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Choral TTBB
Sheetmusic to print
13 sheet music found
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1
Behold, I Am the Light, TTBB Men's Choir
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1431588 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1431588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #1012063. Published by Kevin G. Pace (A0.1431588). Beautiful, sacred music for TTBB men's choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:Behold, I Am the Light“Behold, I am the light; I have set an example for you.” (3 Nephi 18:16)Storms of darkness may descend like a winter sky.Clouds of gloom may dominate; sun may be disguised.Walking step by step with Me through mortalityLessens shadows flawlessly; trusting is my plea:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.I will faithful be . . . trust Me perfectly.Days of trial might seem long like the darkest night.Tests of patience may endure ev’n in Father’s sight.Trusting in each morning sun is a blessed choice,for bright truth will ever shine. Hear my faithful voice:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.God’s light shines through Me, shining endlessly.
$1.99
1.82 €
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Choral TTBB
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Kevin G
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I have set an example for you
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Behold, I Am the Light, TTBB Men's Choir
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Kevin G. Pace
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SheetMusicPlus
I Want It That Way
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
2.74 €
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Choral TTBB
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The Backstreet Boys
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
When I Survey The Wondrous Cross
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977520 Composed by Joseph …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977520 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Easter,Sacred. Octavo. 8 pages. Schrock Music #4600701. Published by Schrock Music (A0.977520). Ttbb with accompaniment The beloved lyrics of When I Survey The Wondrous Cross have been paired with the beautiful musical setting from The Crown of Roses by Peter Tchaikovsky. Unison opening builds to a powerful climax at See from His head, His hands, His feet, sorrow and love flow! Appropriate for general worship, passion week, communion service, concerts and festivals.Approx. duration 3:30 min Length 8 pagesAlso available as ttbb unaccompanied
$2.25
2.06 €
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Choral TTBB
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Joseph Schrock
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When I Survey The Wondrous Cross
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Schrock Music
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SheetMusicPlus
I Vow To Thee My Country (with "God Save The Queen") (for TTB)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624061 Composed by Gustav …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624061 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Graduation,Patriotic,Standards,World. Octavo. 9 pages. Exultet Music #4626253. Published by Exultet Music (A0.624061). Two British Patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
3.65 €
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Choral TTBB
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Gustav Holst, Traditional
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I Vow To Thee My Country
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Exultet Music
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SheetMusicPlus
I Vow To Thee My Country (with "America") (for TTB)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624062 Composed by Gustav …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624062 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Folk,Graduation,Holiday,Patriotic. Octavo. 9 pages. Exultet Music #4626251. Published by Exultet Music (A0.624062). Two of the most widely used patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
3.65 €
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Choral TTBB
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Gustav Holst, Traditional
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I Vow To Thee My Country
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Exultet Music
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SheetMusicPlus
She Walks in Beauty (TTBB)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.722999 Composed by Lord By…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.722999 Composed by Lord Byron. Arranged by Lukas C Jaeger. 20th Century,A Cappella,Chamber,Contemporary,Wedding. Octavo. 9 pages. Lukas C Jaeger #331333. Published by Lukas C Jaeger (A0.722999). She Walks in Beauty is a timeless poem with many beautiful musical settings. I have endeavored to create a new one that I believe honors the legacy of Byron as an imaginative dreamer and boundless romantic. Love and beauty are wondrous things. This is what I was able to capture of them on paper.
$2.00
1.83 €
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Choral TTBB
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Lord Byron
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She Walks in Beauty
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Lukas C Jaeger
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SheetMusicPlus
Peace
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1339345 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1339345 Composed by Bessie Rayner-Parkes and Peter Burton. 21st Century,A Cappella,Christian,Classical,Sacred. 8 pages. Peter Burton Music #925043. Published by Peter Burton Music (A0.1339345). Bessie Rayner-Parkes ( 1829 - 1925 ) famous poem is about the peace we experience with nature but so often is absent in our human lives. We call on our God to give us that peace which often eludes us. I have set the poem to music with four male voices TTBB a cappella. However, it could equally be sung by four upper voices SSAA.
$1.99
1.82 €
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Choral TTBB
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Bessie Rayner-Parkes and Peter Burton
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Peace
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Peter Burton Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Quem vidistis pastores
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.881129 Composed by Cesar A…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.881129 Composed by Cesar Alejandro Carrillo. Christmas,Contemporary,Sacred. Octavo. 8 pages. Cesar Alejandro Carrillo #4729225. Published by Cesar Alejandro Carrillo (A0.881129). Liturgically, the text of Quem vidistis pastores works as an antiphon and as a response. In this version I have musicalized the corresponding text to the responsory, but adding the alleluia, which is typical of the antiphon. The motet passes in a pastoral atmosphere beholding the birth of Jesus. With this work, I have finally put music to the same set of texts used by Francis Poulenc for his Quatre motets pour le temps de Noël. The whole set is a tribute to his memory and his powerful influence on my training as a composer.
$2.45
2.24 €
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Choral TTBB
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Cesar Alejandro Carrillo
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Quem vidistis pastores
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Cesar Alejandro Carrillo
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SheetMusicPlus
The Hildegard Motets: 8. O speculum columbe (Downloadable)
Choral TTBB
TTBB choir (a cappella) - Digital Download SKU: MQ.4995-E Composed by Frank Ferko. …
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TTBB choir (a cappella) - Digital Download SKU: MQ.4995-E Composed by Frank Ferko. 12 pages. E. C. Schirmer Music Company - Digital #4995-E. Published by E. C. Schirmer Music Company - Digital (MQ.4995-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65
2.42 €
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Choral TTBB
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Frank Ferko
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The Hildegard Motets: 8. O speculum columbe
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2 €
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Choral TTBB
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Hawaiian Roller Coaster Ride
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001566 Composed by Alan S…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001566 Composed by Alan Silvestri and Mark Keali'i Ho'omalu. Arranged by Mark R Lewis. A Cappella. Octavo. 12 pages. Mark R Lewis #6566881. Published by Mark R Lewis (A0.1001566). Disney's 2002 movie Lilo & Stitch tells the story of an alien experiment that crash-lands on Earth and must learn how to behave himself. The story is set in Hawai'i and as such incorporates Hawai'ian culture into the story frequently. The movie opens with the song Hawai'ian Roller Coaster Ride, performed by Mark Keali'I Ho'Omal. This arrangement by Mark Lewis is for six part Men's Ensemble, including a vocal percussion part. It was written as an assignment for Pentatonix's Fall 2021 arranging class.With a call and response feel, the incorporation of Hawai'ian language lyrics, and a simple vocal percussion part, this arrangement is ideal for a group of intermediate singers who are looking at joining the world of a cappella music. The quick lyrics and fun style provides a bit of a challenge that should not be overwhelming. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
$1.99
1.82 €
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Choral TTBB
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Alan Silvestri and Mark Keali'i Ho'omalu
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Hawaiian Roller Coaster Ride
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Mark R Lewis
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SheetMusicPlus
Facetime With My Mom Tonight
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
2.28 €
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Choral TTBB
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Bo Burnham
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Facetime With My Mom Tonight
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Jacob Klingsten
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SheetMusicPlus
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