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1,967
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Piano solo
785
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495
Easy Piano
347
Piano, Vocal and Guitar
325
Organ
90
C Instruments
79
Big Note Piano
49
Piano (band part)
45
1 Piano, 4 hands
25
Accordion
19
Piano Accompaniment
14
Piano Trio: piano, violin, cello
12
2 Pianos, 4 hands
9
Piano Quartet: piano, violin, viola, cello
5
Organ, Trumpet (duet)
5
Piano Quartet: piano, 2 violins, cello
3
Harpsichord
2
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
Organ, Piano (duet)
1
Accordion, Voice
1
+ 16 instrumentations
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Guitars
Guitar notes and tablatures
180
Guitar (band part)
92
Guitar
86
Melody line, (Lyrics) and Chords
35
Ukulele
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Lyrics and Chords
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Mandolin
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4 Guitars (Quartet)
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Banjo
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Dulcimer
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3 Guitars (trio)
3
2 Guitars (duet)
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Electric Bass (band part)
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Guitar Ensemble
2
2 Mandolins (duet)
1
2 Ukuleles
1
Guitar, Violin, Cello (trio)
1
+ 14 instrumentations
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Voice
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682
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208
Choral TTBB
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Choral SSAA
132
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Medium voice, Piano
20
Choral Instrumental Pak
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5
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5
Tenor voice
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Choral
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Choral SSAB a cappella
3
Soprano voice
3
Baritone voice, Piano
3
Choral SSATTB
2
Choral SSAB, Piano
1
Choral SSAATTBB
1
Low voice, Piano
1
Voice, Guitar
1
Soprano voice, Orchestra
1
Mezzo-Soprano voice, Piano
1
+ 23 instrumentations
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Woodwind
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245
Saxophone Quartet: 4 saxophones
101
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
100
2 Saxophones (duet)
91
Flute and Piano
80
Clarinet Quartet: 4 clarinets
68
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60
Flute, Oboe, Clarinet, Bassoon
58
Alto Saxophone
53
Clarinet and Piano
52
Clarinet
51
Oboe, Piano (duet)
50
Flute
49
Tenor Saxophone and Piano
44
2 Flutes (duet)
42
2 Clarinets (duet)
39
Flute Quartet: 4 flutes
38
Soprano Saxophone and Piano
36
Tenor Saxophone
35
Oboe (band part)
33
Clarinet Quintet: 5 clarinets
28
3 Saxophones (trio)
26
3 Clarinets (trio)
26
Saxophone Quintet: 5 Saxophones
24
Flute (band part)
20
Clarinet Ensemble
20
Flute Trio: 3 flutes
18
Flute, Clarinet (duet)
14
Clarinet, Violin (duet)
12
Saxophone, Clarinet (duet)
12
Flute ensemble
11
Flute, Violin and Violoncello
11
Descant (Soprano) Recorder
10
Baritone Saxophone, Piano
10
Saxophone ensemble
9
2 Oboes (duet)
9
Clarinet (band part)
9
Recorder Quartet
8
Oboe, Bassoon (duet)
7
2 Recorders (duet)
7
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6
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6
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5
Flute and Guitar
5
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5
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5
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5
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5
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5
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4
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4
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4
English horn, Piano
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
3 Oboes
2
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2
Flute and Strings Trio
2
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2
Flute, Cello, Guitar
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Harmonica
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Soprano Saxophone
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4 Oboes
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Bass Clarinet
1
Tenor Recorder
1
Oboe, Cello
1
Flute, Trombone (duet)
1
English Horn
1
Ocarina
1
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Recorder
1
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+ 97 instrumentations
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190
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104
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59
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49
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46
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37
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34
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25
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24
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22
Tuba
22
2 Trombones (duet)
22
French horn (band part)
17
Trumpet, Saxophone (duet)
16
Tuba (band part)
15
Tuba and Piano
13
Brass Quartet: 2 trumpets, horn, trombone
12
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12
Euphonium
11
2 French horns (duet)
10
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9
Trombone ensemble
7
Brass Quartet: 4 trumpets
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2 Tubas (duet)
6
3 Trombones (trio)
6
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5
2 Euphoniums and 2 Tubas
4
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4
Trumpet ensemble
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English horn, Piano
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4 Tubas
3
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3
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Trombone, Organ
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3 Tubas (trio)
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Trumpet, violin (duet)
1
Tuba ensemble
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English Horn
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3 Euphoniums
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Trumpet, Cello, Piano
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English Horn, Guitar (duet)
1
Trumpet, Tuba (duet)
1
Trombone, Horn (duet)
