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Choral TTBB
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1
(Everybody's Waitin' For) The Man With The Bag
Choral TTBB
Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1502549 By B…
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Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1502549 By Black Prairie & Sallie Ford. By Dudley Brooks, Harold Stanley, and Irving Taylor. Arranged by Charles Beale. Christmas,Holiday,Jazz,Pop. 11 pages. Charliebmusic #1078305. Published by charliebmusic (A0.1502549). This Kay Starr Holiday classic is arranged bere for TTBB chorus in big band style. It copies many of the original gestures of the 1950s original, and finishes spectacular, a perfect concert opener. It also features a short solo for a Michael Bublé/Frank Sinatra-style Baritone.
$2.99
2.75 €
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Choral TTBB
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Black Prairie & Sallie Ford
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(Everybody's Waitin' For) The Man With The Bag
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charliebmusic
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SheetMusicPlus
I Will Wait
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726755 By Mumford & Sons. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.726755 By Mumford & Sons. By Mumford & Sons. Arranged by Ben Bram. Pop. Octavo. 5 pages. Ben Bram Music #3520533. Published by Ben Bram Music (A0.726755). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.
$150.00
138.05 €
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Choral TTBB
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Mumford & Sons
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I Will Wait
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Ben Bram Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Leaves of the Fall
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.84 €
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Choral TTBB
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Sing Loud (TTB)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Published by Lagom Music (A0.723492). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
2.3 €
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Choral TTBB
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
God of our Strength
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977523 Composed by Joseph …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977523 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Sacred. Octavo. 12 pages. Schrock Music #4601651. Published by Schrock Music (A0.977523). This setting of God of Our Strength is especially suited for male choir or ensemble. Beginning in unison, the rhythmic tempo builds to Our sure defense forever be. It ends quietly with God of our strength, we wait on Thee.Appropriate for general worship, special occasions, concert or festival.Duration approx. 3:15 min Length 12 pages
$2.25
2.07 €
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Choral TTBB
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Joseph Schrock
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God of our Strength
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Schrock Music
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SheetMusicPlus
Take Me Home
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1355167 By Tom Wait…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1355167 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Film/TV. 7 pages. ROBERT J EGGERS #939832. Published by ROBERT J EGGERS (A0.1355167). From the 1982 Francis Ford Coppola film, One From the Heart, originally performed by Crystal Gayle, Take Me home consisted of a verse and chorus. This arrangement extends the song by starting with a verse set for a male voice, followed by a verse set for a female, whereupon both join over an active background to sing a duet for the final chorus and conclusion.Orchestration for the active ensemble is TTBB. The song touches on the universal theme of disappointing one's partner and asking for forgiveness. It's low-key, mellow, bittersweet and romantic.Suitable for all audiences.Duration 2:42.
$1.99
1.83 €
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Choral TTBB
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Tom Waits
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Take Me Home
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ROBERT J EGGERS
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SheetMusicPlus
Ol' 55
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1471700 By Tom…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1471700 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Country,Folk,Pop. 12 pages. ROBERT J EGGERS #1049454. Published by ROBERT J EGGERS (A0.1471700). Ol' 55, popularized by the Eagles, is considered to be one of Tom Waits's more conventional songs typical of his early work. But some writers believe it captures a cleverly encoded message revelaing something of Waits's darker side. Although most listeners hear the story of a man driving home from his girlfiend's place in the early morning, it may well tell the story of a man who has passed from this world and finds himself riding off into the next at the head of his own funeral procession. You be the judge!The arrangement is set for 4 background voices and tenor soloist, with an active, wall of sound style. Duration is 4:05, and it is suitable for all audiences. It builds to a remarkable climax and key change before unwinding with a more relective final verse.
$1.99
1.83 €
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Choral TTBB
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Tom Waits
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Ol' 55
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ROBERT J EGGERS
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SheetMusicPlus
Day By Day (TTBB - barbershop) - arr. Robert Rund
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967120 Composed by Tony St…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967120 Composed by Tony Stafford. Arranged by Robert Rund. A Cappella,Traditional. Octavo. 5 pages. Robert Rund #5852275. Published by Robert Rund (A0.967120). This male acapella arrangement in the barbershop style is a turn of the century popular song by Tony Stafford, originally composed in 1900. It tells the story of a woman awaiting the return of her husband from war. Unfortunately he will never return. .
$4.60
4.23 €
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Choral TTBB
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Tony Stafford
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Day By Day
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Robert Rund
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SheetMusicPlus
Togetherness
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
$1.99
1.83 €
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Choral TTBB
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Leroy Brathwaite
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Togetherness
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charliebmusic
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SheetMusicPlus
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