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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Rhythm
Not classified
7,044
Piano & keyboards
Piano solo
3,484
Big Note Piano
3,300
Organ
1,700
Easy Piano
1,246
Piano, Voice
665
Piano, Vocal and Guitar
488
C Instruments
387
Piano (band part)
151
1 Piano, 4 hands
139
Piano Accompaniment
129
Keyboard
61
Piano Trio: piano, violin, cello
45
2 Pianos, 4 hands
36
Piano Quartet: piano, violin, viola, cello
26
Accordion
15
Piano Quintet: piano, 2 violins, viola, cello
10
Organ, Trumpet (duet)
6
1 Piano, 6 hands
6
Harpsichord
6
Organ, Piano (duet)
3
Piano Quartet: piano, 2 violins, cello
2
All Instruments
1
+ 17 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
861
Guitar
858
Guitar (band part)
171
Melody line, (Lyrics) and Chords
112
Bass guitar
76
Dulcimer
46
Ukulele
44
2 Guitars (duet)
25
Lyrics and Chords
24
4 Guitars (Quartet)
20
Mandolin
17
Piano, Guitar (duet)
15
Guitar Ensemble
15
Banjo
13
3 Guitars (trio)
10
Electric Bass (band part)
3
2 Dulcimers (duet)
3
2 Mandolins (duet)
2
Mandolin, Guitar (duet)
1
Baritone Ukulele
1
Dobro
1
2 Ukuleles
1
Guitar, String Quartet
1
Plectrum Orchestra
1
Guitar, Violin, Cello (trio)
1
Band Scores
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
1,802
Choral 3-part
627
Choral Instrumental Pak
564
Choral 2-part
315
Choral Unison
312
Choral TTBB
247
Choral SSAA
203
Choral
45
Tenor voice, Piano
35
Soprano voice, Piano
31
Alto voice, Piano
31
High voice
20
Vocal duet, Piano
18
Vocal duet
14
Voice solo
13
Choral SSATB
9
Medium voice, Piano
6
Choral SSAATTBB
6
Tenor voice
4
Choral SSAB, Piano
4
Choral SSAB a cappella
3
Baritone voice, Piano
3
Soprano voice
2
Choral SSATTB
2
Low voice
1
Voix Masculines
1
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
Choral SSAATB
1
+ 24 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
593
Saxophone (band part)
427
Saxophone Quartet: 4 saxophones
333
2 Flutes (duet)
304
2 Clarinets (duet)
293
Descant (Soprano) Recorder
277
Ocarina
263
Saxophone, Clarinet (duet)
257
Flute and Piano
243
Flute
214
Clarinet, Violin (duet)
202
Clarinet
190
Flute, Oboe, Clarinet, Bassoon
190
Treble (Alto) Recorder
188
Clarinet and Piano
183
Clarinet Quartet: 4 clarinets
177
Clarinet, Trumpet (duet)
172
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
169
Alto Saxophone
162
Oboe, Piano (duet)
159
Alto Saxophone and Piano
153
Flute, Clarinet (duet)
129
Flute Quartet: 4 flutes
126
Tenor Saxophone
118
Oboe (band part)
114
2 Oboes (duet)
113
Oboe, Clarinet (duet)
108
Clarinet and Viola
102
Oboe, Bassoon (duet)
101
Flute, Violin
101
Tenor Saxophone and Piano
98
Flute, Saxophone (duet)
94
Flute, Viola (duet)
85
Saxophone Quintet: 5 Saxophones
83
Flute (band part)
80
Clarinet (band part)
79
Flute, Trumpet (duet)
78
Oboe, Flute
77
3 Saxophones (trio)
72
Soprano Saxophone and Piano
59
2 Recorders (duet)
58
Saxophone
50
Flute Trio: 3 flutes
50
3 Clarinets (trio)
47
Flute ensemble
44
Saxophone ensemble
44
Clarinet Quintet: 5 clarinets
43
Clarinet Ensemble
42
Baritone Saxophone, Piano
38
Treble (Alto) Recorder, Piano
33
Flute, Oboe (duet)
32
Bass Clarinet, Piano
31
Oboe
25
Flute and Guitar
24
Flute, Violin, Piano
23
Oboe, Violin (duet)
20
English horn, Piano
19
Flute Quintet : 5 flutes
17
Clarinet, Bassoon (duet)
15
Flute, Clarinet and Bassoon.
