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5697
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3885
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2715
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2111
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440
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256
C Instruments
255
1 Piano, 4 hands
238
Big Note Piano
177
Accordion
103
Piano (band part)
73
Piano Trio: piano, violin, cello
71
2 Pianos, 4 hands
51
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19
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17
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14
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11
1 Piano, 6 hands
9
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Guitar notes and tablatures
947
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700
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365
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280
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277
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268
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112
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68
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30
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27
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21
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19
4 Guitars (Quartet)
19
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12
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10
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8
2 Ukuleles
5
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4
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2
2 Mandolins (duet)
1
Band Scores
1
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1
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1
3 Dulcimers (trio)
1
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1
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VOICE
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3003
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1012
Choral 2-part
624
Choral Unison
361
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360
Choral
213
Choral SSAA
179
Vocal duet, Piano
128
Voice solo
100
Vocal duet
66
Soprano voice, Piano
29
Tenor voice, Piano
21
High voice
20
Alto voice, Piano
18
Choral SSATTB
8
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7
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6
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5
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5
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4
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4
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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641
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460
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452
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441
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382
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379
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340
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331
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321
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289
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277
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270
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257
2 Flutes (duet)
244
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242
Tenor Saxophone and Piano
220
Harmonica
212
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206
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203
Saxophone Quintet: 5 Saxophones
203
2 Clarinets (duet)
193
Oboe (band part)
184
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171
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152
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147
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140
3 Saxophones (trio)
127
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109
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98
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87
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82
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81
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79
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75
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71
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67
Flute Trio: 3 flutes
64
2 Oboes (duet)
64
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50
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49
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49
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48
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46
Flute, Violin
46
Clarinet Quintet: 5 clarinets
43
Flute, Oboe, Clarinet (trio)
42
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41
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40
Baritone Saxophone
38
Flute ensemble
36
Flute Quintet : 5 flutes
36
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35
Flute and Guitar
34
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29
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28
English Horn
28
Oboe, Clarinet, Bassoon (trio)
26
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23
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21
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21
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20
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20
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20
2 Flutes, Piano
18
Tenor Recorder
18
Flute, Viola (duet)
18
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18
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17
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13
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2 Saxophones, Piano
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11
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10
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9
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8
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8
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7
5 Recorders
7
Oboe, Cello
6
3 Oboes
6
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5
Pennywhistle
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5
4 Oboes
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4
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4
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3
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2
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Bagpipe
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1
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1
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1
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1
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353
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346
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315
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French horn
285
