Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
73
Digital Sheet Music
77
Sheet Music Books
70
Music Equipment
631
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1044
PIANO & KEYBOARDS
Piano, Voice
1280
Piano solo
849
Easy Piano
166
Piano, Vocal and Guitar
129
1 Piano, 4 hands
126
Organ
114
C Instruments
29
2 Pianos, 4 hands
19
Piano Trio: piano, violin, cello
14
Accordion
10
Piano Accompaniment
9
Big Note Piano
6
Piano Quartet: piano, violin, viola, cello
5
Harpsichord
3
Piano (band part)
2
Organ, Piano (duet)
2
2 Accordions
1
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
77
Guitar notes and tablatures
67
Bass guitar
29
2 Guitars (duet)
18
4 Guitars (Quartet)
18
Ukulele
15
Melody line, (Lyrics) and Chords
12
Mandolin
6
Piano, Guitar (duet)
3
Dulcimer
2
Baritone Ukulele
1
Lyrics and Chords
1
Guitar (band part)
1
Banjo
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
313
Soprano voice, Piano
107
Choral 3-part
88
Choral TTBB
48
Tenor voice, Piano
39
Choral SSAA
38
Voice solo
34
High voice
34
Alto voice, Piano
33
Choral Unison
27
Vocal duet, Piano
25
Choral 2-part
22
Baritone voice, Piano
13
Low voice, Piano
11
Vocal duet
10
Medium voice, Piano
9
Choral
8
Tenor voice
6
Soprano voice
6
Mezzo-Soprano voice, Piano
4
Vocal duet, Organ
3
Choral SSAATTBB
3
Choral SATTB
2
Choral Instrumental Pak
2
Medium Voice
1
Choral, Organ
1
Choral SSATTB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
255
Clarinet Quartet: 4 clarinets
164
Flute and Piano
100
Flute Quartet: 4 flutes
95
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
74
Clarinet and Piano
72
2 Saxophones (duet)
69
Alto Saxophone and Piano
68
Tenor Saxophone and Piano
54
Oboe, Piano (duet)
50
2 Clarinets (duet)
46
Flute
45
2 Flutes (duet)
44
Flute, Oboe, Clarinet, Bassoon
41
Soprano Saxophone and Piano
41
Clarinet
33
Recorder Quartet
29
Baritone Saxophone, Piano
28
Alto Saxophone
24
Clarinet Ensemble
24
Flute, Clarinet (duet)
21
Saxophone (band part)
21
Saxophone ensemble
18
Flute ensemble
17
Tenor Saxophone
17
English horn, Piano
16
2 Oboes (duet)
14
Oboe (band part)
13
Clarinet Quintet: 5 clarinets
11
Bass Clarinet, Piano
11
Saxophone Quintet: 5 Saxophones
10
Flute and Guitar
10
Saxophone, Clarinet (duet)
9
Clarinet (band part)
9
Oboe, Bassoon (duet)
8
3 Saxophones (trio)
8
Clarinet, Violin (duet)
8
Descant (Soprano) Recorder
6
Oboe, Clarinet (duet)
6
3 Clarinets (trio)
6
Flute, Violin
6
Clarinet, Trumpet (duet)
5
2 Recorders (duet)
5
Soprano Saxophone
5
Oboe, Flute
5
Flute, Saxophone (duet)
5
Flute Quintet : 5 flutes
4
Flute Trio: 3 flutes
4
2 Clarinets, Piano
4
Piccolo, Piano
4
Flute, Violin and Violoncello
4
Flute, Oboe, Clarinet (trio)
4
Flute, Violin, Piano
4
Flute, Oboe (duet)
3
Flute, Violoncello
3
Clarinet, Guitar (duet)
3
Clarinet, Bassoon (duet)
3
Clarinet and Viola
3
Flute, Trumpet (duet)
3
Flute, Viola (duet)
3
4 Oboes
3
Treble (Alto) Recorder
2
Flute, Oboe, Piano (trio)
2
Flute, Oboe, Bassoon
2
Recorder, Guitar (duet)
2
Recorder, Piano
2
Saxophone
2
Treble (Alto) Recorder, Piano
2
Oboe
2
Baritone Saxophone
2
Clarinet, Harp (duet)
2
Flute, Clarinet, Piano (trio)
2
Clarinet, Cello (duet)
2
English Horn
2
Saxophone and Guitar
2
Harmonica
2
Clarinet, Trombone (duet)
2
5 Recorders
1
Tenor Recorder
1
Flute, Violin, Violoncello and Piano
1
Recorder
1
3 Recorders (trio)
1
Flute, Cello, Piano (trio)
1
Saxophone and Organ
1
Flute, Bassoon, and Piano
1
Oboe, Guitar (duet)
1
Flute, Clarinet and Bassoon.
