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106
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60
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35
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25
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18
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15
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12
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12
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8
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6
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5
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5
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5
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2
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2
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1
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1
Lyrics only
1
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145
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75
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65
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60
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59
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59
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59
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58
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51
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51
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49
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43
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42
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25
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Baritone Saxophone, Piano
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Oboe
17
2 Recorders (duet)
16
3 Clarinets (trio)
16
Flute, Clarinet (duet)
16
Harmonica
15
Clarinet Ensemble
14
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12
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12
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11
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11
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9
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8
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7
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6
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31
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27
2 Trombones (duet)
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26
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17
Tuba and Piano
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12
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9
Trumpet, Horn (duert)
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7
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7
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5
2 French horns (duet)
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English Horn
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3 Trombones (trio)
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2 Tubas (duet)
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3 Trumpets (trio)
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STRINGS
Violin
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153
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Harp
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88
Viola
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69
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58
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49
Cello
48
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38
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36
2 Cellos (duet)
35
Double Bass
30
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25
Violin, Viola (duet)
25
String Trio: violin, viola, cello
23
Double bass, Piano (duet)
16
Harp, Voice
13
2 Violas (duet)
12
Harp, Flute (duet)
12
Harp (band part)
11
Viola, Cello (duet)
10
String Trio: 2 violins, cello
9
Piano Trio: Violin, Viola, Piano
9
Harp, Violin (duet)
8
String trio
6
String Trio: 3 violins
6
4 Cellos
4
String Trio: 3 cellos
4
String Quintet: 2 violins, viola, cello, bass
3
Harp and Piano
3
String quartet: 4 violins
3
2 Violins, Piano
3
Viola and Harp
2
Harp and mandolin
2
String Trio: 2 violins, viola
2
2 Violas, Piano
1
Harp, Trombone (duet)
1
Cello, Organ
1
Cello Ensemble
1
String Trio: 3 violas
1
Harp, Cello (duet)
1
Violin, Trumpet and Piano
1
Cello, String Bass (duet)
1
Autoharp
1
2 Cellos, Piano
1
Violin, Clarinet, Piano (trio)
1
String Quintet: 2 violins, viola, 2 cellos
1
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PERCUSSION & ORCHESTRA
Concert band
335
Orchestra
145
Handbells
105
Brass ensemble
72
String Orchestra
64
Percussion (band part)
56
Drums
54
Marching band
43
Jazz Ensemble
36
Drum (band part)
28
Chamber Orchestra
21
Jazz combo
14
Percussion Ensemble
13
Xylophone
12
Marimba
6
Percussion
5
Timpani
3
Woodwind Quintet
3
Woodwind Quartet: any 4 woodwinds
2
3 Marimbas
1
Vibraphone
1
Piano and Orchestra
1
Snare drums
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Xylophone, Piano
1
Brass Quintet: other combinaisons
1
Flexible Instrumentation
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OTHERS
Musical course - Solfege
21
Music Theory
2
You've selected:
Mary
Percussion Ensemble
Sheetmusic to print
13 sheet music found
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1
Mary, Did You Know?
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.929021 By Kathy Mattea. By…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.929021 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Mark McCafferty. Country. Score and parts. 13 pages. Mark McCafferty #3676057. Published by Mark McCafferty (A0.929021). Need a soca Christmas tune? Look no further! Enjoy Mary, Did You Know? in a non-standard rendition that everyone will love!
$20.00
18.49 €
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Percussion Ensemble
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Kathy Mattea
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Mary, Did You Know?
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Mark McCafferty
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SheetMusicPlus
Mary And Yankee - For Orff Ensemble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767897 Composed by Traditi…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.767897 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Standards. Score and parts. 19 pages. Yvonne Johnson #2891245. Published by Yvonne Johnson (A0.767897). 2 well known traditional folk tunes arranged for Orff ensemble. The two pieces have been arranged to follow each other but they could also be played as separate pieces.
$3.95
3.65 €
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Percussion Ensemble
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Traditional
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Mary And Yankee - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Mary Had A Little Lamb for 8 Notes Diatonic Boomwhackers
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.527053 Arranged by Roxana …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.527053 Arranged by Roxana Belibou. Children,World. Score and parts. 1 pages. Roxana E Belibou #4836353. Published by Roxana E Belibou (A0.527053).
$4.99
4.61 €
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Percussion Ensemble
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Mary Had A Little Lamb for 8 Notes Diatonic Boomwhackers
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Roxana E Belibou
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SheetMusicPlus
Hosanna, Loud Hosanna - Full Score and Inst. Parts
Percussion Ensemble
Percussion - Digital Download Composed by Mary Kay Parrish. Palm Sunday. With Conga …
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Percussion - Digital Download Composed by Mary Kay Parrish. Palm Sunday. With Conga (Djembe), Claves, Triangle, Tambourine. Score and parts. 16 pages. Chorister's Guild - Digital #CGB441. Published by Chorister's Guild - Digital
$11.95
11.05 €
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Percussion Ensemble
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Mary Kay Parrish
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Hosanna, Loud Hosanna - Full Score and Inst. Parts
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Chorister's Guild - Digital
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SheetMusicPlus
Silent Night Prelude for percussion octet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.61 €
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Percussion Ensemble
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Franz Xaver Gruber
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
[Shultis] Experimental Music and Writings (1988 - 1994)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.952664 Composed by Christopher Shult…
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Percussion Ensemble - Digital Download SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95
18.44 €
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Percussion Ensemble
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Christopher Shultis
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[Shultis] Experimental Music and Writings
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American Composers Alliance Inc.
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SheetMusicPlus
Fanfare For Percussion
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.854290 Composed by Steven …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.854290 Composed by Steven Morton. Concert,Graduation. Score and parts. 13 pages. Steven Morton #5317049. Published by Steven Morton (A0.854290). Scored for timpani and untuned percussion, this fanfare is well suited for late primary to early high school students. The piece will work well as a concert opener or processional for your end of year school presentation / graduation.
$26.95
24.91 €
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Percussion Ensemble
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Steven Morton
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Fanfare For Percussion
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Steven Morton
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
277.34 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.67 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.61 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.61 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Kookaburra (kookaburra Sits In The Old Gum Tree)
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.738263 Composed by Marion …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.738263 Composed by Marion Sinclair. Arranged by Fiona Hickie. Contemporary,Folk,Instructional,Multicultural,World. Score and parts. 26 pages. Fiona Alice Hickie #6232675. Published by Fiona Alice Hickie (A0.738263). An arrangement of Kookaburra for the primary/elementary school music class. It includes sheet music and teaching resources. It is for voice, soprano xylophone, and 2 alto xylophone parts. A tambourine is also used in the round.•Song: Melody and sheet music for the instrumental parts.
$12.99
12.01 €
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Percussion Ensemble
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Marion Sinclair
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Kookaburra
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Fiona Alice Hickie
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SheetMusicPlus
Vom Mitleiden Maria by Franz Schubert - Percussion, Standard/Percussion;Standard
Percussion Ensemble
Franz Schubert - Vom Mitleiden Maria - "Of Mary's Suffering" Digital Sheetm…
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Franz Schubert - Vom Mitleiden Maria - "Of Mary's Suffering" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Percussion Ensemble, instruments: Bass Drum;Marimba;Vibraphone; 1 pages -- Classical
$5.25
4.85 €
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Percussion Ensemble
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Percussion, Standard/Percussion;Standard
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Musicnotes
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