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PIANO & KEYBOARDS

Piano solo 86 Piano, Voice 51 Piano, Vocal and Guitar 28 Easy Piano 21 Piano Accompaniment 6

1 Piano, 4 hands 4 C Instruments 3 2 Pianos, 4 hands 2 Harpsichord 1

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GUITARS

Guitar notes and tablatures 6 Guitar 4 Bass guitar 2 Melody line, (Lyrics) and Chords 1 3 Guitars (trio) 1

2 Guitars (duet) 1

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VOICE

Choral SATB 32 Choral 3-part 7 Choral 2-part 4 Choral Unison 3 Choral TTBB 3

Alto voice, Piano 2 Voice solo 2 Choral SSAA 1 High voice 1 Choral SSATTB 1

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WOODWIND

Flute and Piano 10 Saxophone (band part) 10 3 Saxophones (trio) 10 Clarinet 8 Alto Saxophone 8

Saxophone Quartet: 4 saxophones 7 Oboe, Piano (duet) 7 Clarinet and Piano 7 Soprano Saxophone and Piano 7 Alto Saxophone and Piano 7 Tenor Saxophone and Piano 7 Flute 7 Tenor Saxophone 7 Baritone Saxophone, Piano 6 Oboe (band part) 5 Clarinet Quartet: 4 clarinets 5 English Horn 5 Oboe, Clarinet, Bassoon (trio) 4 2 Saxophones (duet) 4 Flute, Oboe, Clarinet, Bassoon 4 English horn, Piano 4 Flute, Oboe, Clarinet (trio) 4 Flute ensemble 4 2 Flutes (duet) 3 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3 Baritone Saxophone 2 Soprano Saxophone 2 Oboe 2 Clarinet Ensemble 2 Flute Quartet: 4 flutes 2 Flute, Clarinet (duet) 2 Flute, Violoncello 1 Flute, Violin and Violoncello 1 Flute, Clarinet and Bassoon. 1 Wind ensemble 1 Saxophone Quintet: 5 Saxophones 1 Clarinet Quintet: 5 clarinets 1

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WOODBRASS

Brass Quartet: 4 trombones 13 Trumpet, Piano 8 French Horn and Piano 7 Tuba 7 Trombone and Piano 7

French horn 7 Tuba and Piano 6 Trombone 6 2 Trumpets (duet) 6 English Horn 5 Brass Quintet: 2 trumpets, horn, trombone, tuba 5 Brass Quartet: 2 trumpets, horn, trombone 4 English horn, Piano 4 Trumpet (band part) 4 Trumpet 4 Brass quartet : 2 trumpets, trombone, tuba 3 Trumpet, Trombone (duet) 2 2 Tubas (duet) 2 Trumpet ensemble 2 2 Trombones (duet) 2 Euphonium, Piano (duet) 1 Brass Trio 1 Brass Quartet: 4 horns 1 Trombone (band part) 1 Trombone ensemble 1 Brass Quartet 1

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STRINGS

String Quartet: 2 violins, viola, cello 21 Violin and Piano 11 Violin 11 Cello 10 Viola, Piano 9

Cello, Piano 8 Viola 8 Double Bass 7 String Trio: violin, viola, cello 7 Double bass, Piano (duet) 6 2 Violins (duet) 4 Viola (band part) 4 Harp 3 2 Harps (duet) 2 4 Cellos 2 Violin, Cello (duet) 1 Doublebass (band part) 1 String Quartet : 4 violas 1 Violin (band part) 1 String quartet: 4 violins 1

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PERCUSSION & ORCHESTRA

Concert band 16 String Orchestra 16 Orchestra 6 Brass ensemble 6 Chamber Orchestra 5 Handbells 4 Marching band 2 Percussion Ensemble 2

2 Marimbas 1 Drums 1 Jazz Ensemble 1 Piano and Orchestra 1

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We Have Each Other

Percussion Ensemble

Sheetmusic to print

2 sheet music found

Gravity for Septet Percussion Ensemble

Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, Iâ€™ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, Iâ€™ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, Iâ€™ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we donâ€™t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. Iâ€™ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.

$16.99 15.66 € #Percussion Ensemble #MohammadHadi Ayanbod #Gravity for Septet #Rimorarte Edition #SheetMusicPlus

Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet Percussion Ensemble

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$5.00 4.61 € #Percussion Ensemble #Joshua Hauser # #Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion #Slide Ride #SheetMusicPlus