1
Flute (band part)
1
Ocarina
1
Flute, Cello, Guitar
1
Recorder Ensemble
1
Piccolo
1
Flute, Viola and Piano
1
2 Saxophones, Piano
1
Flute, harp and violin
1
Flute, Basso continuo
1
3 Oboes
1
Oboe, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
59
Trombone and Piano
55
Trumpet, Piano
44
Brass Quartet: 4 trombones
43
French Horn and Piano
43
Brass Quartet: 4 horns
42
Trumpet
38
Brass quartet : 2 trumpets, trombone, tuba
32
Tuba and Piano
26
2 Trumpets (duet)
22
Euphonium, Piano (duet)
20
English horn, Piano
16
2 Trombones (duet)
15
Trombone
15
Trumpet, Trombone (duet)
14
French horn
14
Brass Quartet: 4 trumpets
13
Trombone (band part)
11
Brass Quartet: 2 trumpets, horn, trombone
11
4 Tubas
10
2 French horns (duet)
8
Trumpet, Saxophone (duet)
8
Tuba
8
Trumpet (band part)
7
Trumpet, Horn (duert)
6
Trombone ensemble
6
3 Trombones (trio)
4
Trumpet ensemble
4
2 Tubas (duet)
4
French horn (band part)
3
Euphonium
3
2 Euphoniums and 2 Tubas
3
Brass Quartet
2
Trombone, Horn (duet)
2
Horn, Tuba (duet)
2
Bass Trombone and Piano
2
English Horn
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Trumpet and Guitar
1
Tuba ensemble
1
Horn Ensemble
1
Brass Trio
1
Trumpet, violin (duet)
1
French Horn and Harp
1
Trumpet, Cello (duet)
1
Trumpet, Harp
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
225
Violin and Piano
121
Cello, Piano
78
Viola, Piano
69
String Trio: violin, viola, cello
63
Harp
62
Violin, Cello (duet)
59
Violin
51
2 Violins (duet)
44
4 Cellos
43
Cello
40
2 Cellos (duet)
34
2 Violas (duet)
28
Double bass, Piano (duet)
21
Viola
21
Violin, Viola (duet)
19
String quartet: 4 violins
17
Violin (band part)
16
Double Bass
14
String Quartet : 4 violas
14
String Trio: 2 violins, cello
12
Viola (band part)
12
Violin, Guitar (duet)
10
Viola, Cello (duet)
9
String Quintet: 2 violins, viola, cello, bass
6
String Trio: 2 violins, viola
5
Doublebass (band part)
5
Cello (band part)
5
2 Harps (duet)
4
Harp, Violin (duet)
4
Cello, Guitar (duet)
4
Viola, Guitar (duet)
4
String Trio: 3 cellos
4
Cello, String Bass (duet)
3
String trio
2
Piano Trio: Violin, Viola, Piano
2
4 Double Basses
2
Harp, Flute (duet)
2
String Quintet: 2 violins, 2 violas, cello
2
Violin, Organ
2
String Trio: 3 violins
2
Violin, Basso continuo
2
Harp, Cello (duet)
1
Cello, Organ
1
Violin ensemble
1
Flute, Doublebass (duet)
1
Harp, String quartet
1
String Trio: 3 violas
1
Violin, Bassoon (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
157
Concert band
148
String Orchestra
90
Drums
80
Chamber Orchestra
61
Brass ensemble
47
Jazz Ensemble
33
Handbells
24
Jazz combo
9
Marimba
9
Percussion Ensemble
6
Percussion (band part)
5
Marching band
4
Flexible Instrumentation
3
Drum (band part)
1
2 Xylophones
1
Big band
1
Percussion
1
Vibraphone
1
Marimba and Organ
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Aria 4
Guitar
Sheetmusic to print
77 sheet music found
<
1
26
51
76
Romance Variations
Guitar
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Pub…
(+)
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.
