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It's A Sin
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It's A Sin
avanced
Guitar
Sheetmusic to print
22 sheet music found
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1
He's A Pirate
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Guitar
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Geoffrey Zanelli, Hans Zimmer,
#
André Nusa
#
He's A Pirate
#
Andre_Nusa
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1201117 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by André Nusa. Film/TV....
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Solo Guitar - Level 4 - Digital Download SKU: A0.1201117 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by André Nusa. Film/TV. Individual part. 3 pages. Andre_Nusa #799762. Published by Andre_Nusa (A0.1201117). An arrangement for solo guitar of He's a Pirate by Hans Zimmer is a dynamic and exciting interpretation of the original composition. This arrangement is designed for a skilled guitarist with advanced technical abilities. The arrangement captures the iconic melody of He's a Pirate on the higher register of the guitar, while the lower strings provide a driving bassline, the performer may incorporate changes in tempo, dynamics, and phrasing to add excitement and depth to the arrangement. Overall, the arrangement of He's a Pirate is a thrilling and challenging interpretation of the original composition. It showcases the performer's technical and musical abilities and is a valuable addition to any guitarist's repertoire.
$5.99
If It's Magic
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Guitar
#
INTERMEDIATE/ADVANCED
#
Stevie Wonder
#
Alexander Elliott Miller
#
If It's Magic
#
Alexander Elliott Miller
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B,Singer/Songwriter,Soul. Individual part. 6 pages. Alexander Elliott Miller #941567. Published by Alexander Elliott Miller (A0.1356930). This arrangements aims to capture Stevie Wonder's If It's Magic on a solo guitar as a chord melody arrangement representing both Stevie Wonder's vocal melody and the original harp accompaniment.
$4.99
And So It Goes
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Guitar
#
INTERMEDIATE/ADVANCED
#
Billy Joel
#
Nick Mordal
#
And So It Goes
#
Nick Mordal
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joel. Arranged by Nick Mordal. Classical,Folk,Pop,Rock,Singer/Songwriter....
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Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joel. Arranged by Nick Mordal. Classical,Folk,Pop,Rock,Singer/Songwriter. Individual part. 1 pages. Nick Mordal #6294925. Published by Nick Mordal (A0.946418). Transposed from C to D. Billy's piano chord voicings and counterpoint are preserved in this guitar arrangement. Techniques include a precise right hand for string selection of the thick chord voicings, barre and bringing out melodies amidst the chords. It works as accompaniment with a singer or by itself as a solo performance.
$15.00
The Vampire: A Dramatic Theme
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Guitar
#
INTERMEDIATE/ADVANCED
#
Sol Paul Levy
#
Eric J Roth
#
The Vampire: A Dramatic Theme
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Merry-Go-Round Of Life
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Guitar
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Kumiko
#
Will McNicol
#
Merry-Go-Round Of Life
#
Will McNicol
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will Mc...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will McNicol #1054009. Published by Will McNicol (A0.1476486). This full arrangement for fingerstyle guitar is in Open Gm tuning and utilisises a capo placement for the final section. The open tuning allows the beatiful harmonies to really sing and sustain, lending it a very differnt feel to arrangements in standard tuning. It's a deeply satsifying one to play and I hope you enjoy working on it!
$7.50
Larry Williams Compositions- The Guitar Book
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Guitar
#
INTERMEDIATE/ADVANCED
#
Larry Williams
#
Larry Williams Compositions- T
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Larry Andrew Williams
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Will...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Don't Get Around Much Anymore
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Guitar
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INTERMEDIATE/ADVANCED
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Solitude
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Guitar
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INTERMEDIATE/ADVANCED
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Chri...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
Nino o Pernambuquinho
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Guitar
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INTERMEDIATE/ADVANCED
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Miquéias Bandeira
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Miquéias Bandeira
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Nino o Pernambuquinho
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Agógica Edições Musicais
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1475457 By Miquéias Bandeira. By Maestro Duda. Arranged by Miquéias Bandeira. 21st Century,Classical,S...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1475457 By Miquéias Bandeira. By Maestro Duda. Arranged by Miquéias Bandeira. 21st Century,Classical,Singer/Songwriter. Individual part. 2 pages. Agógica Edições Musicais #1053009. Published by Agógica Edições Musicais (A0.1475457). Frevo is infectious, but it's not a very easy rhythm to play on the guitar. In this adaptation I bring the classic Nino o Pernambuquinho by maestro Duda.
$4.99
Blue Wizard (guitar)
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Blue Wizard
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Musicart Publications
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Public...
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Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite
$9.95
IL SATIRO DANZANTE - Solo Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guit
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LINCOLN BRADY
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LIN...
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
IL SATIRO DANZANTE - Solo Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guit
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LINCOLN BRADY
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Pe...
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
Excerpt from the Lyric Suite
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Serenata Española. New completely revised and fingered edition based on original sources,
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Joaquín Malats
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Pedro Jesús Gómez (arranger)
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Serenata Española. New comple
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Vel...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
Yesterday
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Guitar
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Pedro Abreu
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Yesterday
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All Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1281463 By The Beatles. By John Lennon and Paul McCartney. Arranged by Pedro Abreu. 20th Century,Classic...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1281463 By The Beatles. By John Lennon and Paul McCartney. Arranged by Pedro Abreu. 20th Century,Classical,Pop,Singer/Songwriter,Standards. Individual part. 2 pages. All Music #872806. Published by All Music (A0.1281463). This is a classical guitar arrangement of the song Yesterday by Paul McCartney, created by Pedro Abreu. It is written in C major and is intended for classical guitarists. The arrangement is a beautiful rendition of the classic song and is sure to delight fans of both classical guitar and Paul McCartney's great heritage.
$5.00
Landscape I - Standard Guitar Edition
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Pablo Emiliano Fedele
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Landscape I - Standard Guitar
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Pablo Fedele
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SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Landscape I - New Edition
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Pablo Emiliano Fedele
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Landscape I - New Edition
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Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99
Five Popular Persian Ballads for Solo Classic Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Latin/World Music
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Lily Afshar
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Five Popular Persian Ballads f
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Lily Afshar. For Guitar (Classical). World Music. 16 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Lily Afshar. For Guitar (Classical). World Music. 16 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743376. Here, for the first time, Mel Bay Publications offers Persian folk music arranged for the guitar by the Iranian-born, award winning international concert guitarist, Lily Afshar. This collection includes four love songs and a lullaby. These arrangements are extremely lyrical as they depict a singer's nuances and embellishments. Tremolo, harmonic, and muted strumming techniques are used in these tasteful arrangements. Of these five short pieces, four begin with an introduction that establishes the tempo and mood of the piece. These works are ideal for guitarists interested in international programming, those who have never heard Persian music, or for those who are familiar with it and simply love it. Written in standard notation only for the intermediate to advanced guitarist.
$9.99
Achieving Guitar Artistry - Linear Guitar Etudes
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Guitar
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INTERMEDIATE/ADVANCED
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Studies
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William Bay
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Achieving Guitar Artistry - Li
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by...
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Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117143.
This is the flagship book in Mel Bay's Achieving Guitar Artistry series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing.We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique.Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (MB20903) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions.The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certainnotes and passages are to be played.These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.
$17.99
The Complete Laurindo Almeida Anthology of Guitar Solos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Laurindo Almeida
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The Complete Laurindo Almeida
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 176 pages. Published by Mel Bay Publication...
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Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 176 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.
$29.99
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