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Time After Time - Guitar
Choral TTBB
Sheetmusic to print
19 sheet music found
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1
Time After Time
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1232024 By Us Navy Band Se…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1232024 By Us Navy Band Sea Chanters Chorus. By Grayston Ives and Robert Birge. Arranged by Craig Hanson. 20th Century,A Cappella. Octavo. 5 pages. Edition Craig Hanson #827699. Published by Edition Craig Hanson (A0.1232024). A student at Yale University wrote a wistful melody in 1967 celebrating love’s tender memories. This song, Time After Time, became the second most frequently performed song by the renowned a cappella group, the Yale Whiffenpoofs.
$4.25
3.82 €
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Choral TTBB
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Us Navy Band Sea Chanters Chorus
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Time After Time
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Edition Craig Hanson
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SheetMusicPlus
After All That I Have Been to You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, C…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
2.69 €
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Choral TTBB
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1912, Chris Smith, and Jack Drislane
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After All That I Have Been to You
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Donald A Mills
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SheetMusicPlus
If I Could Turn Back Time
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1370448 By Cher. By…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1370448 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 14 pages. David Maddux #954826. Published by David Maddux (A0.1370448). From the full-concert revue After All: Sixty Years of Cher, one of the timeless icon’s most popular hits, arranged for men's chorus.Note: THIS DOWNLOAD CONTAINS THE PIANO-VOCAL SCORE ONLY. Conductor's score and instrumental parts sold separately.
$4.99
4.49 €
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Choral TTBB
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Cher
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If I Could Turn Back Time
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David Maddux
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SheetMusicPlus
Time After Time
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.819879 By Javier Colon. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.819879 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Alex Morris. Contemporary. Octavo. 4 pages. Alex Morris #6384505. Published by Alex Morris (A0.819879). Medium level arrangement for TTBB (Barbershop).
$3.49
3.14 €
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Choral TTBB
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Javier Colon
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Time After Time
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Alex Morris
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SheetMusicPlus
Time After Time
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940461 By Javier Colon. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940461 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Bob Eggers. Contemporary. Octavo. 11 pages. ROBERT J EGGERS #6450215. Published by ROBERT J EGGERS (A0.940461). This more reflective rendition of Cyndi Lauper's hit song will surprise you and your audiences with its haunting melody, warm harmonies and tenderness. Eva Cassidy had a way of making any song her very own, and this is no exception. The tenor soloist will lead the way and the chorus is carried by the ensemble. This song became something of an anthem for the LGBTQ community, but it's really about eternal, undying love, a universal message. This version will appeal to both Cyndi Lauper fans and those who never heard of her.
$12.99
11.68 €
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Choral TTBB
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Javier Colon
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Time After Time
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ROBERT J EGGERS
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SheetMusicPlus
Time After Time
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050183 Composed by Jule S…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050183 Composed by Jule Styne and Sammy Cahn. Arranged by David Wright. A Cappella. Octavo. 3 pages. David Wright #654560. Published by David Wright (A0.1050183). This arrangement is for men's barbershop chorus, suitable for contest.
$1.99
1.79 €
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Choral TTBB
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Jule Styne and Sammy Cahn
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Time After Time
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David Wright
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SheetMusicPlus
The Longest Time - TTBB and Solo, a cappella
Choral TTBB
Choral TTBB,A Cappella - Solo and TTBB Voices (TTBB) - Level 4 - Digital Download SKU: …
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Choral TTBB,A Cappella - Solo and TTBB Voices (TTBB) - Level 4 - Digital Download SKU: A0.882499 By Billy Joel. By Billy Joel. Arranged by Charles A. Gravenhorst. With opt. Electric Bass. A Cappella,Pop,Rock. 10 pages. CG Publications #5209293. Published by CG Publications (A0.882499). This street corner doo-wop classic from Billy Joel is arranged for 5-part a cappella Men’s Voices - T.T.B.B. (divisi) and Solo. Perfect for a small a cappella group looking to show off their stuff, but great for larger groups, too. The arrangement is modeled directly after the cut on Joel’s 1983 album An Innocent Man. An optional electric bass part is included.