$14.99
13.82 €
#
Guitar
#
Rico Dwight Stover
#
Romance Variations
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Ave Maria
Guitar
Composed by Franz Liszt (1811-1886). Arranged by John Trie. Sacred, Christmas, Baroque Per…
(+)
Composed by Franz Liszt (1811-1886). Arranged by John Trie. Sacred, Christmas, Baroque Period, Classical Period. Sheet Music Single. 4 pages. Published by john Trie (S0.11825). - Sheet Music Single - Sacred,Christmas,Baroque Period,Classical Period - john Trie
$5.99
5.52 €
#
Guitar
#
Franz Liszt
#
Ave Maria
#
john Trie
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
Guitar
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Ar…
(+)
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
4.15 €
#
Guitar
#
Johann Sebastian Bach
#
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
#
Valery Dzyabenko
#
SheetMusicPlus
In Bulgarian Mood
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #735957. Published by Plamen Petrov (A0.1135932). An expressive piece for solo guitar with Bulgarian folk motifs.
$5.00
4.61 €
#
Guitar
#
Plamen Petrov
#
In Bulgarian Mood
#
Plamen Petrov
#
SheetMusicPlus
Bulgarian Colours
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #733509. Published by Plamen Petrov (A0.1133356). Guitar solo. Bulgarian Folk nuanses.
$5.00
4.61 €
#
Guitar
#
Plamen Petrov
#
Bulgarian Colours
#
Plamen Petrov
#
SheetMusicPlus
Three Bulgarian Legends
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. 6 pages. Plamen Petrov #900745. Published by Plamen Petrov (A0.1311810). Mystical and lovely music with bulgarian folk motives .
$4.00
3.69 €
#
Guitar
#
Plamen Petrov
#
Three Bulgarian Legends
#
Plamen Petrov
#
SheetMusicPlus
Aria For Solo Guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.955299 Composed by Neal Fitzpatric…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.955299 Composed by Neal Fitzpatrick. Contemporary,New Age,Standards. Individual part. 4 pages. Neal Fitzpatrick Editions #4895015. Published by Neal Fitzpatrick Editions (A0.955299).
$5.99
5.52 €
#
Guitar
#
Neal Fitzpatrick
#
Aria For Solo Guitar
#
Neal Fitzpatrick Editions
#
SheetMusicPlus
Aria (from Watermusic)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1255202 By Svetlin Markov. By George Fr…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1255202 By Svetlin Markov. By George Frideric Handel. Arranged by Svetlin Markov. Baroque. 12 pages. Svetlin Markov #848765. Published by Svetlin Markov (A0.1255202). An arrangement for 4 guitars or guitar ensemble.
$1.99
1.83 €
#
Guitar
#
Svetlin Markov
#
Aria
#
Svetlin Markov
#
SheetMusicPlus
Bulgarian Ballad
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1137190 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1137190 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Historic. Individual part. 4 pages. Plamen Petrov #737391. Published by Plamen Petrov (A0.1137190). A mistic piece for guitar solo. In three voices. 9/8 time.
$5.00
4.61 €
#
Guitar
#
Plamen Petrov
#
Bulgarian Ballad
#
Plamen Petrov
#
SheetMusicPlus
Hungarian Rhapsody
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula.…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435. Published by Mihajlo Vihula (A0.993059). Hungaria Rhapsody op.124 for guitar by Mihajlo Vihula and dedicated to Monika Minár classical guitarist. .
$8.40
7.74 €
#
Guitar
#
Mihajlo Vihula
#
Hungarian Rhapsody
#
Mihajlo Vihula
#
SheetMusicPlus
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages. Mfp Éditions #1037154. Published by Mfp Éditions (A0.1458179). Composer : Johann Sebastian BachArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highterTwo pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pagesTwo great cantata arias arranged for solo guitar.Zion Hört Die Wächter Singen:6th string in D – (Capo I). From cycle II.Schafe Können Sicher Weiden:6th string in C.
$30.00
27.66 €
#
Guitar
#
Johann Sebastian Bach
#
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
#
Mfp Éditions
#
SheetMusicPlus
2 Arias
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graup…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Individual part. 4 pages. Apt4guitar #4793595. Published by apt4guitar (A0.789455). Contents: Arias GWV 810 & GWV 821
$3.50
3.23 €
#
Guitar
#
Christoph Graupner
#
GWV 821
#
2 Arias
#
apt4guitar
#
SheetMusicPlus
Theme and Variation (from 4 Easy Pieces)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. J. Cornell Publications #818114. Published by A. J. Cornell Publications (A0.1221823). Mertz’s “Theme and Variation†(from 4 Easy Pieces) for solo classical guitar.
