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You've selected:
There's A Place
Choral TTBB
Sheetmusic to print
13 sheet music found
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1
There's A Place For Us
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.878999 By Carrie Underwood…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.878999 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Greg Mallett. A Cappella,Country,Pop. Octavo. 7 pages. Greg Mallett #4596079. Published by Greg Mallett (A0.878999). Made famous by Carrie Underwood Arranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
1.83 €
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Choral TTBB
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Carrie Underwood
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There's A Place For Us
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Greg Mallett
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SheetMusicPlus
(there's No Place Like) Home For The Holidays
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972633 By Perry Como. By R…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972633 By Perry Como. By Robert Allen. Arranged by Brian Haverkate. Jazz. Octavo. 5 pages. Brian Haverkate #6511133. Published by Brian Haverkate (A0.972633). Perfect for a Men's group or a quartet for the holiday season!
$2.99
2.75 €
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Choral TTBB
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Perry Como
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(there's No Place Like) Home For The Holidays
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Brian Haverkate
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SheetMusicPlus
(there's A Light) Over At The Frankenstein Place
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.974409 Composed by Richard…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.974409 Composed by Richard O'brien. Arranged by Christopher Fossey (for the South Wales Gay Men's Chorus). Contemporary. Octavo. 8 pages. Christopher Fossey #5995999. Published by Christopher Fossey (A0.974409). From 'The Rocky Horror Show', arranged for TTBB & Piano Accompaniment.
$1.99
1.83 €
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Choral TTBB
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Richard O'brien
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Piano Accompaniment.
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(there's A Light) Over At The Frankenstein Place
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Christopher Fossey
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SheetMusicPlus
For Every Love a Place
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.787348 Composed by Greg Ba…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.787348 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Holiday,Love. Octavo. 12 pages. Burke & Bagley #2846113. Published by Burke & Bagley (A0.787348). A setting for men's chorus (TTBB) of the poem To a Friend by James Fenimore Cooper, Jr., (1892-1918). Captain Cooper was the great-grandson of the famous novelist. A graduate of Yale, Cooper died of pneumonia at Cap Dix, New Jersey, the first member of his class to die in service during World War I. To a Friend was published posthumously in 1918 in a collection titled Afterglow, some of which had previously appeared in the Yale Literary Magazine. Captain Cooper is described therein as having a character which never departed from the determination to do what was right and to be kind and just to all. Duration: 5 minutes. Score video: https://youtu.be/ihIwlFzps0M?list=PLfOoI8O24sbw_30-GpKg6qkyT5tpYKNbB
$2.25
2.07 €
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Choral TTBB
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Greg Bartholomew
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For Every Love a Place
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Burke & Bagley
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SheetMusicPlus
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James N…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
4.13 €
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Choral TTBB
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James Nathaniel Holland
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Indiana for Four Part A capella Men's Chorus
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James Nathaniel Holland
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SheetMusicPlus
Don't Give Up
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel A…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo. 18 pages. Charliebmusic #772070. Published by charliebmusic (A0.1171795). From Peter Gabriel's 1987 album 'So', 'Don't Give up' is a song about struggle. Originally written around what Gabriel saw as the 1980s struggle against UK Thatcherism, the song works well in the context of all kinds of oppression. The arrangement features three soloists, all perhaps facing different kinds of struggle or mental health issue. In each case, the choir responds with kindness: Don't GIve Up, 'cause you've got friends, and 'cause somewhere there's a place where we belong.
$1.99
1.83 €
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Choral TTBB
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Peter Gabriel And Kate Bush
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Don't Give Up
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charliebmusic
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Angel, Blow that Trumpet
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.83 €
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Choral TTBB
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Break My Soul
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1377964 By Beyonce.…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1377964 By Beyonce. By Adam Pigott, Allen George, Beyoncé Knowles, Chrstopher Stewart, Fred McFarlane, Freddie Ross, Gordon Brown, Jens Isaken, Shawn Carter, and Terius Gesteelde-Diamant. Arranged by Charles Beale. 21st Century,Disco,Hip-Hop,Pop,R & B. 28 pages. Charliebmusic #962585. Published by charliebmusic (A0.1377964). 'Break My Soul' was the first single from 'Renaissance', Beyoncé's triumphant 7th album, which re-established her as one of the most influential and commercially successful artists of her generation. The textures of the single version are derivative of '90s house music, and the vocal textures and voicings are uniquely Beyoncé, while gospel-tinged in places. That said, the story of the song could not be more contemporary to the 2020s, referencing social division, the exploitation of gig workers and, of course, race. Its empowering, defiant yet joyous lyric makes the song perfect for any concert closer. This TTBB arrangement sticks to the complex phrasing and rhythmic complexity of the Beyoncé vocal, with some simplifications for choral use. Intended as a spectacular finale with dancers and live band, it also features some elements from her live touring version, and includes a solo part that would suit an MC, and/or and singer versed in Beyoncé's vocal stylings. The YouTube video link is therefore of a live performance.
$1.99
1.83 €
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Choral TTBB
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Beyonce
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Break My Soul
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charliebmusic
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SheetMusicPlus
What Wondrous Love Is This - TTBB Ensemble
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by Americ…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
1.83 €
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Choral TTBB
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American Folk Hymn
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What Wondrous Love Is This - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
And Rising Very Early (Mark 1:35)
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.918181 Composed by Christy…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.918181 Composed by Christy L'Esperance. Christian,Easter,Sacred. Octavo. 8 pages. Christy L'Esperance #6716521. Published by Christy L'Esperance (A0.918181). Written for treble voices in two parts (choral or duet), this piece reflects the stillness and solitude of verse 35 of chapter 1 in Mark's Gospel. And rising very early in the morning when it was still dark, he departed. And he went out to a desolate place. And there he prayed. With a haunting piano accompaniment and interweaving vocal lines, And Rising Very Early is suitable for concert or religious service settings. The piece may be sung and octave lower by tenor and bass voices.
$5.00
4.59 €
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Choral TTBB
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Christy L'Esperance
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And Rising Very Early
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Christy L'Esperance
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2.02 €
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Choral TTBB
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Traditional
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
The Frim Fram Sauce
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1034348 Composed by Joe Ri…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1034348 Composed by Joe Ricardel and Redd Evans. Arranged by Garth Davies. A Cappella. Octavo. 6 pages. Garth Davies #639697. Published by Garth Davies (A0.1034348). Men's barbershop arrangement of the jazz song made famous by the King Cole Trio, Ella Fitzgerald and Diana Krall among others. Bass optionally goes down to a C2 in two places. This is likely too low so you will probably want to amend the passages to sing the notes an octave up. Lead darts up to Aâ™® above the stave (i.e. A5, in tenor range). Length: 2.30 to 2:45. There are short melody passages for non-lead parts. . Short post for tenor in the tag. Price of $1.99 is per copy for 10 minimum. Learning tracks available from https://www.flerbsroboquartet.com/custom-learning-tracks.
$1.99
1.83 €
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Choral TTBB
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Joe Ricardel and Redd Evans
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The Frim Fram Sauce
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Garth Davies
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SheetMusicPlus
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