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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
no title
Not classified
1,332
Piano & keyboards
Piano solo
2,787
Piano, Voice
981
Piano, Vocal and Guitar
538
Easy Piano
409
Organ
190
1 Piano, 4 hands
142
2 Pianos, 4 hands
75
Accordion
41
Piano Accompaniment
41
Piano Trio: piano, violin, cello
39
Piano (band part)
22
C Instruments
21
Piano Quartet: piano, violin, viola, cello
9
Big Note Piano
7
Organ, Piano (duet)
4
Organ, Trumpet (duet)
3
Piano Quintet: piano, 2 violins, viola, cello
3
2 Accordions
2
Accordion ensemble
2
2 Pianos, 8 hands
2
Keyboard
2
1 Piano, 6 hands
1
Piano Quartet: piano, 2 violins, cello
1
Accordion, String(s)
1
Organ, Voice
1
+ 20 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
510
Guitar
277
Melody line, (Lyrics) and Chords
105
Lyrics and Chords
88
2 Guitars (duet)
60
Bass guitar
47
4 Guitars (Quartet)
43
Ukulele
43
Guitar (band part)
35
Guitar Ensemble
19
3 Guitars (trio)
15
Dulcimer
14
Mandolin
10
Banjo
8
2 Dulcimers (duet)
6
Lap Steel Guitar
2
Piano, Guitar (duet)
2
Guitar, String Quartet
2
Guitar, Violin, Cello (trio)
2
Mandolin, Guitar (duet)
2
Guitar, Orchestra
1
Electric Bass (band part)
1
2 Ukuleles
1
Mandolin, Piano (duet)
1
2 Guitars and Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
368
Voice solo
91
Choral 3-part
87
Choral
39
Choral 2-part
36
Choral TTBB
28
Choral SSAA
26
Vocal duet, Piano
17
Choral Unison
7
Voice, Guitar
6
Baritone voice, Piano
5
Tenor voice, Piano
4
Alto voice, Piano
4
High voice
3
Soprano voice, Piano
3
Choral, Organ
3
Medium voice, Piano
2
Mezzo-Soprano voice, Piano
2
Vocal duet
2
Low voice, Piano
2
Choral SSATB
2
Soli, Mixted choir and accompaniment
1
High voice, Piano
1
Medium Voice
1
Choral SAATB A Cappella
1
Choral SSAATB
1
Choral SSAATTBB
1
Choral SATBB
1
+ 23 instrumentations
-
Retract
Woodwind
Clarinet (band part)
294
Saxophone (band part)
291
Flute and Piano
206
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
183
Clarinet Quartet: 4 clarinets
145
Saxophone Quartet: 4 saxophones
134
Clarinet and Piano
122
2 Flutes (duet)
110
Flute (band part)
97
Flute
68
Clarinet Quintet: 5 clarinets
62
Clarinet
61
Flute and Guitar
60
Flute, Oboe, Clarinet, Bassoon
57
Oboe (band part)
56
2 Clarinets (duet)
55
Flute Quartet: 4 flutes
55
Recorder Quartet
51
2 Saxophones (duet)
48
Alto Saxophone and Piano
48
Saxophone Quintet: 5 Saxophones
45
Oboe, Piano (duet)
45
3 Clarinets (trio)
38
Flute ensemble
37
Tenor Saxophone and Piano
34
Clarinet Ensemble
32
Recorder
30
Oboe
28
3 Recorders (trio)
28
Saxophone ensemble
23
Flute Trio: 3 flutes
23
Flute, Clarinet (duet)
23
Alto Saxophone
22
3 Saxophones (trio)
21
Soprano Saxophone and Piano
21
2 Oboes (duet)
19
5 Recorders
18
2 Recorders (duet)
18
Tenor Saxophone
15
Flute, Oboe, Clarinet (trio)
14
Flute, Violin, Piano
14
Bass Clarinet, Piano
13
Flute Quintet : 5 flutes
13
Wind ensemble
12
Bass Clarinet
12
English horn, Piano
11
Baritone Saxophone, Piano
11
Saxophone
9
Piccolo
9
2 Flutes, Piano
9
Recorder Ensemble
8
Clarinet, Guitar (duet)
8
Flute and String Quartet
7
Oboe, Flute
7
Oboe, Bassoon (duet)
7
Flute, Clarinet and Bassoon.