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227
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213
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186
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149
2 Trumpets (duet)
127
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124
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121
2 Trombones (duet)
116
French horn (band part)
105
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85
Brass Quartet
84
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76
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70
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65
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50
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46
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42
Trombone ensemble
36
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33
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31
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31
English Horn
28
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26
2 Euphoniums and 2 Tubas
24
Brass Trio
24
Brass Quartet: 4 trumpets
20
2 Tubas (duet)
20
Trumpet ensemble
20
Bb Instruments
15
Trombone, Tuba (duet)
13
3 Trumpets (trio)
10
4 Tubas
10
Bass Trombone
10
3 Trombones (trio)
10
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9
2 Trumpets, Keyboard (piano or organ)
8
Euphonium, Tuba (duet)
8
Brass Quartet: 2 trumpets, 2 trombones
7
Horn Ensemble
7
Tuba and Organ
6
Bass Trombone and Piano
6
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6
Tuba or Euphonium or Saxhorn
6
Trumpet, violin (duet)
5
3 French horns (trio)
5
Trombone, Horn (duet)
5
Trumpet, Trombone, Piano
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
F Instruments
3
Trumpet, Cello (duet)
3
2 Euphoniums (duet)
2
Trumpet, Bassoon (duet)
2
Trombone, Violin (duet)
2
2 English horns and Pianoforte
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French Horn and Harp
2
3 Tubas (trio)
2
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1
Horn, Cello and Piano
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English Horn, Guitar (duet)
1
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1
English horn, Harp (duet)
1
2 Trombones, Piano
1
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1
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1
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STRINGS
String Quartet: 2 violins, viola, cello
1097
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534
Violin and Piano
512
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331
Viola
302
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285
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257
2 Violins (duet)
244
String Trio: violin, viola, cello
218
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214
Cello
206
Harp
202
2 Cellos (duet)
181
Violin (band part)
165
Doublebass (band part)
128
Double Bass
117
2 Violas (duet)
116
Violin, Viola (duet)
115
String Quintet: 2 violins, viola, cello, bass
107
Viola (band part)
102
Double bass, Piano (duet)
82
Viola, Cello (duet)
62
String Trio: 2 violins, cello
44
4 Cellos
40
String Trio: 3 violins
33
2 Harps (duet)
33
Piano Trio: Violin, Viola, Piano
32
Harp, Flute (duet)
27
String Trio: 3 cellos
25
String trio
24
String quartet: 4 violins
23
Cello, String Bass (duet)
21
Harp, Violin (duet)
19
Violin, Guitar (duet)
19
String Quartet : 4 violas
18
2 Double basses (duet)
18
Cello, Guitar (duet)
14
Harp (band part)
12
String Trio: 3 violas
11
2 Violins, Piano
9
Harp, Voice
7
String Quintet: 2 violins, 2 violas, cello
7
Cello Ensemble
6
String Trio: 2 violins, viola
6
2 Cellos, Piano
5
Violin, Bassoon (duet)
5
Viola, Guitar (duet)
5
Harp, Cello (duet)
5
Violin ensemble
5
Viola ensemble
4
Violin, Clarinet, Piano (trio)
4
String Quintet: 2 violins, viola, 2 cellos
3
Cello, Organ
3
4 Double Basses
3
Harp and Piano
3
Violin, Trumpet and Piano
2
Violin, Tuba (duet)
1
Cello, Orchestra
1
Viola and Bassoon
1
Viola and Harp
1
Violin, Cello, Clarinet
1
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PERCUSSION & ORCHESTRA
Concert band
1670
Orchestra
601
String Orchestra
396
Handbells
377
Brass ensemble
282
Jazz Ensemble
216
Marching band
167
Percussion (band part)
148
Drums
146
Drum (band part)
102
Chamber Orchestra
86
Percussion
47
Jazz combo
47
Percussion Ensemble
35
Timpani (band part)
23
Marimba
22
Xylophone
11
Woodwind Quintet
8
Woodwind Quartet: any 4 woodwinds
6
Timpani
6
Xylophone, Piano
4
Snare drums
3
Vibraphone
3
Orchestra, Violin
2
Xylophone (band part)
2
Flexible Instrumentation
2
Piano and Orchestra
1
2 Marimbas
1
Woodwind Trio: any 3 woodwinds
1
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OTHERS
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Percussion Ensemble
Sheetmusic to print
35 sheet music found
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1
26
We Three Kings Swing - for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John He…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Score and parts. 36 pages. Patrick Glenn Harper #3638871. Published by Patrick Glenn Harper (A0.751197). 2018 Holiday Contest EntryBeginning with a catchy hook, this unique arrangement of We Three Kings will be a holiday concert favorite! This piece can be easily prepared in a few rehearsals, and contains very easy auxiliary percussion parts that allow newcomers to percussion ensemble music to get involved. It is also a great way to practice simple 8th-note swing.
$24.95
22.91 €
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Percussion Ensemble
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John Henry Hopkins Jr
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We Three Kings Swing - for Percussion Ensemble
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Patrick Glenn Harper
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SheetMusicPlus
ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTET
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.806873 Arranged by Glen Po…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6103035. Published by arrangements by GPoehlmann (A0.806873). ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTETSuggested instrumentation: 1. Bells 2. Bells 3. Marimba 4. Vibraphone29 measures. Performance Time approx. 2:00. Medium Difficult (Grade 3+)Key: F - G - Ab - A. Meter: 12/8 - 9/8 - 15/8.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4.
$4.95
4.55 €
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Percussion Ensemble
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ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTET
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arrangements by GPoehlmann
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SheetMusicPlus
Angels We Have Heard on High
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.923871 Composed by Traditi…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.923871 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 12 pages. Kevin Worley #3436539. Published by Kevin Worley (A0.923871). Quartet for Percussion Ensemble (2:20). Glockenspiel, Vibraphone, Marimba, Trap Kit. Part of Quad Christmas Quarts - Four Christmas Percussion Quartets. Beginner level ensemble. A slightly different take on a favorite Christmas carol.
