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You've selected:
Take A Walk
Choral TTBB
Sheetmusic to print
11 sheet music found
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1
Let's Take A Walk
Choral TTBB
(TTBB) - Level 2 - Digital Download SKU: A0.1078976 By Tripod. By Scott Mcgregor Ed…
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(TTBB) - Level 2 - Digital Download SKU: A0.1078976 By Tripod. By Scott Mcgregor Edgar, Simon Matthew Hall, and Stephen John Gates. Arranged by Michael Webber. A Cappella. Barbershop Quartet. 6 pages. Michael Webber #683173. Published by Michael Webber (A0.1078976). Purchase learning tracks for this chart @ www.mwarrangements.com This version is for TTBB / Barbershop Quartet.
$12.99
11.67 €
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Choral TTBB
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Tripod
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Let's Take A Walk
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Michael Webber
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SheetMusicPlus
Let's Take A Walk
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1078978 By Tripod. By Scot…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1078978 By Tripod. By Scott Mcgregor Edgar, Simon Matthew Hall, and Stephen John Gates. Arranged by Michael Webber. A Cappella. Octavo. 6 pages. Michael Webber #683175. Published by Michael Webber (A0.1078978). Purchase learning tracks for this chart @ www.mwarrangements.com This version is for TTBB chorus / choir.
$1.99
1.79 €
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Choral TTBB
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Tripod
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Let's Take A Walk
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Michael Webber
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SheetMusicPlus
Would You Like To Take A Walk
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872107 By Pat Boone. By Bi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872107 By Pat Boone. By Billy Rose, Mort Dixon, and Ray Henderson. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5755627. Published by Latzko Muzic (A0.872107).
$4.99
4.48 €
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Choral TTBB
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Pat Boone
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Would You Like To Take A Walk
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Latzko Muzic
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SheetMusicPlus
Walk in the Light
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977549 Composed by Henry W…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977549 Composed by Henry W Greatorex. Arranged by Joseph Schrock. A Cappella,Christian,Sacred. Octavo. 4 pages. Schrock Music #5026555. Published by Schrock Music (A0.977549). This ttbb a cappella arrangement is set to the familiar tune Manoah. It is taken from the Harmonia Sacra, an Old Harp song book still used by the Old Harp singers in Virginia.This arrangement is one of the Old Harp Series.This is the Shaped Note EditionAlso available with normal note heads.Duration approx. 3:00 minschrockmusic@outlook.com
$2.25
2.02 €
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Choral TTBB
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Henry W Greatorex
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Walk in the Light
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Schrock Music
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SheetMusicPlus
Walk in the Light
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977548 Composed by Henry W…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977548 Composed by Henry W Greatorex. Arranged by Joseph Schrock. A Cappella,Christian,Folk,Sacred. Octavo. 4 pages. Schrock Music #5026549. Published by Schrock Music (A0.977548). This ttbb a cappella arrangement is set to the familiar tune Manoah. It is taken from the Harmonia Sacra, an Old Harp song book still used by the Old Harp singers in Virginia.This arrangement is one of the Old Harp SeriesAlso available in shaped notes.Duration approx. 3:00 minLength 4 pagesschrockmusic@outlook.com
$1.99
1.79 €
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Choral TTBB
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Henry W Greatorex
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Walk in the Light
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Schrock Music
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SheetMusicPlus
You'll Never Walk Alone
Choral TTBB
Piano Accompaniment, Choir, TTBB - Advanced Intermediate - Digital Download By Rodgers a…
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Piano Accompaniment, Choir, TTBB - Advanced Intermediate - Digital Download By Rodgers and Hammerstein. Arranged by Chad Weirick. Score. 14 pages. Published by Chad Weirick
Classic song with a Gospel style take. YouTube is of the TTBB version.
$2.99
2.69 €
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Choral TTBB
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Rodgers and Hammerstein
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You'll Never Walk Alone
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Chad Weirick
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SheetMusicPlus
All My Loving
Choral TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.882509 By The Beatl…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.882509 By The Beatles. By John Lennon and Paul McCartney. Arranged by Charles A. Gravenhorst. A Cappella,Rock. 13 pages. CG Publications #5759745. Published by CG Publications (A0.882509). This early Beatles’ hit is arranged here for two-part Lead and TTBB backup vocals that features a walking bassline taken from Paul McCartney’s energetic bass guitar along with John Lennon’s thrilling triplet figure, and George Harrison’s upbeat backing, rendered in the middle voices. The range is not too demanding but the rhythmic figures can be a challenge. Can be sung effectively with as few as six voices, but the more the merrier!
$3.99
3.58 €
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Choral TTBB
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The Beatles
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All My Loving
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CG Publications
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Hear My Song, Lord
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522321 Composed by Bill Ga…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522321 Composed by Bill Gaither. Arranged by Paul A. Jorg. Contemporary. Octavo. 8 pages. Paul A. Jorg #5797691. Published by Paul A. Jorg (A0.522321). The arrangement is for male voices (TTBB) with piano accompaniment; It has a march-time rhythm.This song's lyrics are based from Isaiah 35 which could be sub-titled The Joy of the Redeemed. Verses 8-10: And a highway will be there; it will be called the Way of Holiness; it will be for those who walk on that Way. The unclean will not journey on it; wicked fools will not go about on it. No lion will be there, nor any ravenous beast; they will not be found there. But only the redeemed will walk there, and those the LORD has rescued will return. They will enter Zion with singing; everlasting joy will crown their heads. Gladness and joy will overtake them, and sorrow and sighing will flee away.
$4.59
4.12 €
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Choral TTBB
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Bill Gaither
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It has a march-time rhythm
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Hear My Song, Lord
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Paul A. Jorg
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SheetMusicPlus
Pippo Non Lo Sa
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giusep…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.59 €
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Choral TTBB
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Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Coral Resurrection
Choral TTBB
SATB chorus and soprano saxophone - Digital Download SKU: BJ.1411 Composed by Kjell…
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SATB chorus and soprano saxophone - Digital Download SKU: BJ.1411 Composed by Kjell Perder. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1411. Published by Bo Ejeby Forlag - Digital (BJ.1411). 8.27 x 11.7 inches.Sometimes art and science are walking together. Coral Resurrection is not a political piece of music, but it is shaped when the climate situation is threatening us all, forcing every human to take action if we want to survive. The coral reefs are Mother Earth's nursery and what can be more crucial than to protect them? Here the solo instrument and the choir voices interact on a journey from vibrations on the sea floor to dreams of resurrection on the water surface. Angels whisper words of warning and encouragement, the stone outside the tomb is moved. Life arise! - Kjell PerderCoral Resurrection is composed for and dedicated to soprano saxophonist Anders Paulsson and the Chamber choir of Stockholm's Musikgymnasium, conductor Helene Stureborg.
$6.40
5.75 €
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Choral TTBB
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Kjell Perder
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Coral Resurrection
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
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