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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
We Two
Not classified
802
Piano & keyboards
Piano solo
238
Piano Accompaniment
75
Piano, Vocal and Guitar
72
Piano, Voice
64
Easy Piano
44
Organ
41
2 Pianos, 4 hands
34
1 Piano, 4 hands
27
C Instruments
11
Piano Trio: piano, violin, cello
9
Organ, Trumpet (duet)
6
Piano Quartet: piano, violin, viola, cello
5
Piano Quartet: piano, 2 violins, cello
3
Organ, Piano (duet)
2
Piano (band part)
1
Melody line, Piano
1
Harpsichord
1
Accordion
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29
Guitar
15
Piano, Guitar (duet)
7
Melody line, (Lyrics) and Chords
5
2 Guitars (duet)
5
4 Guitars (Quartet)
3
3 Guitars (trio)
2
Guitar (band part)
2
Banjo
1
Ukulele
1
Bass guitar
1
2 Ukuleles
1
Lyrics and Chords
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
186
Choral 2-part
121
Choral Unison
99
Choral 3-part
67
Tenor voice, Piano
20
Choral TTBB
14
Vocal duet, Piano
14
Soprano voice, Piano
14
Vocal duet
14
Choral SSAA
9
Alto voice, Piano
8
Tenor voice
5
Choral
5
Baritone voice, Piano
5
Voice solo
3
High voice
2
Choral SSAATTBB
1
Medium voice, Piano
1
Low voice, Piano
1
Choral SSATTB
1
Soprano voice
1
+ 16 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
94
2 Flutes (duet)
81
2 Clarinets (duet)
64
Clarinet and Piano
44
Flute and Piano
39
Oboe, Piano (duet)
29
Tenor Saxophone and Piano
24
2 Oboes (duet)
24
Saxophone, Clarinet (duet)
22
Saxophone Quartet: 4 saxophones
21
Clarinet, Violin (duet)
20
Flute, Oboe, Clarinet, Bassoon
19
3 Clarinets (trio)
19
Flute, Violin
18
3 Saxophones (trio)
17
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
17
Flute, Clarinet (duet)
16
Alto Saxophone and Piano
16
Flute Quartet: 4 flutes
15
Flute
14
Soprano Saxophone and Piano
14
Clarinet, Trumpet (duet)
14
2 Flutes, Piano
13
2 Recorders (duet)
13
Clarinet Quartet: 4 clarinets
13
Clarinet and Viola
9
Clarinet Ensemble
8
Saxophone ensemble
8
Oboe, Flute
8
Flute, Viola (duet)
8
Oboe, Clarinet (duet)
8
English horn, Piano
8
Flute, Saxophone (duet)
7
Clarinet
7
Oboe, Bassoon (duet)
7
Descant (Soprano) Recorder
6
Flute, Clarinet, Piano (trio)
6
Baritone Saxophone, Piano
6
Flute ensemble
5
Clarinet, Cello (duet)
5
Flute, Trumpet (duet)
5
Recorder Quartet
4
2 Clarinets, Piano
4
Descent (Soprano) Recorder, Piano
4
Alto Saxophone
4
Flute Trio: 3 flutes
4
Clarinet, Bassoon (duet)
4
Flute, Violin and Violoncello
4
Flute, Viola and Piano
3
Clarinet Quintet: 5 clarinets
3
Flute, Violin, Piano
3
Bass Clarinet, Piano
3
Flute, Clarinet and Bassoon.
3
Clarinet, Cello, Piano (trio)
3
Wind ensemble
2
Tenor Saxophone
2
2 Flutes and Harp
2
Saxophone Quintet: 5 Saxophones
2
Flute, Cello, Piano (trio)
2
Flute, trombone and piano
2
Clarinet, Trombone (duet)
1
Flute Quintet : 5 flutes
1
Clarinet, trumpet and piano
1
Bass Clarinet
1
Flute and Strings Trio
1
English horn, Harp (duet)
1
Clarinet, Harp (duet)
1
Flute, Bassoon, and Piano
1
Flute (band part)
1
Recorder, Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Recorder Ensemble
1
Saxophone (band part)
1
Flute, Oboe, Piano (trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Violin (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe (duet)
1
Flute, Cello, Guitar
1
+ 75 instrumentations
-
Retract
Woodbrass
2 Trumpets (duet)
46
Brass Quintet: 2 trumpets, horn, trombone, tuba
43
2 Trombones (duet)
41
Trombone and Piano
22
Trumpet, Piano
19
Trumpet, Saxophone (duet)
17
Trumpet, Trombone (duet)
15
Brass quartet : 2 trumpets, trombone, tuba
15
2 French horns (duet)
13
Brass Quartet: 2 trumpets, horn, trombone
13
French Horn and Piano
9
Trumpet
8
English horn, Piano
8
Trombone
8
Euphonium, Piano (duet)
7
Tuba and Piano
6
Brass Quartet
5
Trombone ensemble
5
2 Trumpets, Keyboard (piano or organ)
4
2 Tubas (duet)
4
Tuba
4
Trombone (band part)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Brass Quartet: 4 trombones
3
Trumpet, Cello, Piano
2
Brass Trio
2
Brass Quartet: 4 trumpets
2
French horn
2
Trumpet, Horn (duert)
1
Horn, Cello (duet)
1
Trumpet ensemble
1
French horn (band part)
1
English horn, Harp (duet)
1
Trombone, Tuba (duet)
1
Trumpet, Cello (duet)
1
3 French horns (trio)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Tuba and Organ
1
2 Trombones, Piano
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
98
2 Violins (duet)
79
String Trio: violin, viola, cello
74
2 Cellos (duet)
53
Harp
50
Violin and Piano
44
Violin, Cello (duet)
39
2 Violas (duet)
35
Viola, Piano
27
Cello, Piano
20
Violin, Viola (duet)
18
String Trio: 2 violins, cello
18
Violin
16
Cello
10
2 Harps (duet)
9
String Trio: 2 violins, viola
9
String Quintet: 2 violins, viola, cello, bass
8
Harp, Flute (duet)
6
4 Cellos
5
Violin (band part)
5
Piano Trio: Violin, Viola, Piano
5
Double bass, Piano (duet)
4
Harp, Violin (duet)
4
2 Violins, Piano
4
String quartet: 4 violins
4
Viola, Cello (duet)
4
Violin, Clarinet, Piano (trio)
4
String trio
4
Viola (band part)
3
String Trio: 3 cellos
3
String Trio: 3 violins
3
2 Cellos, Piano
2
Harp and Piano
2
Doublebass (band part)
2
String Quartet : 4 violas
2
4 Double Basses
1
Cello (band part)
1
Viola
1
Violin, Bassoon (duet)
1
Double Bass
1
Viola and Harp
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
135
Brass ensemble
49
Handbells
45
String Orchestra
41
Orchestra
30
Marching band
24
Jazz Ensemble
10
Chamber Orchestra
8
Percussion Ensemble
7
Marimba
4
Jazz combo
4
2 Marimbas
1
Orchestra, Violin
1
Piano and Orchestra
1
Drum (band part)
1
+ 10 instrumentations
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Retract
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We Two
Percussion Ensemble
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7 sheet music found
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1
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Splashed Out
#
Percussion Ensemble
#
BEGINNER
#
Contemporary
#
Jayne Groves, Matt Moore
#
Splashed Out
#
M Moore & J Groves
#
SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & ...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
Gravity for Septet
#
Percussion Ensemble
#
ADVANCED
#
Contemporary
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Percussion Sextet
#
Percussion Ensemble
#
EASY
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Come To Me
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,P...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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