choral TTBB
Female choir (SSAA) or men's choir (TTBB) with solo a cappella or with 4 hornsn in F - adv…
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Female choir (SSAA) or men's choir (TTBB) with solo a cappella or with 4 hornsn in F - advanced - Digital Download SKU: S9.Q21003 Four Russian Peasant Songs. Composed by Igor Stravinsky. This edition: set of wind parts. Schott Choral Music. Downloadable, Set of wind parts. Duration 10 minutes. Schott Music - Digital #Q21003. Published by Schott Music - Digital (S9.Q21003). Russian • German.
$12.99
12.12 €
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Choral TTBB
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Igor Stravinsky
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Unterschale
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Schott Music - Digital
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SheetMusicPlus
Marseilles Hymn. Chorus
Choral TTBB
Piano and voice (TTBB) - Digital Download SKU: LV.3131 Arranged by H.S. Saroni. Rev…
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Piano and voice (TTBB) - Digital Download SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3131). National Songs. Arranged for Four Voice or Chorus for the use of Musical Societies. Marseilles Hymn. Chorus [English and French]. Arranged by H.S. Saroni. Published 1848 by William Hall & Son, 543 Broadway, Between Spring and Prince Sts. in New York. Composition of strophic with chorus with piano and voice (ttbb) instrumentation. Subject headings for this piece include Revolutions, Patriotism, France. First line reads Ye gallant Frenchmen! sons of glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Choral TTBB
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Marseilles Hymn. Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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