Download Digital Sheet Music of He's Not Here for Percussion Ensemble

Sheetmusic to print

Free
Sheet Music
3

Digital
Sheet Music
2

Sheet Music
Books
16

He's Not Here
Percussion Ensemble

Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)

Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by FlÃ¡vio RÃ©gis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schÃ¶ne GalathÃ©e (The Beautiful Galatea) is an operetta in two acts by Franz von SuppÃ© to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal mÃ¶cht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from SÃ£o Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von SuppÃ© was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schÃ¶ne GalathÃ©e was Franz von SuppÃ©'s first critical success. The sculptor Pygmalion has fallen madly in love with his statue of GalathÃ©e and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but GalathÃ©e turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches GalathÃ©e in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.

#SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some playersâ€™ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekerÃ©/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekerÃ©. Rhythmic vamps of multiple bars form the landscape over which the tromboneâ€™s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burtonâ€™s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionistsâ€™ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekerÃ©/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

#Gordon Cherry