14
Oboe, Clarinet, Bassoon (trio)
14
Clarinet, Trombone (duet)
14
Clarinet, Cello (duet)
13
Soprano Saxophone
13
Recorder Quartet
12
Flute, Oboe, Bassoon
11
3 Recorders (trio)
11
English Horn
10
Recorder
10
Flute, Violoncello
10
Flute, Oboe, Piano (trio)
8
Flute, Oboe, Clarinet (trio)
8
Oboe, Cello
8
Bass Clarinet
7
Flute, Clarinet, Piano (trio)
7
2 Flutes, Piano
6
Flute, Viola and Piano
5
2 Saxophones, Piano
5
Clarinet, Guitar (duet)
5
Baritone Saxophone
5
Recorder Ensemble
5
Clarinet, Harp (duet)
5
Flute, Organ (duet)
5
Oboe and viola (duet)
5
Oboe, Harp
4
Flute, Bassoon, and Piano
4
5 Recorders
4
Flute, harp and violin
4
Eb Instruments
3
Piccolo
3
Flute, Violin, Violoncello and Piano
3
3 Oboes
3
Saxophone and Guitar
3
Piccolo, Piano
3
Flute, Violin and Violoncello
3
Clarinet, Cello, Piano (trio)
3
Descent (Soprano) Recorder, Piano
3
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, Harp and Cello
2
Clarinet, trumpet and piano
2
Flute, trombone and piano
2
Oboe, Violin, Piano
2
Wind ensemble
2
2 Clarinets, Piano
2
Harmonica
2
Flute, Cello, Piano (trio)
2
2 Clarinets, Bassoon
2
Tenor Recorder
2
Saxophone and Organ
1
Harmonica, Piano
1
Flute, Trombone (duet)
1
Saxophone and Harp
1
Pennywhistle
1
Flute, Basso continuo
1
Flute, Viola and harp
1
Recorder, Piano
1
2 English horns and Pianoforte
1
Clarinette, Viola and Piano (trio)
1
4 Oboes
1
Saxophone and Piano
1
Clarinet, Tuba
1
Oboe, Trumpet (duet)
1
Oboe ensemble
1
Flute, Oboe, Violin
1
English Horn, Guitar (duet)
1
Oboe, Trombone (duet)
1
Clarinet, Double bass (duet)
1
2 Flutes, 2 Clarinets (Quartet)
1
+ 123 instrumentations
-
Retract
Woodbrass
Trombone (band part)
353
Trumpet (band part)
286
Brass Quintet: 2 trumpets, horn, trombone, tuba
201
Trumpet, Saxophone (duet)
187
Trumpet
180
Trombone
142
2 Trombones (duet)
140
2 Trumpets (duet)
134
Trombone and Piano
133
Trumpet, Piano
128
Brass quartet : 2 trumpets, trombone, tuba
122
Trumpet, Trombone (duet)
109
French horn
98
French Horn and Piano
88
French horn (band part)
78
Tuba (band part)
61
Tuba and Piano
52
Brass Quartet: 2 trumpets, horn, trombone
45
Brass Quartet
41
Tuba
40
Euphonium, Piano (duet)
39
Brass Quartet: 4 trombones
28
Trombone ensemble
21
English horn, Piano
19
Brass Quartet: 4 horns
14
Trumpet ensemble
14
2 French horns (duet)
13
2 Tubas (duet)
11
2 Euphoniums (duet)
11
English Horn
10
Brass Quartet: 2 trumpets, 2 trombones
10
3 Trumpets (trio)
9
Euphonium
8
Trombone, Organ
8
3 Trombones (trio)
8
Brass Quartet: 4 trumpets
6
Euphonium, Tuba (duet)
6
Bb Instruments
5
4 Tubas
5
Bass Clef Instruments
5
Horn Ensemble
5
Brass Trio
4
Cornet
3
Trumpet and Guitar
3
Trumpet, Tuba (duet)
3
Trombone, Horn (duet)
3
French Horn and Harp
2
Trumpet, Harp
2
Horn, Tuba (duet)
2
Trumpet, Horn (duert)
2
Bass Trombone
2
2 Euphoniums and 2 Tubas
2
Clarinet, Horn (duet)
1
Horn, Cello (duet)
1
2 English horns and Pianoforte
1
Tuba and Organ
1
F Instruments
1
Trumpet, Bassoon (duet)
1
3 Euphoniums
1
English Horn, Guitar (duet)
1
Trombone and Orchestra
1
Trumpet, Cello, Piano
1
Bass Trombone and Piano
1
Trombone, Tuba (duet)
1
+ 59 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
837
Violin and Piano
403
Violin
331
Violin, Cello (duet)
270
Doublebass (band part)
267
2 Violins (duet)
189
Cello
188
Cello, Piano
181
Violin (band part)
181
Harp
158
2 Cellos (duet)
155
Viola, Piano
152
2 Violas (duet)
146
Violin, Viola (duet)
144
String Trio: violin, viola, cello
128
Viola
114
String Trio: 2 violins, cello
92
Viola (band part)
63
Double bass, Piano (duet)
62
Double Bass
46
String Quintet: 2 violins, viola, cello, bass
43
Cello (band part)
36
String Trio: 3 violins
35
Viola, Cello (duet)
24
4 Cellos
22
Violin, Guitar (duet)
21
Cello, String Bass (duet)
16
2 Harps (duet)
15
String quartet: 4 violins
15
String Trio: 2 violins, viola
15
String Trio: 3 cellos
12
2 Double basses (duet)
10
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
8
String Quartet : 4 violas
8
Violin, Bassoon (duet)
8
Harp, Violin (duet)
7
String Trio: 3 violas
7
Harp, Cello (duet)
5
Viola and Harp
4
Viola, Guitar (duet)