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+ 48 instrumentations
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String Quartet: 2 violins, viola, cello
238
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83
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82
Cello
74
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69
Harp
57
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51
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51
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50
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43
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41
2 Cellos (duet)
38
Viola
32
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22
2 Violas (duet)
22
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18
String Quintet: 2 violins, viola, cello, bass
16
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16
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10
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10
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10
String Trio: 3 cellos
9
Cello, String Bass (duet)
8
4 Cellos
8
2 Harps (duet)
7
Piano Trio: Violin, Viola, Piano
7
String Trio: 3 violins
6
2 Double basses (duet)
5
String quartet: 4 violins
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Cello (band part)
3
String Trio: 3 violas
3
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3
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3
String Quartet : 4 violas
2
Harp and Organ
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2
2 Violins, Piano
2
Harp, Voice
2
Harp, Cello (duet)
1
2 Cellos, Piano
1
Violin ensemble
1
String trio
1
Harp, Violin (duet)
1
4 Double Basses
1
+ 41 instrumentations
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519
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280
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155
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136
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128
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85
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75
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48
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44
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27
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23
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10
Marimba
9
Xylophone
9
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8
Xylophone, Piano
3
Vibraphone
2
Timpani (band part)
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Vibraphone (band part)
1
Flexible Instrumentation
1
Timpani
1
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Percussion Ensemble
Sheetmusic to print
23 sheet music found
<
1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
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Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Too Good To Say Goodbye
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
#
Pop music
#
Soul/R&B
#
Bruno Mars
#
Deborah Becker
#
Too Good To Say Goodbye
#
Deborah Becker
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1032629 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, Jeff Bhasker, Kenneth Edmonds, an...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1032629 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, Jeff Bhasker, Kenneth Edmonds, and Philip Lawrence. Arranged by Deborah Becker. Pop,R & B. Score and parts. 21 pages. Deborah Becker #5303609. Published by Deborah Becker (A0.1032629). This challenging arrangement is a fun ballad tune for a high school steel band. The Double Second 1 part can be played on Double Tenors if desired. Rehearsal E is especially difficult due to syncopated sixteenth-note rhythms and may be left out if players continue to struggle. Suggested form without Rehearsal E: Intro A B C D B F Outro.
$15.00
God Rest Ye Merry, Gentlemen for two mallet instruments
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Percussion Ensemble
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EASY
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Frank Pugh
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God Rest Ye Merry, Gentlemen f
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #605078...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by Frank Pugh (A0.942733). This well-known carol has been set here as a mallet instrument duet with easy rhythm values. It works for bells, marimbas, xylophones, vibraphones, or a combination of those instruments. It makes a good selection for church programs or recitals with a playing time of around 2:30. Part 1 uses a two octave range from D - D, and part two uses a one octave and a sixth range from D - Bb.You can find my other small ensemble arrangements here at Sheet Music Plus, and be sure to check out some of the full-length videos at my YouTube channel: https://www.youtube.com/channel/UCFOboEO545LYT_F7kSa99Xw/videos Thanks for listening!
$3.99
Good Feeling
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Percussion Ensemble
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INTERMEDIATE
#
Rock
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Soul/R&B
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Flo Rida
#
Doug Edwards
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Good Feeling
#
Doug Edwards
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SheetMusicPlus
Percussion Ensemble Mallet Percussion - Level 3 - Digital Download By Flo Rida. By Arash Pournouri, Breyan Isaac, Henry Walter, Leroy Kirkland, Pearl ...
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Percussion Ensemble Mallet Percussion - Level 3 - Digital Download By Flo Rida. By Arash Pournouri, Breyan Isaac, Henry Walter, Leroy Kirkland, Pearl Johnson, Tramar Dillard, Lukasz Gottwald, Etta James, and Avicii. Arranged by Doug Edwards. Hip-Hop, R & B. Score and parts. 10 pages. Doug Edwards #5721881. Published by Doug Edwards
$12.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Nuevo Nueve ( New Nine )
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Percussion Ensemble
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EASY
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Publis...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Blue Drive (For Mixed Ensemble) (Full Score)
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Percussion Ensemble
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Cody Weinmann
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Blue Drive
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Cody Weinmann
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6...
