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Choral TTBB
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1
When I Survey The Wondrous Cross
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977520 Composed by Joseph …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977520 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Easter,Sacred. Octavo. 8 pages. Schrock Music #4600701. Published by Schrock Music (A0.977520). Ttbb with accompaniment The beloved lyrics of When I Survey The Wondrous Cross have been paired with the beautiful musical setting from The Crown of Roses by Peter Tchaikovsky. Unison opening builds to a powerful climax at See from His head, His hands, His feet, sorrow and love flow! Appropriate for general worship, passion week, communion service, concerts and festivals.Approx. duration 3:30 min Length 8 pagesAlso available as ttbb unaccompanied
$2.25
2.04 €
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Choral TTBB
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Joseph Schrock
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When I Survey The Wondrous Cross
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Schrock Music
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SheetMusicPlus
I'll Cover You
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501983 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501983 Composed by Jonathan Larson. Arranged by Timorell. A Cappella,Broadway,Contemporary,Film/TV,Musical/Show,Wedding. 14 pages. Timorell #3553501. Published by Timorell (A0.501983). As performed by TONEWALL, the charismatic queer a cappella band the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website . Questions for the arranger? Contact us at tonewallnyc@gmail.com. An intermediate level, upbeat cover of the Broadway song from RENT, featuring a male couple. Cross-part playful backup, 8 bar slow section then builds to a peak near the finished, pulling back at the very end for a quieter ending. Performs well both with and without vocal percussion. Range: low - (tessitura) - highSolo 1: D3 - (E4) - A4Solo 2: C3 - (B3) - F4T1: Bb3 - (A4) - C5 T2: G3 - (D4) - Ab4 Bari: E3 - (C4) - E4Bass: F2 - (D3) - C4
$2.00
1.81 €
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Choral TTBB
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Jonathan Larson
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I'll Cover You
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Timorell
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SheetMusicPlus
I'm runnin' on
Choral TTBB
SATB chorus with divisi, upper-voice solo, and orchestra or piano - Digital Download SK…
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SATB chorus with divisi, upper-voice solo, and orchestra or piano - Digital Download SKU: OX.9780193543201 Arranged by Mack Wilberg. Sheet music. Octavo. 13 pages. Oxford University Press Digital #9780193543201. Published by Oxford University Press Digital (OX.9780193543201). ISBN 9780193543201.For SATB with divisi, upper-voice solo, and orchestra or piano. Wilberg's masterful setting of this African-American spiritual begins with a female solo backed by static, high-pitched chords in the piano, then gradually builds momentum to finish in a jubilant and lively double forte. Orchestral material is available on hire.
$4.00
3.63 €
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Choral TTBB
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I'm runnin' on
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Oxford University Press Digital
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SheetMusicPlus
I'l Build a Stairway to Paradise
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871588 Composed by George …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871588 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5297271. Published by Latzko Muzic (A0.871588). Wonderful 1922 Gershwin ballad as performed by The Alexandria Harmonizers
$5.99
5.43 €
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Choral TTBB
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George and Ira Gershwin
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I'l Build a Stairway to Paradise
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Latzko Muzic
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.62 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Son to Mother
Choral TTBB
TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Sec…
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TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
4.9 €
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Choral TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Water Is Wide
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince P…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
48.96 €
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Choral TTBB
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
Real Love
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley #5990205. Published by G. M. Morley (A0.500712). In 2014 John Lewis launched a Christmas advertising campaign that melted hearts worldwide, featuring a song written by John Lennon performed by Tom Odell, Real Love. The song was originally recorded by Lennon in 1979 and 1980 and released posthumously in 1988. His demo recording was completed by his former Beatles bandmates (Paul McCartney, George Harrison, and Ringo Starr) as part of the Beatles Anthology project released in 1995. It is the last single by the Beatles to become a top 40 hit in the US, the last released record of new material credited to the Beatles, and the last to originate and be included on an album. This arrangement is faithful tribute to both versions, building on the emotional textures of the Odell version by including the additional second and third verses of the original. Â If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.72 €
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Choral TTBB
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The Beatles
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Real Love
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G. M. Morley
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SheetMusicPlus
Three Songs About Prayer with God
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.972651 Composed by James S…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.972651 Composed by James Siddons. 20th Century,Contemporary,Sacred. Octavo. 25 pages. James Siddons Music and Writings #4898811. Published by James Siddons Music and Writings (A0.972651). This is a TTBB setting with tenor and bass solos, organ and timpani, of the songs I Can Hear My Savior Call, Rock of Ages, and Near to the Heart of God. It is intended for concert performance but would be suitable for such special services as large funerals, building dedications, and memorial concerts. The words are selections from the original hymns. The timpani part is published separately.
$5.99
5.43 €
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Choral TTBB
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James Siddons
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Three Songs About Prayer with God
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James Siddons Music and Writings
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.16 €
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Choral TTBB
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Anonymous: I'm Buildin' Me a Home - choir (TTBB: tenor, bass)
Choral TTBB
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill…
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Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
$6.23
5.65 €
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Choral TTBB
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Anonymous
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Virtualsheetmusic
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