$2.99
2.69 €
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Choral TTBB
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Billy Joel
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The Longest Time - TTBB and Solo, a cappella
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CG Publications
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SheetMusicPlus
Circle Of Life
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1080159 By Elton John. By …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1080159 By Elton John. By Elton John and Tim Rice. Arranged by Patrick McAlexander. A Cappella,Film/TV. Octavo. 6 pages. Patrick McAlexander #684373. Published by Patrick McAlexander (A0.1080159). Arrangement of The Lion King's Circle Of Life, tailored to celebrate coming back together after time apart during the COVID-19 pandemic. As sung by the 2022 Barbershop Harmony Society International Chorus Champion, Music City Chorus.
$1.99
1.79 €
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Choral TTBB
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Elton John
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Circle Of Life
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Patrick McAlexander
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
In My Room
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.79 €
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Choral TTBB
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The Beach Boys
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In My Room
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Donald A Mills
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SheetMusicPlus
It Is Well....ttbb
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
2.69 €
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Choral TTBB
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Philip Bliss, music and Horatio G
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It Is Well....ttbb
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Donald A Mills
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.13 €
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Choral TTBB
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Unknown - traditional
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
This Is Who I Am (Tenor solo and TTB)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.611442 Composed by Stephen…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.611442 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 11 pages. Exultet Music #48091. Published by Exultet Music (A0.611442). A gay,coming-out musical theatre type song. A man finally comes to grip with the fact that he is a homosexual after a lifetime of lies and deceit to those he loves. Scored for Tenor Solo, TTB chorus and Piano. A sure show-stopper number for any concert/cabaret type setting.Video Review: https://www.youtube.com/watch?v=s1mY0xOJplI.
$4.99
4.49 €
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Choral TTBB
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Stephen DeCesare
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This Is Who I Am
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Exultet Music
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SheetMusicPlus
Farther Along
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Ba…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522451 Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6184003. Published by Paul A. Jorg (A0.522451). William B. Stevens was born in 1862 in the Lawnridge community of Scotland County, Missouri. All through his life, he suffered many hardships including his father being falsely arrested and serving some prison time during his teens. He became a minister of the gospel until death, dying a year after his wife in the early 1940s. All of their babies died before them, some as small children, one Waldo at 19, and a daughter who may have lived a little longer. This may have shaped the feelings expressed in this song. This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.13 €
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Choral TTBB
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J
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Farther Along
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Paul A. Jorg
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SheetMusicPlus
Men's Choir Sight-Reading, Book 1
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.993929 Composed by Addie A…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.993929 Composed by Addie Akin. Instructional. Octavo. 15 pages. Addie Akin #4321465. Published by Addie Akin (A0.993929). After searching and searching for a good tenor/bass sight-reading method, I decided to create my own! This packet has 50 sight-reading examples for beginning to intermediate men's ensembles. It covers note names, major and minor key signatures, intervals, and simple vs. compound time signatures. It uses solfege, numbers, and 'da' for singing. I believe it's important that students can sight-read using multiple approaches.
$3.25
2.92 €
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Choral TTBB
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Addie Akin
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Men's Choir Sight-Reading, Book 1
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Addie Akin
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SheetMusicPlus
Mother Don't You Cry TTBB
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1011154 Composed by Keith …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1011154 Composed by Keith John Hutchison. Arranged by Carlo Roosen. Folk. Octavo. 13 pages. Balance-Infosystems.Com #3395293. Published by Balance-Infosystems.Com (A0.1011154). This song was written for my mother after I missed my cousins wedding. I was on a restaurant boat floating around Lake Burley Griffin in Canberra and my mother was at the yacht club looking out over the same lake. So we were almost in the same place at the same time. I wrote this song from her perspective.
$9.99
8.98 €
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Choral TTBB
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Keith John Hutchison
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Mother Don't You Cry TTBB
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Balance-Infosystems.Com
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SheetMusicPlus
The Christmas Waltz
Choral TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1240950 By Frank Sinatra. By Jule…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836345. Published by Anastasio Rossi (A0.1240950). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.68 €
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Choral TTBB
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Frank Sinatra
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
The Christmas Waltz
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240040 By Frank Si…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835405. Published by Anastasio Rossi (A0.1240040). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
1.8 €
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Choral TTBB
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Frank Sinatra
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
The Christmas Waltz
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240952 By Frank Si…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836343. Published by Anastasio Rossi (A0.1240952). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
1.8 €
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Choral TTBB
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Frank Sinatra
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
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