6
Eb Instruments
6
Saxophone and Piano
6
Clarinet, Violin (duet)
5
Flute, Orchestra
5
English Horn
5
Clarinet, Bassoon (duet)
4
Saxophone, Clarinet (duet)
4
3 Oboes
4
Flute, Clarinet, Piano (trio)
4
Clarinet, Cello (duet)
4
Flute, Oboe, Bassoon
3
Oboe, Clarinet, Bassoon (trio)
3
Treble (Alto) Recorder, Basso continuo
3
Recorder, Guitar (duet)
3
2 Oboes and Basson
3
Pennywhistle
3
Soprano Saxophone
3
Clarinet, String quartet and Piano
3
Descant (Soprano) Recorder
3
Oboe, Bassoon and Piano
2
2 Clarinets, Piano
2
Clarinet, Trumpet (duet)
2
Flute, Violoncello
2
Piccolo, Piano
2
Flute, Trombone (duet)
2
Oboe ensemble
2
Oboe and String quartet
2
Clarinet, Orchestra
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Oboe, Guitar (duet)
2
Flute and Strings Trio
1
Flute, Viola (duet)
1
2 English horns and Pianoforte
1
Recorder, Piano
1
Flute, Saxophone (duet)
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, Violin
1
Oboe, Clarinet (duet)
1
Flute, Basso continuo
1
Harmonica
1
Saxophone and Guitar
1
Oboe and Orchestra
1
2 Flutes, Basso continuo
1
Flute, Violin and Violoncello
1
Flute, Oboe, Piano (trio)
1
Pan Flute
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Treble (Alto) Recorder
1
2 Flutes and Harp
1
Clarinet, Cello, Piano (trio)
1
Treble (Alto) Recorder, Piano
1
Descant (Soprano) Recorder, Basso continuo
1
Flute, Violin, Guitar
1
2 Saxophones, Piano
1
Flute, Bassoon, and Piano
1
Clarinet and Viola
1
Flute, Trumpet (duet)
1
+ 108 instrumentations
-
Retract
Woodbrass
Trombone (band part)
283
Brass Quintet: 2 trumpets, horn, trombone, tuba
245
Trumpet (band part)
224
French horn
145
French horn (band part)
119
Tuba (band part)
87
Trumpet, Piano
62
French Horn and Piano
42
Brass Quartet
36
2 Trombones (duet)
34
Trombone and Piano
33
Brass Quartet: 4 trombones
30
Trumpet
30
2 French horns (duet)
28
Tuba
27
Brass quartet : 2 trumpets, trombone, tuba
25
Tuba and Piano
25
2 Trumpets (duet)
24
Trombone
24
Euphonium, Piano (duet)
22
4 Tubas
22
Brass Trio
21
Brass Quartet: 4 horns
17
2 Tubas (duet)
15
Trombone ensemble
13
Cornet
12
English horn, Piano
11
Brass Quartet: 2 trumpets, horn, trombone
10
Euphonium
10
Bass Clef Instruments
7
Tuba or Euphonium or Saxhorn
6
Brass Quartet: 4 trumpets
6
3 Trombones (trio)
5
Bass Trombone
5
3 French horns (trio)
5
3 Trumpets (trio)
5
English Horn
5
2 Trumpets, Keyboard (piano or organ)
5
Bb Instruments
5
2 Euphoniums and 2 Tubas
5
2 Euphoniums (duet)
4
Horn Ensemble
4
Euphonium, Tuba (duet)
4
Horn and Orchestra
3
Trumpet, Trombone (duet)
3
Tuba ensemble
3
Trumpet ensemble
3
Trumpet, Horn (duert)
3
Trumpet, Saxophone (duet)
3
Trumpet, Cello (duet)
1
2 English horns and Pianoforte
1
3 Tubas (trio)
1
Bass Trombone and Piano
1
Trumpet, Trombone, Piano
1
Trombone, Organ
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
+ 51 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
834
Violin (band part)
286
Violin and Piano
245
Harp
209
Cello, Piano
143
Violin
137
Doublebass (band part)
131
Viola
127
2 Violins (duet)
107
Cello (band part)
103
String Trio: violin, viola, cello
84
Viola, Piano
79
2 Cellos (duet)
68
Cello
61
Violin, Cello (duet)
60
String trio
47
4 Cellos
46
Violin, Viola (duet)
43
String Quintet: 2 violins, 2 violas, cello
39
Double Bass
27
2 Violas (duet)
25
2 Harps (duet)
25
String Quintet: 2 violins, viola, cello, bass
22
Cello, Guitar (duet)
22
Piano Trio: Violin, Viola, Piano
22
Viola (band part)
22
Viola, Cello (duet)
17
Cello and Marimba
15
String quartet: 4 violins
14
String Trio: 3 violins
14
Violin, Guitar (duet)
12
String Trio: 3 cellos
11
String Trio: 2 violins, cello
9
String Quintet: 2 violins, viola, 2 cellos
9
Double bass, Piano (duet)
9
String Quartet : 4 violas
8
Cello Ensemble
7
Cello, String Bass (duet)
6
Harp, Violin (duet)
6
Viola, Guitar (duet)
6
Violin, Basso continuo
5
Cello, Orchestra
5
Harp, Cello (duet)
5
2 Double basses (duet)
4
4 Double Basses
4
String Trio: 3 violas
4
2 Cellos, Piano
3
2 Violins, Piano
3
Harp and Organ
3
Harp, Voice
3
Harp, Flute (duet)
3
3 Harps
2
5 Harps
2
Violin ensemble
2
Viola ensemble
2
Violin, Organ
2
String Trio: 2 violins, viola
2
Violoncello, Basso continuo
1
Harp, Orchestra
1
+ 54 instrumentations
-
Retract
Orchestra & Percussion
