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Choral TTBB
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1
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Ghost Story
Choral TTBB
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download …
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479826 By Sting. By Sting. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 242. Deke Sharon #2dAFgTTz9i3E7BSRKJGCOU. Published by Deke Sharon (A0.479826). Key: E major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.79 €
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Choral TTBB
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Sting
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Ghost Story
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Deke Sharon
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SheetMusicPlus
MARY, DON'T YOU WEEP (O, Mary, Don't You Weep)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 5 pages. Paul A. Jorg #5971195. Published by Paul A. Jorg (A0.522344). This arrangement is for 4-part male voices (TTBB) a cappella. The melody is passed around to each part during the presentation, which makes it interesting to sing or to hear it sung.This Spiritual was created before the Civil War, circa 1840. Mary Don't You Weep (alternately titled O Mary Don't You Weep, Oh Mary, Don't You Weep, Don't You Mourn, or variations thereof) is a Spiritual that originates from before the American Civil War – thusit describes their origins among the enslaved, and it contains coded messages of hope and resistance. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh's army got drown-ded, and to God's rainbow covenant to Noah after the Great Flood. There are many verses that developed over the years, here are just a few.
$4.59
4.14 €
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Choral TTBB
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Traditional Spiritual - circa 1840
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MARY, DON'T YOU WEEP
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Paul A. Jorg
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SheetMusicPlus
The Diamantina Drover
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Th…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346163. Published by Sandra Milliken (A0.774726). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
1.98 €
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Choral TTBB
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Hugh Thomas Mcdonald
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The Diamantina Drover
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Sandra Milliken
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SheetMusicPlus
DANIEL SAW THE STONE - a Spiritual from the early 1900's, based on Daniel chapter 2.
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522311 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522311 Composed by Traditional. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 3 pages. Paul A. Jorg #5777319. Published by Paul A. Jorg (A0.522311). THE SONG DEPICTS THE STORY OF KING NEBUCHADNEZZAR'S DREAM AS INTERPRETED BY THE PROPHET DANIEL IN CHAPTER TWO OF HIS BOOK. THIS SPIRITUAL WAS SUNG BY THE ARRANGER IN THE LATE '50'S IN A COLLEGE MEN'S CHORUS, ALTHOUGH NO MUSIC WAS EVER SEEN; IT WAS SIMPLY PASSED DOWN YEAR TO YEAR IN THE CHORUS. AN EARLY RECORDING BY THE SILVER LEAF QUARTETTE, A BLACK GROUP IN THE LATE '20'S OR EARLY 30'S, HAD SLIGHTLY DIFFERENT WORDS, WITH THEIR HARMONY BEING DEEPLY SPIRITUAL, QUITE DIFFERENT FROM THIS ARRANGEMENT. LIKE MANY EARLY NEGRO SPIRITUALS AND SEA SHANTIES, THERE IS NO RECORD OF COMPOSERS. RALPH STANLEY AND HIS GROUP HAVE A BLUEGRASS VERSION WITH A DIFFERENT HARMONY, AND THE GROUP PHISH ALSO HAS A RECORDING OF THE SONG. THERE ARE A DOZEN OR MORE DIFFERENT VERSES OF LYRICS THAT HAVE BEEN USED BY VARIOUS GROUPS DOWN THROUGH THE DECADES. HERE'S HALF A DOZEN - FOR A CAPPELLA TTBB.
$4.59
4.14 €
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Choral TTBB
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Traditional
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DANIEL SAW THE STONE - a Spiritual from the early 1900's, based on Daniel chapter 2.
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Paul A. Jorg
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SheetMusicPlus
Enterprise Theme (where My Heart Will Take Me)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874647 Composed by Diane W…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874647 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287199. Published by Chris Arnold (A0.874647). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99
11.72 €
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Choral TTBB
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Diane Warren
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Enterprise Theme
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Chris Arnold
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SheetMusicPlus
Enterprise Theme (where My Heart Will Take Me)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874648 Composed by Diane W…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874648 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287203. Published by Chris Arnold (A0.874648). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$1.99
1.79 €
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Choral TTBB
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Diane Warren
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Enterprise Theme
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Chris Arnold
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SheetMusicPlus
I'll Be Waiting
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1475739 By Cia…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.
$2.50
2.25 €
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Choral TTBB
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Cian Ducrot
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I'll Be Waiting
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Dustin S Cates
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SheetMusicPlus
Missing Jesus
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1309926 By Caleb & …
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1309926 By Caleb & John. By Caleb Crino, Christian Hale, and Paul T. Duncan. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. 10 pages. Jeff Tincher #899059. Published by Jeff Tincher (A0.1309926). Here is a beautiful ballad by Caleb and John. In the original key from their single, this song is about what we pay more attention to than Jesus. A great story song. Duration = 2:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
1.79 €
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Choral TTBB
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Caleb & John
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Missing Jesus
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Jeff Tincher
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SheetMusicPlus
Presence Of A Legend
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1326939 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1326939 Composed by Logan Russell, Tedashii Anderson, and Zachary Paradis. Arranged by Lucy Mulgan. 21st Century,Pop,R & B,Soul. 19 pages. The Sunday Boys #915032. Published by The Sunday Boys (A0.1326939). A four part arrangment for lower voices with piano accompaniment of this powerful song about the those who have fought for their communities against an indifferent society, who presence we can't forget. This song was featured in the Luchina Fisher documentary Mama Gloria which tells the life story of Chicago’s Black transgender icon, Gloria Allen who pioneered a charm school for transgender youth in 2001.
$1.99
1.79 €
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Choral TTBB
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Logan Russell, Tedashii Anderson, and Zachary Paradis
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Presence Of A Legend
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The Sunday Boys
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SheetMusicPlus
Simple Gifts
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1430863 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1430863 Composed by Elder Joseph Brackett (1797-1882). Arranged by Karl Logue. Jazz,Traditional. 11 pages. LogueRhythm Productions #1011367. Published by LogueRhythm Productions (A0.1430863). A TTBB arrangement of a classic Shaker hymn and with GALA Choruses in mind, this arrangement is bright and cheerful, with an homage to the original hymn. The history of this piece is a round dance, and this arrangement is intended to be light-hearted, and get your audiences tapping their feet!
$2.49
2.25 €
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Choral TTBB
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Elder Joseph Brackett
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Simple Gifts
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LogueRhythm Productions
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SheetMusicPlus
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