$1.99
1.83 €
#
Guitar
#
Johann Kaspar Mertz
#
Theme and Variation
#
A. J. Cornell Publications
#
SheetMusicPlus
Variation über ein Thema von Haydn
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahm…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahms. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 4 pages. Songbooks.info #904103. Published by songbooks.info (A0.1315371). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.3 €
#
Guitar
#
Johannes Brahms
#
Variation über ein Thema von Haydn
#
songbooks.info
#
SheetMusicPlus
Ave Maria (F. Schubert) for solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1035931 Composed by Franz Schubert…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1035931 Composed by Franz Schubert. Arranged by Fabio de Simone. Classical. Individual part. 4 pages. Fabio de Simone #640966. Published by Fabio de Simone (A0.1035931). Ave Maria (D.839, Op. 52 No. 6) of Franz Schubert arranged for solo guitar.
$15.00
13.83 €
#
Guitar
#
Franz Schubert
#
Ave Maria
#
Fabio de Simone
#
SheetMusicPlus
Alla Maniera Ungherese No.4
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1041535 By Jozsef Ludvig. By Jozse…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1041535 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646289. Published by Koncert 1234 Kft (A0.1041535). Alla Maniera Ungherese No.4 ISRC HU-D26-14-00299 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.77 €
#
Guitar
#
Jozsef Ludvig
#
Alla Maniera Ungherese No.4
#
Koncert 1234 Kft
#
SheetMusicPlus
Hungarian Dance No. 5 for Acoustic Guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.843494 Composed by Johannes Brahms…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.843494 Composed by Johannes Brahms. Arranged by Cássio Silva Chaves. Instructional,Romantic Period,Standards. Individual part. 4 pages. Cassio Silva #6410155. Published by Cassio Silva (A0.843494).
$4.99
4.6 €
#
Guitar
#
Johannes Brahms
#
Hungarian Dance No. 5 for Acoustic Guitar
#
Cassio Silva
#
SheetMusicPlus
25 Sketches - Theme with Variation
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton.…
(+)
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-2159 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2159. Published by Les Productions d'OZ - Digital (ZZ.DZ-2159). ISBN 9782897370763.
$3.95
3.64 €
#
Guitar
#
Mark Houghton
#
25 Sketches - Theme with Variation
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Maria Mari
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1099995 Composed by Alfredo Mazzuc…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1099995 Composed by Alfredo Mazzucchi, Eduardo (dp) Di Capua, and Vincenzo Russo. Arranged by Ivan Paschoito. Standards,Traditional. Individual part. 4 pages. Ivan Paschoito #703864. Published by Ivan Paschoito (A0.1099995). A famous Italian song arranged for classical guitar solo.
$4.99
4.6 €
#
Guitar
#
Alfredo Mazzucchi, Eduardo
#
Maria Mari
#
Ivan Paschoito
#
SheetMusicPlus
Ave Maria (Meditation)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J. S. Bach and Charles Gounod. Arranged by Francisco Tárrega/Ivan Paschoito. 19th Century,Christian,Praise & Worship,Religious,Wedding. Individual part. 4 pages. Ivan Paschoito #860066. Published by Ivan Paschoito (A0.1267529). A revised and commented version from the manuscript of Francisco Tarrega, dated 1900.
$3.99
3.68 €
#
Guitar
#
Francisco Tarrega
#
Ave Maria
#
Ivan Paschoito
#
SheetMusicPlus
Opus 222, no 2 - Ave Maria
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.965955 Composed by A. Jungmann. Ar…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.965955 Composed by A. Jungmann. Arranged by John Trie. 20th Century,Christmas,Classical,Romantic Period,Sacred. Individual part. 4 pages. John Trie #2016515. Published by john Trie (A0.965955). Opus 222, No. 2 - Ave Maria by A. Jungmann. Guitar arrangement by John Trie.
$5.99
5.52 €
#
Guitar
#
A
#
Opus 222, no 2 - Ave Maria
#
john Trie
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version