4
Autoharp
4
Cello, Guitar (duet)
3
Harp, Violin, Violoncello
3
3 Harps
3
Violin ensemble
3
Cello Ensemble
3
String Quintet: 2 violins, 2 violas, cello
2
5 Harps
2
4 Double Basses
2
Viola and Bassoon
2
Violin, Organ
1
Violin, Trumpet and Piano
1
Flute, Doublebass (duet)
1
Harp and Piano
1
Harp, Trombone (duet)
1
Cello, Organ
1
2 Violins, Piano
1
Harp, Voice
1
4 Harps
1
Viola and orchestra
1
Harp and mandolin
1
Violin, Clarinet, Piano (trio)
1
+ 58 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,566
Jazz Ensemble
963
String Orchestra
806
Orchestra
783
Handbells
386
Jazz combo
339
Drums
315
Brass ensemble
195
Marching band
182
Drum (band part)
122
Percussion Ensemble
114
Chamber Orchestra
99
Percussion (band part)
48
Percussion
32
Marimba
25
Xylophone, Piano
15
2 Xylophones
7
School Ensemble
5
Vibraphone
5
Xylophone
5
Piano and Orchestra
5
Timpani (band part)
4
Snare drums
4
Bongos
3
Conga
3
Bodhran
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Big band
2
Vibraphone and Marimba
2
Cajon
2
Marimba or Xylophone and Piano
1
2 Snare Drums (duet)
1
Timpani
1
Flexible Instrumentation
1
3 Marimbas
1
3 Percussions
1
2 Marimbas
1
Marimba, Piano (duet)
1
+ 33 instrumentations
-
Retract
Others
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7
Music Theory
2
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Rhythm
Percussion Ensemble
Sheetmusic to print
114 sheet music found
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1
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51
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101
Deck the Halls
#
Percussion Ensemble
#
BEGINNER
#
Christmas
#
Welsh melody
#
Deck the Halls
#
GuarrineMusic
#
SheetMusicPlus
Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set ...
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Composed by Welsh melody. Arranged by Arranged by Andrew R. Guarrine. For Percussion Ensemble,Hand Percussion. 21st Century,Christmas. Easy/Beginner. Score,Set of Parts. 7 pages. Published by GuarrineMusic
Another twist on a holiday standard. All percussion, but if you listen carefully you will hear the melody everywhere. Do you need to use the suggested instrumentation? Of course not, try whatever you want. Fun ANY grade level. Hand percussion, rhythm sticks, hand claps and foot stomps. Grade 1.
$6.25
Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
#
Percussion Ensemble
#
EASY
#
Tango
#
Ivana Tuskan
#
Dance Rhythm Is In You, rhythm
#
Ivana Tuskan
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 page...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 pages. Ivana Tuskan #4615285. Published by Ivana Tuskan (A0.793951). Dear music teachers! What is the best way to learn music? Let your students use their fingers, foots, cheeks, hands and knees, or use some instruments by playing this fun music pieces. This PDF file contains 3 Rhythmic Rondo's (music form with A B A C A sheme) with Swing, Bossa Nova and Tango rhythmic patterns. You can use whole piece or just a theme, while episodes can be improvised by soloist. Fulfill your music classroom with joy, fun and creativity! Sincerely, Ivana Tuskan The sound sample is an electronic preview of 3 Themes. Level: early intermediate or intermediate.
$6.50
Music Street Rhythm/Percussion Sheet
#
Percussion Ensemble
#
BEGINNER
#
Carol Troutman Wiggins
#
Music Street Rhythm/Percussion
#
Carol Troutman Wiggins
#
SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.727109 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Score and parts. 1 ...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.727109 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Score and parts. 1 pages. Carol Troutman Wiggins #2897349. Published by Carol Troutman Wiggins (A0.727109). Percussion instrumentsThis is the rhythm/percussion notation sheet for Music Street.Use bucket drums - plastic or metal buckets turned upside down, or use any container with a lid, such as a coffee can, potato chip container, baby formula can, pots & pans, or garbage can lid to play the rhythms.