$3.99
3.66 €
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Percussion Ensemble
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Traditional Christmas
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Angels We Have Heard on High
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Kevin Worley
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SheetMusicPlus
We Are Young
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.940484 By Fun. Featuring J…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.940484 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Jeff Bhasker, and Nate Ruess. Arranged by Joel Windsor. Pop,Rock. Score and parts. 3 pages. WindyJMusic Publishing #4598439. Published by WindyJMusic Publishing (A0.940484).
$12.99
11.93 €
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Percussion Ensemble
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Fun
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We Are Young
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WindyJMusic Publishing
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SheetMusicPlus
We Will Rock You
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.929936 By Queen. By Brian May. Arran…
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Percussion Ensemble - Digital Download SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Frannie Schnadig, Hailey Janoff, Kendra McPherson, Lauren Fowler, Liam Carmichael, Malea Cummings, Matilda Johnston, Matthew Mainzer, and Michael Charles Smith. Rock. Score and parts. 2 pages. Michael Smith #4621417. Published by Michael Smith (A0.929936). This was arranged as a term project for a MarimbaLab class. Premiered May 23rd, 2019 with great acclaim and melted faces.
$12.99
11.93 €
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Percussion Ensemble
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Queen
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We Will Rock You
#
Michael Smith
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SheetMusicPlus
I Think We're Alone Now
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1016548 By Tommy James And…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1016548 By Tommy James And The Shondells. By Ritchie Cordell. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 21 pages. StevoPanMan #5725655. Published by StevoPanMan (A0.1016548). An easy punk-rock style steelband arrangement for 2 Leads, 2 Doubles, Guitar/Cello, Bass Pans, Electric Bass & Drum Set. Very fun!
$25.00
22.96 €
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Percussion Ensemble
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Tommy James And The Shondells
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Drum Set. Very fun!
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I Think We're Alone Now
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StevoPanMan
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SheetMusicPlus
We Are Santa's Elves
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012657 Composed by Johnny…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012657 Composed by Johnny Marks. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music Publications (https://brianmonroemusic.com) #6853369. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012657). This is a great arrangement of the well known Johnny Marks tune from Rudolph the Red Nosed Reindeer. Scored for 10 players, it can be played with just mallets alone.....6 parts. Parts include: Bells, Xylophone, Vibraphone, and 3 Marimbas (Playable on 2 instruments), Snare Drum (with Triangle & Woodblock), Sleighbells and Timpani.
$15.00
13.77 €
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Percussion Ensemble
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Johnny Marks
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We Are Santa's Elves
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BLM Music Publications
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SheetMusicPlus
Love We Lost (with R3hab) - Score Only
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1304683 By Armin Van Buure…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1304683 By Armin Van Buuren, R3hab, Simon Ward. By Armin Buuren Van, Benno Goeij De, Emery Taylor, Fadil El Ghoul, Lewis Beresford Hughes, Nicholas Valentino Audino, and Simon Ward. Arranged by Josh Ball. 21st Century,Pop. 1 pages. The BeatCave #894123. Published by The BeatCave (A0.1304683). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.58 €
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Percussion Ensemble
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Armin Van Buuren, R3hab, Simon Ward
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Love We Lost
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The BeatCave
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SheetMusicPlus
The Way We Were
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.990335 By Barbra Streisand…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.990335 By Barbra Streisand. By Marvin Hamlisch. Arranged by Mar Luzon. Contemporary. Score and parts. 8 pages. Ariam von Ram #3234517. Published by Ariam von Ram (A0.990335).