Concert band
317
Orchestra
281
String Orchestra
244
Percussion (band part)
101
Handbells
100
Jazz Ensemble
74
Brass ensemble
61
Timpani (band part)
52
Chamber Orchestra
44
Piano and Orchestra
39
Marching band
38
Drum (band part)
26
Marimba
25
Percussion
21
Timpani
19
Drums
15
Woodwind Quartet: any 4 woodwinds
13
Woodwind Quintet
12
Percussion Ensemble
9
Snare drums
8
Jazz combo
8
Orchestra, Violin
7
Flexible Instrumentation
5
Xylophone
2
2 Xylophones
2
Marimba and Organ
2
Vibraphone (band part)
1
2 Marimbas
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
+ 25 instrumentations
-
Retract
Others
Stationery
5
Musical course - Solfege
3
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Percussion Ensemble
Sheetmusic to print
9 sheet music found
<
1
Percussion Trio. No. 1 (Overture) - Score Only
#
Percussion Ensemble
#
ADVANCED
#
Daniel Parker
#
Percussion Trio. No. 1
#
A & B Music Publishing
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #8...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #870165. Published by A & B Music Publishing (A0.1278444). Composition Title: Percussion Trio No. 1 (Overture)Composer: Daniel ParkerInstrumentation: Glockenspiel, Xylophone, MarimbaPage size: 9†x 12â€Engraving by: A & B Music PublishingYear: 2023© 2023 Daniel Parker.
$1.99
Symphony No.5 "Posthumous" [score only]
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Percussion Ensemble
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ADVANCED
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Contemporary
#
Colin Bayliss
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Symphony No.5 "Posthumous" [sc
#
Colin Bayliss
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.938485 Composed by Colin Bayliss. Contemporary. Score and parts. 157 pages. Colin Bayliss #25285...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.938485 Composed by Colin Bayliss. Contemporary. Score and parts. 157 pages. Colin Bayliss #25285. Published by Colin Bayliss (A0.938485). The ironic title is explained in the programme notes on the last pages.
$15.00
There's No 'I' in it
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Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Christian McNally
#
There's No 'I' in it
#
Christian McNally
#
SheetMusicPlus
Composed by Christian McNally. For Percussion Ensemble. Modern. Advanced Intermediate. Score,Set of Parts. 18 pages. Published by Christian McNally ...
(+)
Composed by Christian McNally. For Percussion Ensemble. Modern. Advanced Intermediate. Score,Set of Parts. 18 pages. Published by Christian McNally
$14.99
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
#
EASY
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Percussion Ensemble
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
(+)
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Tico Tico
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Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Latin/World Music
#
Zequinha de Abreu
#
Masao Yoshikawa
#
4 1/3ooct
#
Tico Tico
#
Michiko Noguchi
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.794201 Composed by Zequinha de Abreu. Arranged by Masao Yoshikawa. Latin. Score and parts. 17 pa...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.794201 Composed by Zequinha de Abreu. Arranged by Masao Yoshikawa. Latin. Score and parts. 17 pages. Michiko Noguchi #4634091. Published by Michiko Noguchi (A0.794201). Tico Tico / Composed by Zequinha de AbreuTico-Tico no Fubá is the title of a renowned Brazilian choro music piece composed by Zequinha de Abreu in 1917.This arrangement for Marimba Duo. 2 marimbas (5oct. C-C & 4 1/3ooct. A-C Marimba)Score 8 pages,Marimba1 4 pages ,Marima2 4 pages, Total 16 pages.
$5.00
Holiday Bolero for Keyboard Percussion
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Percussion Ensemble
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EASY
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Percussion Ensemble
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Percussion Ensemble
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publi...
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
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