$1.99
Rhythm Of Life
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Percussion Ensemble
#
INTERMEDIATE
#
Minni K
#
Rhythm Of Life
#
Dr Minni Ang
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Rhythm
#
Percussion Ensemble
#
INTERMEDIATE
#
Remco op den Dries
#
Rhythm
#
TmDrums
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.992559 Composed by Remco op den Dries. Standards. Score and parts. 18 pages. TmDrums #6665531. P...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.992559 Composed by Remco op den Dries. Standards. Score and parts. 18 pages. TmDrums #6665531. Published by TmDrums (A0.992559).
$3.99
M.C. Rhythms
#
Percussion Ensemble
#
Contemporary
#
Rennard Stafford
#
M.C. Rhythms
#
Tempo X Percussion and Publications
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1019774 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publi...
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Percussion Ensemble - Digital Download SKU: A0.1019774 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5770947. Published by Tempo X Percussion and Publications (A0.1019774). A high energy battery piece filled with chop action from beginning to the end. Great for carrying a full band through a parade and marching performances. .
$9.99
Zona Centro (Downtown)
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Reggae
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
Zona Centro
#
azdi
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hi...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Percussion Ensemble
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Percussion Ensemble
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publi...
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Holiday Bolero for Keyboard Percussion
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Percussion Ensemble
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EASY
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
African Village for Marimba
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Percussion Ensemble
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Wayne Liesching
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African Village for Marimba
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Wayne Liesching
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #387804...
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Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #3878043. Published by Wayne Liesching (A0.981000). African Village for Marimba - (Duration 2.37) Advanced. School Ensemble. Five marimbas: bass, tenor, alto, 2 sopranos. African marimba style piece where the rhythmic patterns can be challenging - polyrhythms in sections. Definite concert repertoire. SAMRO, CAPASSO https://drooble.com/wayne.liesching/ https://www.facebook.com/thecomposerman/ www.thecomposerman.compsallo.academyofmusic@gmail.com
$15.00
The Hammer & Anvil
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Percussion Ensemble
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INTERMEDIATE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
Quartet #9
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Heads, Shoulders, Knees & Blues (for Body Percussion & Bass)
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Percussion Ensemble
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Blues
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Jazz
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Isabelle Ryder
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Heads, Shoulders, Knees & Blue
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Isabelle Ryder
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Publis...
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Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle Ryder (A0.1001581). This piece is the result of a 2020 lockdown commission by Heswall Concert Band, which needed a piece to work on that didn't involve its members playing wind and brass instruments! The instrumentation consists of a Rhythm Core of Hand Brush, Hip Tap, Clap, and Stamp; and 3 Sections: Shoulders, Knees, and Bellies; and a bass (acoustic or electric). Ideally, the Shoulders, Knees and Bellies sections should each have several members; the Rhythm Core should have 1 or 2 members on each part. Some light choreography is suggested in the score, but the bandleader may indulge their own creativity in this regard.Please watch the accompanying video for a demo. You may also contact the composer (https://isabellerydermusic.weebly.com) to request a training video.
$69.99
Jackman
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Percussion Ensemble
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Contemporary
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Rennard
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Jackman
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1019772 Composed by Rennard. Contemporary. Score and parts. 5 pages. Tempo X Percussion and Publications #...
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Percussion Ensemble - Digital Download SKU: A0.1019772 Composed by Rennard. Contemporary. Score and parts. 5 pages. Tempo X Percussion and Publications #5770937. Published by Tempo X Percussion and Publications (A0.1019772). This crafty snare drum solo is the beginning of a rhythmic story filled with lofty rhythms and syncopation. Enjoy exploring the many stick tricks and rudimental-filled patterns in this advanced snare drum solo. It's great for solo ensembles and competitions. .
$7.99
Siege of Busanjin 1592
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Percussion Ensemble
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ADVANCED
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
Professor Burble's fourth invention
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Professor Burble's fourth inve
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David Warin Solomons
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pag...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
Opus 83, Hora for Trumpet, Percussion & Piano
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Henry Pool
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Opus 83, Hora for Trumpet, Per
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Viola Editions
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.976258 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 37 pages. Viola...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.976258 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 37 pages. Viola Editions #2848109. Published by Viola Editions (A0.976258). A vivacious Israeli dance - beautiful melody - striking rhythm.
$5.55
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