$12.99
11.93 €
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Percussion Ensemble
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Barbra Streisand
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The Way We Were
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Ariam von Ram
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SheetMusicPlus
What Universe Lies Within
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
9.17 €
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Percussion Ensemble
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
275.48 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.74 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.77 €
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Percussion Ensemble
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Brian Monroe
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Celebrations for Percussion Ensemble Octet
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BLM Music Publications
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SheetMusicPlus
Gravity for Septet
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.6 €
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Percussion Ensemble
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Waltz No.3 "A Campus Burlesque"
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024088 Composed by Zachar…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
28.46 €
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Percussion Ensemble
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Zachary M
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Waltz No.3 "A Campus Burlesque"
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Zach Robinson
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SheetMusicPlus
Quad Christmas Quarts - Four Christmas Percussion Quartets
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.923869 Composed by Traditi…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kevin Worley #3436521. Published by Kevin Worley (A0.923869). 1-God Rest Ye Merry, Gentlemen (2:10). 2-Away in a Manger (2:00). 3-Angels We Have Heard on High (2:20). 4-Deck the Halls (2:10). One of my favorite music school memories is, at Christmas Time, the percussion ensemble loading up the university truck and heading to the local shopping center to play Christmas carols for the shoppers. The arrangements we played were rarely meant for percussion ensemble, so it was often a challenging and interesting experience. With that in mind, I arranged these four carols with the same instrumentation and similar percussion toy sets to help smooth things. 1 Glockenspiel, 1 Vibraphone, 1 Marimba, 1 trap kit. Arrangements and parts vary from beginner to early intermediate.
$11.99
11.01 €
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Percussion Ensemble
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Traditional Christmas
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Quad Christmas Quarts - Four Christmas Percussion Quartets
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Kevin Worley
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SheetMusicPlus
SMO 2019 Warm up book
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011852 Composed by Randy …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011852 Composed by Randy P. Johnson. Contemporary. Score and parts. 72 pages. Randy P. Johnson #3501041. Published by Randy P. Johnson (A0.1011852). Hello, this book brings great difficulty to the spirit organization for the 2018- 19 season as we will also make change each yeah I hope that this will help your group or school create a much better program or lot.We used already copyright music through out the back half of this book: everything from bach to other different composers. Version 1music included in this book:Bits of turkey in the strawbits of little fugue g (From bach)
$75.00
68.87 €
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Percussion Ensemble
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Randy P
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SMO 2019 Warm up book
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Randy P. Johnson
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SheetMusicPlus
Journey to The New World (2013)
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028511 Composed by Renard…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028511 Composed by Renardi Effendi (2013). World. Score and parts. 100 pages. Renardi Effendi #3550381. Published by Renardi Effendi (A0.1028511). Original Composition by myself wrote in 2013 for Violin, String Ensemble and Percussion EnsembleThis music speaks about our life as a journey. After we finished some pahse in our life, we continue to facing new chapter, new adventure in our life.
$10.00
9.18 €
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Percussion Ensemble
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Renardi Effendi
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Journey to The New World
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Renardi Effendi
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
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Percussion Ensemble
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Splashed Out
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne G…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
32.56 €
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Percussion Ensemble
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Jayne Groves, Matt Moore
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Splashed Out
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M Moore & J Groves
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SheetMusicPlus
We Limit Not the Truth of God by George Frederick Handel - Percussion, Standard/Percussion;Standard
Percussion Ensemble
George Frederick Handel - We Limit Not the Truth of God - "Susanna" Digital Shee…
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George Frederick Handel - We Limit Not the Truth of God - "Susanna" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Percussion Ensemble, instruments: Xylophone;Snare Drum;Marimba; 1 pages -- Classical~~Hymn
$5.25
4.82 €
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Percussion Ensemble
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Percussion, Standard/Percussion;Standard
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Musicnotes
Fanfare for the Uncommon Student
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
3.66 €
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Percussion Ensemble
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Student
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David Berlin
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SheetMusicPlus
CLOG DANCE from 'La Fille mal Gardee'
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdina…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3259147. Published by Brian Hardy (A0.793569). I wrote this version for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of all abilities from progressing beginners to advanced students. We teamed up with some of our friends from the percussion department to create a memorable performance enjoyed by students, teachers and audience alike.4 violin parts, 3 viola, 4 cello, 2 bass, percussion, glock and optional piano. Ideal encore piece for school concerts.Also to find 'IN THE HALL OF THE MOUNTAIN KING' visit sheetmusicplus.com/publishers/bacchusquartet/5331.
$19.99
18.36 €
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Percussion Ensemble
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Ferdinand Herold
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CLOG DANCE from 'La Fille mal Gardee'
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Brian Hardy
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SheetMusicPlus
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