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Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Published by Cody Weinmann (A0.835168). This is an original piece for mixed ensemble. It has piano, guitars, strings, percussion, and more! Why is it called Blue Drive? I have synesthesia -- the ability to see colors when hearing pitches. I know, it sounds weird, but I see the color blue when I see the note G. But anyway, this piece was inspired by an ad I heard on TV. I was wondering if I could compose something similar to what I heard. This is what came out. Hopefully, you all benefit from this music. This is good for small ensembles that are of many different instruments. Go ahead and do a virtual concert of this. It would be great! It has a great driving rhythm that could get your heart pumping.
$5.99
No 35
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Nina Aagaard Israelsen
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No 35
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Nina Aa.Israelsen
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1027270 Composed by Nina Aagaard Israelsen. Contemporary. Score and parts. 2 pages. Nina Aa.Isra...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1027270 Composed by Nina Aagaard Israelsen. Contemporary. Score and parts. 2 pages. Nina Aa.Israelsen #2024233. Published by Nina Aa.Israelsen (A0.1027270). Small piece for snare drum, tenor drum and bass drum. Ideally for maching / perssuon ensemble with more than 5 players for each part. Alternaly - it can be good for playing with teacher for 1 snare drum, just to play the snare drum part. Good for exercise snar drum technique.
$4.50
33 Tears (for percussion trio)
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Mu...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Percussion Ensemble
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,St...
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
Firework
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Percussion Ensemble
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EASY
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Pop music
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Katy Perry
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Ryan Jonker
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Firework
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Ryan Jonker
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.870520 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik He...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.870520 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Ryan Jonker. Pop. Score and parts. 31 pages. Ryan Jonker #4988125. Published by Ryan Jonker (A0.870520). Fun and simple percussion ensemble arrangement. Battery parts are included but OPTIONAL - this arrangement will sound good with just the keyboards and drumset. You could also split the drumset and auxiliary parts amongst a few percussionists, and double or reduce mallet parts as needed. If you need adjustments to fit your ensemble, send me an email and I will help you out: ryanjonkermusic@gmail.comThanks for listening! Check out my other arrangements by searching Ryan Jonkerhttps://www.ryanjonkermusic.com.
$24.99
Bad Guy
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Percussion Ensemble
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EASY
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Pop music
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Billie Eilish
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Ryan Jonker
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Bad Guy
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Ryan Jonker
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.870521 By Billie Eilish. By Billie Eilish O'Connell, Billie O Connell, Finneas O Connell, and Fi...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.870521 By Billie Eilish. By Billie Eilish O'Connell, Billie O Connell, Finneas O Connell, and Finneas O'Connell. Arranged by Ryan Jonker. Pop. Score and parts. 32 pages. Ryan Jonker #5281485. Published by Ryan Jonker (A0.870521). Fun and simple percussion ensemble arrangement. Battery parts are included but OPTIONAL - this arrangement will sound good with just the keyboards and drumset. You could also split the drumset and auxiliary parts amongst a few percussionists, and double or reduce mallet parts as needed. If you need adjustments to fit your ensemble, send me an email and I will help you out: ryanjonkermusic@gmail.comThanks for listening! Check out my other arrangements by searching Ryan Jonkerhttps://www.ryanjonkermusic.com.
$24.99
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
The Star Spangled Banner - For Orff Ensemble
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Percussion Ensemble
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EASY
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Americana
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Patriotic
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John Stafford Smith
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Yvonne Johnson
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The Star Spangled Banner - For
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John Stafford Smith. Arranged by Yvonne Johnson. Instructional,Patriotic. Sco...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John Stafford Smith. Arranged by Yvonne Johnson. Instructional,Patriotic. Score and parts. 17 pages. Yvonne Johnson #409847. Published by Yvonne Johnson (A0.802791). Score and Full Set of 8 Parts A fairly easy arrangement of this famous anthem, with performers playing mostly in unison. There are some harmony passages and there are multi-rests in all the parts. Marimba would make a good substitute for the Bass Xyl. The tempo markings are suggested ones only. I hope you enjoy this playing this arrangement!
$3.95
Ghosts in the Cave
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Percussion Ensemble
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INTERMEDIATE
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Jerod Nunley
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Ghosts in the Cave
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Jerod Nunley
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley #3377699. Published by Jerod Nunley (A0.1011451). Written for Glockenspiel duet, the spooky nature of this piece is represented through a tone row built off of Prime: D-Flat, F, E-Flat, A-Flat, G-Flat, E, A, D, B-Flat, C, G, B. The piece is strictly serial in nature, following the existing permutations of a tone row first experimented with by Arnold Schoenberg.The piece gives off a mysterious and spooky feel. Good for any small chamber ensemble.
$3.99
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